Search results for 'news'

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Stop The Jabiluka Uranium Mine in Kakadu 

Does the art of campaigning involve commodifying a struggle and presenting it in a package to the people through the media? What impact does the media really have? How useful is the net as an alternative medium? Does it only reach the alternative people - those who already know about the issues or is it capable of engaging with the mainstream public. Does genuine public opinion have any real impact in the current political and corporate climate?

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Palestine the US and Satellite Television 

Sixty-two-year old Jordanian Labibeh Tannous was trying frantically to decide which satellite dish to buy. Should she go for the simple kind that only has the Arab satellite stations that goes for about $100 or should she go for a rotating dish that can pick up European stations as well which can be bought for about $150?

Her interest reflects both how inexpensive satellite dishes have become and the great thirst people throughout the Arab world have to go beyond what their national station is providing in television news.

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Tompkin Square Riot Memories 

What follows are personal accounts from various people who were present on that fateful night in Tompkins Square on August 6, 1988. They observed and experienced firsthand the bloodlust of the marauding cops invading our neighborhood from all over the city. Twenty years later, these memories are still fresh in the minds of those who were there, as though it all happened just yesterday....

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Crisis / Media 

Sarai-Waag Workshop at Sarai-CSDS, Delhi March 3-5, 2003

"The hottest place in hell is reserved for those who tried to stay neutral in times of crisis..."
- The Inferno, Dante Alighieri

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Media, Activism and Society of the Spectacle 

Our ability to move into a collectively imagined future has been trapped in an ever-present now, composed of continually transmitted images. The spectacle accompanies us throughout our lives. News, propaganda, advertising, entertainment and social media present a continuous stream of imagery, projecting a constant justification for how our culture is formulated. When Guy Debord first published The Society of the Spectacle in 1967, the digital revolution was still decades away and the technological capacity to project images into every corner of our lives was far less developed than it is today. The spectacle is no longer simply all of the time; it is also everywhere. More than ever before, Debord's words apply: "Everything that was directly lived has receded into a representation."

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My Postmodernism - My '80s 

Filmmaker and activist Gregg Bordowitz's passage through the 1980s mirrors the course of AIDS activism in that decade. From the very first ACT up demonstration in New York to the triumphal storming of the FDA headquarters outside Washington, DC, he deployed his art in the battle against AIDS. Bordowitz leads off this two-issue series of personal chronicles of the decade, recounting his experiences as an activist and guerrilla filmmaker at the forefront of the fight.

"Art does have the power to save lives, and it is this very power that must be recognized, fostered, and supported in every way possible."
- Douglas Crimp, introduction to AIDS: Cultural Analysis/Cultural Activism (MIT Press, 1988)

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The Invention of the Savage: Colonial Exhibitions and the Staging of the Arab Spring 

Watching a popular uprising in real time was indeed a dramatic experience. As viewers tuned in (or streamed in) to the violence, courage, and uncertainty of events in North Africa this year, many of them had the impression of witnessing the "actual" events, free from the framing tactics and analytical bias often found on the six o'clock news. A host of new media celebrities became household names as they reported live from Tahrir, and news outlets such as Al-Jazeera saw an unprecedented rise in viewership. Spectators were made to believe that a return to the event "itself" was once again possible after decades of being locked into what Jean Baudrillard called the hyper-real. The revolution in-and-of-itself seemed to unfold before our eyes, creating a fetish for real-time revolt.

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1st Annual #FREEBASSELDAY on March 15 

We, the supporters of the #FREEBASSEL project are inviting every person, everywhere to make an event on March 15, 2013 with other people in your city in global solidarity to call for the immediate release of open web advocate Bassel Khartibil. This day is the one year anniversary of the illegal jailing of Bassel Khartibil, well known free internet pioneer, software engineer, teacher, husband, family-man and friend. Bassel is a normal guy, in a bad situation. He is now stuck in a Syrian jail cell where he is not able to directly contribute to his local and global communities. We demand his captors to #FREEBASSEL!

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Debates & Credits 

Media Art in the Public Domain

Debates & Credits was a Russian / Dutch art and media project which has invited four artists and artist collectives from Russia and four from The Netherlands to develop interventionist (media-) art works for the public space.

The project happened in three stages:
Amsterdam, September 11 - 22
Yekaterinburg, September 26 - 29
Moscow, October 7 - 13

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The Yes Men Fix the World Story 

Andy Bichlbaum and Mike Bonanno are two guys who just can't take "no" for an answer.

They have an unusual hobby: posing as top executives of corporations they hate. Armed with nothing but thrift-store suits, the Yes Men lie their way into business conferences and parody their corporate targets in ever more extreme ways - basically doing everything that they can to wake up their audiences to the danger of letting greed run our world.

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