Shocking and Awful: A Grassroots Response to War and Occupation
Free Speech TV Presents
The Historic Deep Dish Series:
Shocking and Awful: A Grassroots Response to War and Occupation
MARATHON ON SATURDAY, MARCH 23 -- REMEMBER THE IRAQ WAR
Free Speech TV Presents
The Historic Deep Dish Series:
Shocking and Awful: A Grassroots Response to War and Occupation
MARATHON ON SATURDAY, MARCH 23 -- REMEMBER THE IRAQ WAR
We, the supporters of the #FREEBASSEL project are inviting every person, everywhere to make an event on March 15, 2013 with other people in your city in global solidarity to call for the immediate release of open web advocate Bassel Khartibil. This day is the one year anniversary of the illegal jailing of Bassel Khartibil, well known free internet pioneer, software engineer, teacher, husband, family-man and friend. Bassel is a normal guy, in a bad situation. He is now stuck in a Syrian jail cell where he is not able to directly contribute to his local and global communities. We demand his captors to #FREEBASSEL!
ReadOn March 22nd and 23rd 2013 the Institute of NetworkCultures will organize the event Unlike Us #3. The aim of Unlike Us is to establish a research network of artists, designers, scholars, activists and programmers who work on 'alternatives in social media'. Unlike Us was founded in July 2011. Through workshops, conferences, online dialogues and publications, Unlike Us intends to both analyze the economic and cultural aspects of dominant social media platforms and to propagate the further development and proliferation of alternative, decentralized social media software.
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Book presentations:
Tuesday, 5 March 2013, 7:00 p.m.
Depot, Vienna
Oliver Ressler in conversation with Luisa Ziaja (held in German)
An event in cooperation with Open Systems - Zentrum für Kunstprojekte, Vienna
Friday, 8 March 2013, 7:30 p.m.
Home Workspace, Ashkal Alwan, Beirut
Book signing at 7:30pm and presentation at 8pm by Gregory Sholette
Thursday, 25 April 2013, 6:30 p.m.
Austrian Cultural Forum, New York
Book presentation with Gregory Sholette, Oliver Ressler and guests
One day seminar and public evening debate on social media activism in the Arab World and China, organised by the Centre for Globalisation Studies of the University of Amsterdam, Monday 21 January 2013.
ReadRecent legislative steps in Hungary point towards the authoritarian transformation of the institutional structures and funding system of cultural life, by giving an ultra conservative artist group close to the rightwing government, the Hungarian Academy of Arts, an unassailable position of power. As a result of these decisions, the government has endangered the long term autonomy, professionalism and democratic procedures of Hungarian contemporary art.
ReadA 3-channel video installation by Oliver Ressler - 2012
The
emergence of the movements of the squares and the Occupy movement in
2011 can be seen as a reaction by people who opposed and began to fight
the massive increase in social inequality and the dismantling of
democracy in times of global financial and economic crisis. The
movements of the squares are non-hierarchical and reject representation;
direct democracy shapes their activities. The occupation of public
places serves as a catalyst to develop demonstrations, general strikes,
meetings and working groups on different focal points. Successful site
occupancies in one place often inspire occupations in other cities,
without a linear relationship.
Appeal to all free people of the world: Let's work together to stop
daily massacres, arrests and displacements in Syria. Let's work together
to bring down the murderous Assad regime in Syria.
This is an appeal to all Syrian communities and to all free people
around the world to organise processions and sit-ins in front of United
Nations offices in all around the world...
A 24/7 marathon camp on artistic strategies in politics and political strategies in art. 21/09 - 28/09/2012, Graz, Austria.
ReadOccupy Wall Street invites you, the 99%, down to the Financial District for three days of education, celebration and resistance.
September 15, 16 & 17, 2012
On #s17 Follow the Money, All Roads Lead to Wall Street
Cultural Center REX, Jevrejska 16, Belgrade, Serbia
Friday, 31st of August, 7pm, 2012
Participants: Corina L. Apostol, Maja Ciric, Pavle Cosic / KORNET,
Nikola Radic Lucati, Vladan Jeremic, Selman Trtovac, Vesna Milosavljevic
/ SEEcult.org, Stefan Tiron, Noa Treister, The Bureau of Melodramatic
Research, Marica Radojcic, Rena Rädle.
The 3rd ArtLeaks Working Assembly will be facilitated by Corina Apostol, The
Bureau of Melodramatic Research, Stefan Tiron and Vladan Jeremic.
"My 'Wahlen sind Betrug' ('Elections are a Con') poster project was selected in November 2011 by a jury using an exemplary open process for the TKI open competition by TKI (Tiroler Kulturinitiativen) on 'No theme'. For the first time in the 10-year history of TKI open, the province of Tyrol (Austria) denied funding for an artistic work selected by a jury of experts.
ReadToday, Thursday 5 July 2012, WikiLeaks began publishing the Syria Files -
more than two million emails from Syrian political figures, ministries
and associated companies, dating from August 2006 to March 2012.
This workshop follows on from the Moving Forest event on July 4 as a coda, giving a time for reflection and for developing the argument and experience of the work along other lines. It involves participants, organisers and guests, and people from CCW, CCS, RADA and activists, artists and others from across the sprawl.
ReadA twelve day prelude moving across the city; a twelve-hour sound art
opera of betrayal and rebellion culminating in a spectacular series of
disturbing performances in Chelsea College of Art Parade Ground; a
one-day coda of debate.
Presented by AKA the CASTLE
ArtLeaks invites you to a public working assembly around the issues that are at the core of the group's mission - exposing instances of abuse, corruption and exploitation in the art world. This is the official public launch of our platform, which began to operate in September 2011, and will be followed by a series of debates and workshops in the near future. These present a unique opportunity to engage more directly with conditions of cultural work that affect not only artists but creative workers in general: those from the traditionally creative fields as well as those generally involved in cultural production.
ReadApril 19, 2012 - FOR IMMEDIATE RELEASE
ON-THE-BRINK BANK STILL NOT YOURS (YET)
Dow Jones posts fake release for two hours; bank gets fake website blacklisted, briefly
Bank of America executives, investors, and opponents alike reacted with
surprise to yesterday's news - posted for two hours on Dow Jones Newswire
and elsewhere - that the mammoth financial institution, realizing it was
heading for a taxpayer bailout, was asking Americans to start thinking
about what they'll do with the bank once they own it, and to start
advertising that vision too.
What is #M1GS?
Worldwide, May 1st is traditionally a 'Workers' day - a day of Labor
Solidarity, and a public holiday. It's a day to celebrate and march in
support of im/migrant rights. In protest against the corruption of the
worldwide marketplace, which has led to illegal foreclosures, mass
unemployment, low wages, high taxes and a penalization of all those who
do not own the '99%' of the world's resources, and in solidarity with
the im/migrant movements of May 1st, we decided to declare May 1st, 2012
a People's General Strike.
LONDON - Today, Monday 27 February, WikiLeaks began publishing The Global Intelligence Files - more than five million emails from the Texas-headquartered "global intelligence" company Stratfor. The emails date from between July 2004 and late December 2011. They reveal the inner workings of a company that fronts as an intelligence publisher, but provides confidential intelligence services to large corporations, such as Bhopal's Dow Chemical Co., Lockheed Martin, Northrop Grumman, Raytheon and government agencies, including the US Department of Homeland Security, the US Marines and the US Defense Intelligence Agency. The emails show Stratfor's web of informers, pay-off structure, payment-laundering techniques and psychological methods.
ReadThis debate in the frame of the International Film Festival Rotterdam's
Power Cut Middle East programme, takes a look at the images, both moving
and still, that have come from the Middle East like a huge wave in the
past few months. Due to the increase of mobile phone films and photos,
we have a great deal of material whose origin is uncertain. It seems
authentic, but who is coming to blows with whom? And who has made the
films and taken the photos? Regimes are also aware of this, and use it
to their advantage. Are we seeing actors, paid demonstrators, real
people? How do we read and interpret these images?