The Next Five Minutes is a conference, exhibition and tv program taking place between 8th and 10th January 1993 in Amsterdam, that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
ReadApril 19, 2010
FOR IMMEDIATE RELEASE
Dow Throws a Dismal Party, Few Attend
Underattended "Run for Water" plagued by death, zombies, and dozens of "Dow spokesmen"; truth seems to run free
On Mute and the Cultural Politics of the Net
From: beka economopoulos
Date: June 10, 2010 6:07:12 GMT+02:00
Subject: [iDC] Participationism (was "why do we need physical campuses")
Hi all,
(...) Below is (one of) the curatorial statement(s) of a show that Not An
Alternative has curated with Upgrade NY! and Eyebeam, called Re:Group:
Beyond Models of Consensus, about the subjects of collaboration and
participation. After constant debate, the curatorial committee never
came to consensus about the thesis for the show, and so we've presented
two distinct positions.
Below is that of our group, Not An Alternative. The opening is
tomorrow, with a curators talk at 5pm, so if you're in NY and you're
ready for a rumble join us there.
Best, Beka
A public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.
An Interview with John Jordan and Gavin Grindon
Furtherfield interview with Gavin Grindon and John Jordan from the
Laboratory of Insurrectionary Imagination about the User's Guide to
(Demanding) the Impossible. Published by Minor Compositions.
I.
We start with the current strategy debates of the so-called 'anti-globalisation movement', the biggest emerging political force for decades. In Part II we will look into strategies of critical new media culture in the post-speculative phase after dotcommania. Four phases of the global movement are becoming visible, all of which have distinct political, artistic and aesthetic qualities.
Amsterdam & Rotterdam, The Netherlands, 12-14 March, 1999
The third Next 5 Minutes, an Amsterdam based conference on tactical communications culture, featuring do-it-yourself media, dissident art and electronic media activists from around the world, took place on the 12th, 13th and 14th of March 1999.
N5M3 archived festival website
ReadCamping can be so nice. Crawling out of dewy plastic in the early morning, with a pinch of sleep still in your eyes, braving the unbearably hot sun, yet invigorated and ready to take on the day with as much indifference as possible to the ongoing struggle with nature. Surely everybody knows that the secret of success is to fight the laws of petty bourgeois civilisation with minimal equipment and therefore gain a flexibility that is capable of suspending the otherwise ruling power relations for a clearly defined amount of time.
Read"Tweets and the Streets analyses the culture of the new protest movements of the 21st century. From the Arab Spring to the "indignados" protests in Spain and the Occupy movement, Paolo Gerbaudo examines the relationship between the rise of social media and the emergence of new forms of protest. Gerbaudo argues that activists' use of Twitter and Facebook does not fit with the image of a "cyberspace" detached from physical reality. Instead, social media is used as part of a project of re-appropriation of public space, which involves the assembling of different groups around "occupied" places such as Cairo's Tahrir Square or New York's Zuccotti Park."
International support campaign for independent media in Yugoslavia, including the famous Radio B92 media center, in operation between March and July 1999.
ReadThe punk band Pussy Riot, which I belong to, is a musical group that conducts unexpected performances in different urban spaces. Pussy Riot's songs address topical political issues. The interests of the group members are: political activism, ecology, and the elimination of authoritarian tendencies in the Russian state system through the creation of the civil society.
ReadOn Friday April 3, 2009 we received the terribly sad news that our friend and ever inspiring colleague Oleg Kireev from Moscow had died, apparently as a result of suicide. We are left behind as friends and colleagues, bereaved and puzzled by this dramatic fact. Kireev was a prominent guest in some of the most important projects in the art / media / politics triangle, which we had the honour developing at De Balie. Kireev was a crucial figure in circles of free culture, media activism and the arts in Moscow, one of the most demanding environments for such activity one can think of.
ReadThis essay provides a short and insightful overview of alternative television projects in the Italy of Berlusconi.
In the period between the end of the cold war in 1989 and the events of September 11, 2001, human rights became the dominant moral narrative by which world politics was organized. Inspired by the momentous political and cultural transformations taking place at the time, from the fall of the Berlin Wall to the spread of global communications technologies, promoters of human rights discourse optimistically predicted that a transnational public sphere dedicated to democratic values would emerge (We now know, of course, that such predictions were wrong, as early post cold war hopes gave way to the harsh realities of contemporary globalization).
Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.
ReadThe current techno-economic paradigm of Web 2.0 has challenged notions of art and hacktivism within digital culture. The book "Networked Disruption" takes up this challenge and discusses a new perspective on political and social criticism. It simultaneously asks what are the conditions for hacker and artistic practices under Web 2.0 and how can social networking be seen to build on and incorporate artistic practices from the earlier decades of digital and network culture.
Through its theoretical discussion of contemporary art and hacktivism, the book maps out a new contradictory space for art and criticism: Networked disruption.
Exploring the radical shift in the boundary between fiction and reality in a world increasingly governed by ‘post-truth’ politics
Exhibition @ FACT (Foundation for Art and Creative Technology), Liverpool, 2 March 2017 - 21 May 2017
Public Opening: Thursday 2 March / 6 - 8pm / All galleries
When thinking about dead bodies on the beach, these days most people think of refugees whose boats sank during the dangerous sea crossing to the European Union. The number of refugees drowned in the Mediterranean Sea in 2015 is the highest ever, reaching 2,500. The killing of these men and women can effectively be seen as a direct – and deliberate – act of EU policy, making the border between Northern Africa and Europe the deadliest in the world.
The photographic series "Stranded" shows men lying motionless on an empty beach. But unlike refugees these men wear business suits, the standardized clothing of politicians and managers. Their bodies are partly in the water, partly on the beach; they appear to be stranded.
