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Reclaim the Streets
Reclaim the Streets
Reclaim the Streets
Reclaim Urban Space!
Reclaim Urban Space!
Reclaim the Streets
Reclaim the Streets
Reclaim the Streets
Reclaim the Streets
Reclaim the Streets
Reclaim the Streets
Reclaim the Streets
Reclaim the Streets
Reclaim the Streets: The Film and Other Media Tactics
The Disorganisation
Reclaim the Streets (RtS) cannot be understood as a campaign, although
some of its methods are very similar. There are now RtS groups in
thirty cities organising illegal street parties. Most of these groups
only exist for the event, and many of the activists are involved in
local campaigns during the rest of the year. There is no membership or
official line although many would like to see a wider global strategy.
As a movement, RtS is only four years old, and it could grow in
unpredictable ways.
Agustin G. deQuijano
Reclaim the Streets urban activist.
ReadGet Organised!
PGO - The Post-Governmental Organisation
One of the four main themes of the N5M3 is the 'Post-Governmental
Organisation', a title that is meant more polemically than
descriptively. The 'PGO' label raises the question of the practical,
political and ethical impli cations of strong, potentially global,
independent organisations. The theme will be approached from different
critical, analytical and ironic perspectives in a public debate, and
the PGO Design-Show ("Get Organised!").
Billboard Heaven - Sofia
Culture Board for Bulgaria
A Body for Cultures in Ruin
For Whom It May Concern,
We would like you to read this document and respond to this idea. It
was our wish and motivation to consider a format which could
accommodate certain situations in which countries and cultures find
themselves in these days. Ever increasingly, we are witnessing the
phenomena of ruined nation states, crashing financial markets and
bankrupt governments. So far, this is only interpreted in the usual
journalistic way of reporting the political and financial aspects of
the crises. But we, cultural workers, know better. It is only perceived
as 'news'. Arts and culture in this situation are the last to be
considered contemporary, sensitive instruments that could express the
'signs of the times'. First of all culture is a prime target of budget
cuts and this has become the only language in which officials can
speak. Art, by definition, is always in a defensive role and cannot
make demands. We do not like to further the culture of complaint, nor
is this the right time to dream up new utopias. We propose to radically
face current global economic forces. We want to intervene in their
sphere. Culture should not be left out: condemned to compensate for and
be at the receiving end of this trauma.