The Zapatista Tactical FloodNet 

A collaborative, activist and conceptual art work of the net

• electronic disturbance,
• zapatista

About WikiLeaks 

Introduction to WikiLeaks, published on the about page of the wikileaks.org website, August 7, 2010.

WikiLeaks is a multi-jurisdictional public service designed to protect whistleblowers, journalists and activists who have sensitive materials to communicate to the public. Since July 2007, we have worked across the globe to obtain, publish and defend such materials, and, also, to fight in the legal and political spheres for the broader principles on which our work is based: the integrity of our common historical record and the rights of all peoples to create new history.

• wikileaks

Palestine the US and Satellite Television 

Sixty-two-year old Jordanian Labibeh Tannous was trying frantically to decide which satellite dish to buy. Should she go for the simple kind that only has the Arab satellite stations that goes for about $100 or should she go for a rotating dish that can pick up European stations as well which can be bought for about $150?

Her interest reflects both how inexpensive satellite dishes have become and the great thirst people throughout the Arab world have to go beyond what their national station is providing in television news.

• Palestine,
• satellite television,
• middle east

Tactical Media After 9-11 

It is tempting to portray '9-11' as a turning point. Gore Vidal warns that, since September 11, the US is in danger of turning into a "seedy imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will not be tolerated." The list of measures to restrict civil liberties, freedom of speech and privacy, or what?s left of it, doesn?t stop. A recent conference in Perth concluded that post-September 11 reporting adds to divisions and stereotypes. "The media's failure to provide more perspectives to news consumers and ask critical questions is fuelling a culture of fear and blame around the world, experts say."

• tactical media,
• 9/11

Participationism (re: Re:Group: Beyond Models of Consensus) 

From: beka economopoulos
Date: June 10, 2010 6:07:12 GMT+02:00
Subject: [iDC] Participationism (was "why do we need physical campuses")

Hi all,
(...) Below is (one of) the curatorial statement(s) of a show that Not An Alternative has curated with Upgrade NY! and Eyebeam, called Re:Group: Beyond Models of Consensus, about the subjects of collaboration and participation. After constant debate, the curatorial committee never came to consensus about the thesis for the show, and so we've presented two distinct positions.
Below is that of our group, Not An Alternative. The opening is tomorrow, with a curators talk at 5pm, so if you're in NY and you're ready for a rumble join us there.
Best, Beka

• art,
• activism,
• participatory media

The Society of the Spectacle @ Bureau of Public Secrets 

Translator's Note to the 2002 translation

There have been several previous English translations of The Society of the Spectacle. I have gone through them all and have retained whatever seemed already to be adequate. In particular, I have adopted quite a few of Donald Nicholson-Smith's renderings, though I have diverged from him in many other cases. His translation (Zone Books, 1994) and the earlier one by Fredy Perlman and John Supak (Black and Red, 1977) are both in print, and both can also be found at the Situationist International Online website.

• Debord,
• situationists

The Situationists and the New Forms of Action in Art and Politics 

The Situationist Movement can be seen as an artistic avant-garde, as an experimental investigation of possible ways for freely constructing everyday life, and as a contribution to the theoretical and practical development of a new revolutionary contestation. From now on, any fundamental cultural creation, as well as any qualitative transformation of society, is contingent on the continued development of this sort of interrelated approach.

• art,
• Debord,
• spectacle,
• situationists

The Logos Fight back 

The culture jammers tried to subvert the big brand names. But the smart advertisers now use guerrilla tactics themselves, according to James Harkin

In a recent newspaper interview, Kalle Lasn was interrogated about Adbusters, the Canadian anti-advertising magazine that he founded.

• culture jamming

Notes on Culture Jamming 

"Culture-jamming," a term I have popularized by articles in The New York Times and Adbusters, might best be defined as media hacking, information warfare, terror-art, and guerrilla semiotics, all in one. Billboard bandits, pirate TV and radio broadcasters, media hoaxers, and other vernacular media wrenchers who intrude on the intruders, investing ads, newscasts, and other media artifacts with subversive meanings are all culture- jammers." Mark Dery

Damn the Networks! Victory to the Imagination!
Yogi in Craig Baldwin's "Spectres of the Spectrum"

• culture jamming

Smashing the Image Factory. 

A Complete Manual of Billboard Subversion and Destruction

"When our work is done, advertising and billboards will fly beside the soviet flag in the museum of dead totalitarian experiments"

• culture jamming,
• billboard improvement

BLF Manifesto 

In the beginning was the Ad. The Ad was brought to the consumer by the Advertiser. Desire, self worth, self image, ambition, hope; all find their genesis in the Ad. Through the Ad and the intent of the Advertiser we form our ideas and learn the myths that make us into what we are as a people. That this method of self definition displaced the earlier methods is beyond debate. It is now clear that the Ad holds the most esteemed position in our cosmology.

• culture jamming,
• billboard improvement,
• street protest

Signs of the Times 

Friday, October 05, 2001 12:20 PM
subject: Activism After September 11

Dear Friends,
This essay was published today in The Nation. It's an attempt to discuss what the atrocities of September 11 might mean to those of us who are publicly critical of corporate power and the current global economic model. There are no easy answers to this question so the essay is more of a meditation on symbolism and tone than a political roadmap.

Take care,
Naomi

• 9/11,
• culture jamming

N5M Zapbook - Table of Contents 

Working Papers for The Next 5 Minutes
Conference, Exhibition and TV Program on Tactical Television
Amsterdam, October, 1992
Edited by Amsterdam Cultural Studies
(Jeroen van Bergeijk, Geke van Dijk, Karel Koch, Bas Raijmakers)

• tactical media,
• next 5 minutes,
• tactical television

Introduction to the N5M Zapbook 

The Next Five Minutes is a conference, exhibition and tv program that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and  marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.

Putting the Demo Back in Democracy: March Against the Moguls. 

That guerrilla video is now the subject of historical reflection is probably a sign of its demise. There has been a recent flurry of archival and publishing activity centering on experiments made in the '70s. In 1997, the Chicago-based Video Data Bank released Surveying the First Decade, a compilation of work from the early days of video, and Oxford University Press published Deirdre Boyle's Subject to Change: Guerrilla Television Revisited, the definitive study of the video movements of the late 1960s and '70s. These reflections on the utopian impulse in early video provide an opportunity to think about the present state of media in this country, in particular those movements that have attempted to create electronic space for non-commercial views that run counter to the mainstream.

• community media,
• democracy,
• tactical television

Which Democracy in a Post-Political Age? 

The question that I would like to examine with you concerns the role that the new media can play in the fostering of democracy. We can discern roughly two opposite answers to that question. On one side there are those enthusiasts who argue that they provide us with the technology that will finally make it possible to realize the ideal of direct democracy under modern conditions, on the other side those detractors who see them as contributing to a further privatization of politics and as replacing rational debate by the instant expression of private prejucides, turning what ought to be public decisions into private consumer-like choices.

• infopolitics,
• democracy,
• political science

Media Darkness 

Reflections on Public Space, Light and Conflict

There is an unshakable belief in the idea that what defines the mass media is that they produce or constitute, in all their different ways, a public. So while there is agreement on the fact that not every public sphere is a communication medium, many people tend to think that every communication medium constitutes a public sphere - the most recent and prominent candidate being, of course, the Internet. But is this claim as to the public quality of all media, hegemonic as it may be today, really tenable?

• public space,
• political science,
• media criticism

The Language of Tactical Media 

"World War III will be a guerilla information war, with no division between military and civilian participation." -- motto of Tactical Media Crew, borrowed from Marshall McLuhan

• tactical media,
• theory

Strategies for Tactical Media 

Conscious of the growing involvement of artists in political protest through their art and the utilisation of conventional and digital media technologies, RealTime's editors approached media theorist McKenzie Wark to comment on where he sees Tactical Media fitting in the bigger picture of power and media.

• politics,
• tactical media,
• theory,
• virilio

A context for collecting the new media 

At the turning of the year 1992 I received the program and manifesto for the Next 5 Minutes Conference in Paradiso. As professional collector of documents by and about social movements for the International Institute of Social History, the list of videos to be shown caught my attention immediately. This was an excellent opportunity to realize something for which I had been trying already for some time, to make an international sample collection of products from the movement of new independent video makers.

• media,
• archive,
• next 5 minutes