Reading the Arab Image
This debate in the frame of the International Film Festival Rotterdam's
Power Cut Middle East programme, takes a look at the images, both moving
and still, that have come from the Middle East like a huge wave in the
past few months. Due to the increase of mobile phone films and photos,
we have a great deal of material whose origin is uncertain. It seems
authentic, but who is coming to blows with whom? And who has made the
films and taken the photos? Regimes are also aware of this, and use it
to their advantage. Are we seeing actors, paid demonstrators, real
people? How do we read and interpret these images?