Search results for 'war'

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Jordan Crandall

Jordan Crandall is an artist, theorist, and performer based in Los Angeles.  His video installations, presented in numerous exhibitions worldwide, combine formats and genres deriving from cinematic and military culture, exploring new regimes of power and their effects on subjectivity, sociality, embodiment, and desire. Crandall writes and lectures regularly at various institutions across the US and Europe.  He is the 2011 winner of the Vilém Flusser Theory Award for outstanding theory and research-based digital arts practice, given by the Transmediale in Berlin in collaboration with the Vilém Flusser Archive of the University of Arts, Berlin.  He is currently (2012) an Honorary Resident at Eyebeam art and technology center in New York, where he is continuing the development of a new body of work that blends performance art, political theater, philosophical speculation, and intimate reverie.  The work, entitled UNMANNED, explores new ontologies of distributed systems  -- a performative event-philosophy in the form of a book and a theatrical production.  He is also the founding editor of the new journal VERSION.

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New Ad Campaign Explains Drones to Skeptical American Public 

FOR IMMEDIATE RELEASE
November 6, 2013 - San Francisco, California
The California Department of Corrections (CDC) has unveiled a new series of advertisements to defend America's drone policy amidst mounting public scrutiny from lawmakers and human rights groups.  
On Election Day, November 5, 2013 the CDC successfully apprehended, rehabilitated and discharged over a dozen bus shelter advertisements in San Francisco, including the intersection of Market and 7th Street, one block from the Federal Building.

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Unknown Quantity - Foreword 

"Contemporary civilization differs in one particularly distinctive feature from those which preceded it: speed. The change has come about within a generation," noted the historian Marc Bloch, writing in the nineteen-thirties. This situation brings in its wake a second feature: the accident. The progressive spread of catastrophic events do not just affect current reality, but produce anxiety and anguish for coming generations.

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No One is Illegal - Principles 

The No One is Illegal campaign has two goals: to attain concrete victories for immigrants and refugees and to develop the communities' own capacity to attain justice and dignity for themselves and their families. We strive and struggle for a world in which no one is forced to migrate. We also strive and struggle for a world where people can move freely in order to live and flourish in justice and dignity.

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Borders: Walking Across, as opposed to Flying Above 

This text was written in July 2003, at the height of the tension on the border between India and Pakistan. Following elections in Pakistan, and in the Indian administered part of Kashmir, the two countries have agreed to de-escalate and troops on both sides are now on their way back to "peace time" positions. Relations between the two governments however, continue to be tense.

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A Rift in Empire? 

The antiwar demonstrations of February 15, 2003 proved it: theself-organization of free singularities is possible on a planetaryscale. And that was an event, despite all that followed. In amanifesto-text written just after those demonstrations, I used thelanguage of Negri and Hardt to say that the multitudes could create arift in Empire. In a context where the Aristocracy (the greattransnational companies) had been weakened by a string of financialdisasters, where the Monarchy (the political and military command ofthe earth) had fallen apart in serious dissension, I wanted toencourage the democratic action of the Plebe, against the scorn of theAmerican, British, Spanish and Italian leaders. It was a moment thathad multiplied the world's political stages, overflowing thetraditional mechanisms of representation.

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