Search results for 'act up'

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Border Camp 99 

Borders are there to be crossed. Their significance becomes obvious only when they are violated--and it says quite a lot about a society's political and social climate when one sees what kind of border-crossing a government tries to prevent.  Everybody knows that it is increasingly easy for money, goods, and capital to cross the borders of nation-states and territories; that the spreading of information can no longer be restricted; that social, political, or economic conflicts cannot be reduced to national affairs anymore. 

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Art and the Paradoxical Citizen 

To the Arts, Citizens: it's a fantastic title. Hearing it, anyone who's been involved in political activism will probably think: "At last we're getting somewhere." The idea that art is part of citizenship, that there is a democratic exercise of the arts within the framework of public life, and that this appeal to the citizen-artist can be supported by a major cultural institution, is about as progressive as you could get today. Especially since this is a direct echo of the French republican tradition, where the phrase, Aux armes citoyens, is nothing less than a call to rise up and institute democracy against tyranny ? in other words, a call to revolution. The Portuguese know the meaning of this revolutionary call to arms from decisive historical events that are still in living memory. So one can imagine that the organizers of this exhibition did not take their title lightly.

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Recombinant Television 

VakuumTV was founded in February 1994 on the initiative of Laszlo Kistamas and currently includes Dora Csernatony, Ferenc Grof, Laszlo Kistamas, and Attila Till. Its members presented weekly broadcasts on Monday nights at the most popular cultural club in Budapest, Tilos az A. Between February 1994 and September 1997 Vakuum TV broadcast 52 shows, and after 3 years of rest, started broadcasting again in 2000. Each show blended short films, interactive engagements between the audience and the announcer, and live performances but each used a very different content to create a parallel televisual reality.

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Signs of the Times 

Friday, October 05, 2001 12:20 PM
subject: Activism After September 11

Dear Friends,
This essay was published today in The Nation. It's an attempt to discuss what the atrocities of September 11 might mean to those of us who are publicly critical of corporate power and the current global economic model. There are no easy answers to this question so the essay is more of a meditation on symbolism and tone than a political roadmap.

Take care,
Naomi

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Corporate Counter Campaigns - Introduction 

Introducing the panel on Counter-strategies of Corporations against Campaigns Featuring: What are the modern-times strategies of present day companies? And: How can we respond to these?

This part of the introduction includes a short outline of the themes to be discussed at the forum. Being used are examples from the work of the panelists and cases they have been working on. Also included are exerpts from recent articles on the corporate world's reaction to social and environmental cam-paigns, illuminating the main themes from different points of view. References are included below, if you would like to receive four further texts on this subject, please let me know: evel@xs4all.nl

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Product Placement in Learning Environments 

Technology companies have a long history of placing their products inschools and other learning environments. The reasons vary. Placement isdone through in-kind donations, competitive grants, achievement awards,and funds earmarked for technology projects. Most of the companies seetheir products as ways to enhance education, and many will claim therevolutionary or transformative nature of their wares. All of them hopeit will be a prelude to increased market-share.

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    Strategies for Tactical Media 

    Conscious of the growing involvement of artists in political protest through their art and the utilisation of conventional and digital media technologies, RealTime's editors approached media theorist McKenzie Wark to comment on where he sees Tactical Media fitting in the bigger picture of power and media.

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    Free/Libre Culture Forum Declaration 

    We can no longer put off re-thinking the economic structures that have been producing, financing, and funding culture up until now. Many of the old models have become anachronistic and detrimental to civil society. The aim of this document is to promote innovative strategies capable of defending and extending the sphere in which human creativity and knowledge can prosper freely and sustainably.

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    The Watershed in Your Head - Mapping Anthropocene River Basins 

    Translating the abstraction—and banalities—of the Anthropocene into readable cartography has resulted in many past attempts that often ended up reproducing those same qualities. But, as Brian Holmes asserts in this essay, we seem to have found ourselves in a moment where collaboration, engagement, and new forms of knowledge exchange are breaking that deadlock. Tracing his own involvement with artistic practices that both engage with and attempt to represent a “political ecology,” Holmes explains how the evolving, collaborative cartographic practice that brought the "Mississippi. An Anthropocene River map" into being simultaneously reveals and interrogates the power structures of Anthropocence society.

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    Sustainable Models for Creativity 

    Press Release, February 17, 2011:
    Declaration drafted during 4 months by the Free/Libre Culture Forum.

    Each year, the FCForum brings together key organisation and active voices in the sphere of free/libre culture. It responds to the need for an international arena in which to put together and coordinate a global framework for action, and to the need to defend and expand the sphere in which human creativity and knowledge can prosper freely and sustainably.

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