Laboratory of Insurrectionary Imagination
This guide is not a road map or instruction manual. It's a match struck
in the dark, a homemade multi-tool to help you carve out your own path
through the ruins of the present, warmed by the stories and strategies
of those who took Bertolt Brecht's words to heart: "Art is not a mirror
held up to reality, but a hammer with which to shape it."
After a one year break the DICTIONARY OF WAR continues with a fifth edition on January 25th and 26th, 2008 in Novi Sad, Serbia. Again 25 new concepts on the topic of war will be presented in alphabetical order by artists, theorists, filmmakers, scientists, researchers. Loosely based on the slogan: "At least, when we create concepts, we are doing something" DICTIONARY OF WAR is a collaborative platform for creating concepts.
Read"At least, when we create concepts, we are doing something"
Read'Everyone has the right to freedom of opinion and expression; this
right includes freedom to hold opinions without interference and to
seek, receive and impart information and ideas through any media and
regardless of frontiers.' -Article 19, United Nations Declaration of
Universal Human Rights
For many reasons, the 80's, years of the Mitterand socialist government, were years in which grass roots movements got institutionalized and traditional activism was "out". The logic of the Republic (everybody is equal without distinction) allied with traditional individualism and clanic behaviour ("la guerre des chapelles") forbid the emergence of non dominant/non normalized subjectivities. This tradition is still alive today. The 68 generation didn't feel necessary to pass on their knowledge to younger generations. From their point of view, they created new ways to go about the world by themselves, so should the new generations. The notion of alternative and activism became stigmatized. It wasn't a very tactical in those years to position oneself in terms of an alternative. As a result, by the beginning of the 90, the most visible part of the intellectuals and the grass roots movements seams to be lobotomized.
ReadJeremy Hammond is a gifted young computer programmer facing a decade in prison. His crime? Leaking information from the private intelligence firm Strategic Forecasting, information which revealed that Stratfor had been spying on human rights activists at the behest of corporations and the U.S. government.
ReadZeynep Tufekci is a fellow at the Center for Information Technology Policy at Princeton University (and a "visiting assistant professor" at the Woodrow Wilson school at Princeton University.) She is also an assistant professor at the University of North Carolina, Chapel. For the 2012-2013 academic year, she is residing in Princeton, NJ.
ReadAaron Swartz is the founder of Demand Progress, which launched the campaign against the Internet censorship bills (SOPA/PIPA) and now has over a million members. He is also a Contributing Editor to The Baffler and on the Council of Advisors to The Rules.
ReadRicardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT), a group who developed Virtual-Sit-In technologies in 1998 in solidarity with the Zapatista communities in Chiapas, Mexico. He is co-Director of Thing (thing.net) an ISP for artists and activists.
Candida TV was born from the melting of different realities: underground cinema, video production, rave parties, street theaters, independent radios, underground bulletin board systems on the net and counterculture pop-magazines in the last seven years in Rome.
Readb 1957 in Philadelphia (USA); 1978?82 study of art at the Cooper Union
of Art, New York (USA), under Hans Haacke, Vito Acconci and Martha
Rosler, degree of Bachelor of Arts; since 1981 in cooperation with Nam
June Paik; 1985 starting his own production of tapes and installations;
1990 Artist in Residence at the Video Fest Berlin (D); lives in New
York (USA).
