313 Articles

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Post-media operators: "sovereign & vague" 

No one recognises these powers as their own

(Why Theory?) We have to dispense with the idea that theorising occurs after the creative event; that a poem or a track or a text is made and then, as part of its process of dissemination, there follows the theorising of the piece. Such a theorising is normally attributed to those known variously as critics, reviewers and essayists.

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Post-media Operators 

1.
The record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60's its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit. That fact that it doesn't achieve this harnessing has the remarkable effect of making the 'new' last longer! A longevity that comes from our always being able to place ourselves amidst a continual re-definition of these sounds. Even in terms of format, the profit-orientated shift to a CD market which may have meant that back-catalogues could be re-sold has also worked to deliver an on-line tap of musical history at the same time that vinyl pressing has become cheaper. These and other factors feed into the accelerating mutation that in turn creates a dissatisfaction with what the industry can offer.

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The Flexible Personality: For a New Cultural Critique 

The events of the century's turn, from Seattle to New York, have shown that a sweeping critique of capitalist globalization is possible, and urgently necessary-before the level of violence in the world dramatically increases. The beginnings of such a critique exist, with the renewal of "unorthodox" economics. [1] But now one can look further, toward a critique of contemporary capitalist culture.

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The Fourth World War 

The following text is an excerpt from a talk given by Subcomandante Insurgente Marcos to the International Civil Commission of Human Rights Observation in La Realidad, Chiapas on November 20, 1999. The outline for the talk was published in Letters 5.1 and 5.2 in November of the same year, with the titles "Chiapas: the War: 1, Between the Satellite and the Microscope, the Other's Gaze," and 2, "The Machinery of Ethnocide." Any similarity to the conditions of the current war is purely coincidental. Published in Spanish in La Jornada, Tuesday, October 23, 2001.

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Anonymous statement: Operation Egypt 

Dear Citizens of the World

Anonymous can not, and will not stand idly while people are being denied their basic rights and human liberties. Yet, there are still a lot of governments worldwide who fail to even aspire to the standard of freedom that was set by the Universal Declaration of Human Rights. These governments believe they have the right and privilege to impose upon their own people an 'official' version of 'reality' which isn't in any way tampered by the truths of everyday life under which its citizens are living. Anonymous believes this is an outright crime which can not go unpunished.

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What is Mental Environmentalism? 

A brief history of "The Journal of the Mental Environment."

The core idea behind Adbusters, the essential critique that motivates our struggle against consumer society, is mental environmentalism. And for seventeen years, since the seventh issue of Adbusters was published in 1993, the subtitle of the magazine has been "The Journal of the Mental Environment". But, what exactly is mental environmentalism?

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From the Blogosphere to the Street: The Role of Social Media in the Egyptian Uprising 

While the uprising in Egypt caught most observers of the Middle East off guard, it did not come out of the blue. The seeds of this spectacular mobilization had been sown as far back as the early 2000s and had been carefully cultivated by activists from across the political spectrum, many of these working online via Facebook, twitter, and within the Egyptian blogosphere. Working within these media, activists began to forge a new political language, one that cut across the institutional barriers that had until then polarized Egypt's political terrain, between more Islamicly-oriented currents (most prominent among them, the Muslim Brotherhood) and secular-liberal ones.

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Art and the Paradoxical Citizen 

To the Arts, Citizens: it's a fantastic title. Hearing it, anyone who's been involved in political activism will probably think: "At last we're getting somewhere." The idea that art is part of citizenship, that there is a democratic exercise of the arts within the framework of public life, and that this appeal to the citizen-artist can be supported by a major cultural institution, is about as progressive as you could get today. Especially since this is a direct echo of the French republican tradition, where the phrase, Aux armes citoyens, is nothing less than a call to rise up and institute democracy against tyranny ? in other words, a call to revolution. The Portuguese know the meaning of this revolutionary call to arms from decisive historical events that are still in living memory. So one can imagine that the organizers of this exhibition did not take their title lightly.

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Unknown Quantity - Foreword 

"Contemporary civilization differs in one particularly distinctive feature from those which preceded it: speed. The change has come about within a generation," noted the historian Marc Bloch, writing in the nineteen-thirties. This situation brings in its wake a second feature: the accident. The progressive spread of catastrophic events do not just affect current reality, but produce anxiety and anguish for coming generations.

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Vakuum TV 

VakuumTV was founded in February 1994 on the initiative of László Kistamás. Its members presented weekly broadcasts on Monday nights at the most popular cultural club in Budapest, Tilos az Á. Needless to say, the designation 'VakuumTV' was not meant to refer to any kind of conventional television channel which could be received on TV sets in commercial circulation. Rather, its founders envisioned a live show in which a large frame separating the stage from the audience imitates the experience of watching TV for the audience. Thus VakuumTV can be received only where this frame is set up.

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At Frontiers 

Frequently at frontiers we are asked, "Anything to declare?"

The wisest thing to do when faced with the scrutiny of a border official is to say that you have "nothing to declare", and quickly move on. Crossing borders usually entails an effort not to say too much, or at least to get by with saying very little. A degree of reticence is the mark of the wise and experienced traveller.

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Tactical Media in Brazil - Submidialogia conference report 

The four-day conference on the campus of the Universidade Estadual de Campinas (Unicamp) brought together many key persons from the tactical media movement of Brazil and some of their counterparts in the Brasilian government.
The movement is converging from roots in free radio, free software, hardware hacking, art and social movements. It is currently focussed around a large-scale project master-minded by Claudio Prado and supported by the Ministry of Culture: ?Pontos de Cultura? (Culture Spots) which is aiming to empower up to 600 cultural projects with free software-based multimedia production and publication facilities.

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The Brazilian Context 

Many are the social, political or economic problems in Brazil. Socially, there's an extremely unequal distribution of wealth. Such a big social unequality is reflected, for example, in the extreme differences between the center and the periphery in the big cities, regional unequalities, criminality, racism. Besides that, we live in an unnoficial police state that acts in defense of the elites, murdering and arresting poorer citzens, because of the color of their skin or social condition.

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Tactical Media, the Second Decade 

The tactical media concept originates in post-1989 Europe when political change coincided with a wild phase in thinking about media technologies. It was the decade when both artists and activists started to discover digital technologies on a massive scale. Prizes dropped and expectations rose to incredible heights.

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