Search results for 'interactive media'


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DeeDee Halleck

DeeDee Halleck is a media activist and co-founder of Paper Tiger Television and the Deep Dish Satellite Network, the first grass roots community television network. She is Professor Emerita in the Department of Communication at the University of California at San Diego. Her filmography includes  films like Children Make Movies( 1961),  or Mural on Our Street, which was nominated for Academy Award in 1965. She has led media workshops with elementary school children, reform school youth and migrant farmers.

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Donatella DellaRatta

Donatella Della Ratta is a PhD fellow at the Department of Cross-Cultural and Regional Studies, New Islamic Public Sphere Program, Copenhagen University and at the Danish Institute in Damascus.

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Nina Meilof

Nina Meilof is an multi media advisor and an independent producer TV and internet programmes. Beside other projects, she worked for Amsterdam The Digital City and is an editor of Digital Citizen.


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    McKenzie Wark

    Australian media theorist and writer, currently lives and works in New York. McKenzie Wark grew up and studied in Australia, at Macquarie University, the University of Technology, Sydney and at the Murdoch University. In 2000, he emigrated to the US.

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      Speed and Information: Cyberspace Alarm! 

      The twin phenomena of immediacy and of instantaneity are presently oneof the most pressing problems confronting political and militarystrategists alike. Real time now prevails above both real space and thegeosphere. The primacy of real time, of immediacy, over and above spaceand surface is a ~fait accompli~ and has inaugural value (ushers a newepoch). Something nicely conjured up in a (French) advertisementpraising cellular phones with the words: "Planet Earth has never beenthis small". This is a very dramatic moment in our relation with theworld and for our vision of the world.

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      Grundrisse einer Netzkritik 

      1. Toward a European Standard Code for Critical Interchange (ESCCI)

      Bezeichnen wir das Internet einfach einmal als 'Kind der Moderne', soist das klassische Genre der Kritik sicherlich ein Teil davon. Im nochandauernden Zeitalter des multikulturellen Massenkonformismus, vollerMikropraxis und Ich-Management, ist die Kunst der Kritik jedoch inVergessenheit geraten. Die hiesigen Kommentare zielen nur noch aufKorrektur von Verhaltensweisen ab. Die Meinungsmacher/innen haben allesAngebotene laengst hinter sich, sie sehen das Ganze wirklichdifferenziert, aus sicherem Abstand. Die glueckliche Tatsache, man seieben nicht engagiert, wird als persoenliche Errungenschaft gefeiert.Solche talking heads ohne Eigenschaften sind aber nutzlos in Zeitenrascher Entwicklungen, sowie das beim Wachstum der Computernetze imMoment der Fall ist.

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      Governmentality of Information 

      The American military network ARPAnet was conceived as a way to maintain uninterrupted communications in the event of nuclear war. Ancestor of the Internet and foundation of the Global Information Infrastructure, ARPAnet springs from exactly the same source as the "push­button war" that lay behind it: the change of scale provoked by the early 20th century discoveries in physics, within an industrial society capable of organizing the productivity - including the scientific productivity - of thousands of agents. Here, no doubt, is the real birthplace of the information society: a society massively penetrated by the sciences and technologies of information and telecommunications, using them to carry out the design of the planet or at least, that of its components (with design replacing politics). A society whose governmentality entails the knowledge of the real, that is to say, the transformation of reality into information. A society whose governmentality unfolds between its smallest common denominators (atomic, electronic, magnetic, genetic, chemical) and its largest common denominators (climate, planet, solar system), by way of laws, formulas and norms that determine its productivity, means, and possible destinies.

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      Rita Raley

      Rita Raley is Associate Professor of English, with courtesy appointments in Film and Media Studies, Comparative Literature, and Global Studies at the University of California Santa Barbara. Her primary research interests lie at the intersection of digital media and humanist inquiry, with a particular emphasis on cultural critique, artistic practices, and language (codework, machine translation, electronic literature, and electronic English).

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      Cartography of Excess 

      Utopian ideas - like "Spaceship Earth" - are round, multidimensional, interrelated: their archetypal map is the Milky Way, the infinite constellations. But rational thinking is instrumental, linear, it distorts: and that's exactly the problem with the Mercator map, the most common world projection. Buckminster Fuller, inventor of the geodesic dome, created a "Dymaxion map" to undo those distortions. First the earth becomes a geometric figure, an isocahedron: its 20 triangles are then disjointed and laid flat, so the land masses radiate from a nexus in the north, without splitting continents or enlarging the polar regions.

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      Dawn of the Organised Networks 

      At first glance the concept of "organised networks" appears oxymoronic. In technical terms, all networks are organised. There are founders, administrators, moderators and active members who all take up roles. Think also back to the early work on cybernetics and the "second order" cybernetics of Bateson and others. Networks consist of mobile relations whose arrangement at any particular time is shaped by the "constitutive outside" of feedback or noise.[1] The order of networks is made up of a continuum of relations governed by interests, passions, affects and pragmatic necessities of different actors. The network of relations is never static, but this is not to be mistaken for some kind of perpetual fluidity. Ephemerality is not a condition to celebrate for those wishing to function as political agents.

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