Dark Markets is a two day strategic conference that looked into the state of the art of media politics, information technologies, and theories of democracy. A variety of international speakers inquired into strategies of oppositional movements and discussed the role of new media.
ReadDisruption Network Institute:
Investigating the Kill Cloud
A new hub for investigations and empirical research on how artificial intelligence impacts new technologies of war, automated weapons, and networked warfare.
Second Event of the Disruption Network Lab In cooperation with Kunstraum Kreuzberg /Bethanien
Kunstquartier Bethanien, Studio 1, Mariannenplatz 2, Berlin, May 29-30, 2015.
This two days event presents keynote speeches, panels and live cinema connected with the understanding of cyborg identities, while exposing power structures embedded in technology and our everyday life. The event is built around the international book launch of The Cyborg: A Treatise on the Artificial Man, written by political Sci-Fi theorist Antonio Caronia (Genoa, 1944 – Milan, 2013), published by Meson Press / Hybrid Publishing Lab, Leuphana University of Lüneburg. Starting from the book of Caronia and going beyond it, the analysis will culminate discussing the most recent frontiers of biotechnology and transhumanism.
Activists involved in the Indignato, Occupy, #yosoy132, etc movements have begun a campaign to create GlobalNoise, a worldwide cacerolazo, or casserole march, on Saturday, October 13th, 2012. The hope is that local Occupations and Collectives will take up the call to march, using the method of a casserole march to highlight whatever issues are the most important to their community.
ReadTo whom it concerns,
Over the past years, we have borne witness to a technological
revolution. The individual has become free, in the most extreme
anarchistic sense, to share ideas. Some of these ideas are shared
behind proxies, darknets, or similar ?closed doors?. Nevertheless, the
ideas are out there. There have been similar instances of such
revolutions of the mind. Their effects on society are inestimably
great. As in past times with the invention of the printing press, so it
is today that the people embrace this revolution, this new ?anarchy? of
freedom to share, while their autocratic rulers seek to crush this
freedom.
The Critical Engineering Working Group - Berlin, October 2011
International public seminar on the new forms of protest and their media, hosted by De
Balie, centre for culture and politics in Amsterdam, on Friday September
30, 2011.
Welcome to the Tactical Media Files, a "living archive" for Tactical Media's present, past and future.
Read The attack on the World Trade Center was--among other things--a stunning media event, and there was no shortage of analysis on mass media coverage. We saw no reason to replicate what others were doing. What no one seemed to be looking at closely was the significance of this ephemeral material that filled the streets and parks in New York below 14th Street or its relationship with the new media that was also flooding our lives.
To the Arts, Citizens: it's a fantastic title. Hearing it, anyone who's been involved in political activism will probably think: "At last we're getting somewhere." The idea that art is part of citizenship, that there is a democratic exercise of the arts within the framework of public life, and that this appeal to the citizen-artist can be supported by a major cultural institution, is about as progressive as you could get today. Especially since this is a direct echo of the French republican tradition, where the phrase, Aux armes citoyens, is nothing less than a call to rise up and institute democracy against tyranny ? in other words, a call to revolution. The Portuguese know the meaning of this revolutionary call to arms from decisive historical events that are still in living memory. So one can imagine that the organizers of this exhibition did not take their title lightly.
ReadDeep Dish TV and Paper Tiger TV to Release New Video Series About Resistance to Rise of Far-Right Political Movements.
We Interrupt this Program brings together reports from frontlines of fight against white nationalism, neoliberalism, patriarchy, and colonialism.
Global Uprisings is an independent news site and video series dedicated to showing responses to the economic crisis and authoritarianism. Since 2011, Brandon Jourdan and Marianne Maeckelbergh have been travelling, researching, and making documentary films.
Their short films detail social movements in Bosnia and Herzegovina, Egypt, Greece, Portugal, Spain, Turkey, the UK, and the US. Their films cover strikes and demonstrations in the UK, the large-scale housing occupations and street mobilizations in Spain, the various general strikes, protests, and factory occupations in Greece, the revolution in Egypt, the Gezi Park uprising in Turkey, the 2014 social explosion in Bosnia and Herzegovina, the revolt against austerity in Portugal, and the occupy movement in the United States.
Translating the abstraction—and banalities—of the Anthropocene into readable cartography has resulted in many past attempts that often ended up reproducing those same qualities. But, as Brian Holmes asserts in this essay, we seem to have found ourselves in a moment where collaboration, engagement, and new forms of knowledge exchange are breaking that deadlock. Tracing his own involvement with artistic practices that both engage with and attempt to represent a “political ecology,” Holmes explains how the evolving, collaborative cartographic practice that brought the "Mississippi. An Anthropocene River map" into being simultaneously reveals and interrogates the power structures of Anthropocence society.
ReadHow much of this is fiction. focuses on politically inspired media art that uses deception in all its forms, and will be showing at HeK (House of Electronic Arts Basel) from 23 March until 21 May 2017.
ReadEvery Migrant is a Medium
Look with us
WikiLeaks Statement On Edward Snowden's Exit From Hong Kong
Sunday June 23, 17:50 BST
FOR IMMEDIATE RELEASE
Mr
Edward Snowden, the American whistleblower who exposed evidence of a
global surveillance regime conducted by US and UK intelligence agencies,
has left Hong Kong legally. He is bound for the Republic of Ecuador via
a safe route for the purposes of asylum, and is being escorted by
diplomats and legal advisors from WikiLeaks.
Book presentations:
Tuesday, 5 March 2013, 7:00 p.m.
Depot, Vienna
Oliver Ressler in conversation with Luisa Ziaja (held in German)
An event in cooperation with Open Systems - Zentrum für Kunstprojekte, Vienna
Friday, 8 March 2013, 7:30 p.m.
Home Workspace, Ashkal Alwan, Beirut
Book signing at 7:30pm and presentation at 8pm by Gregory Sholette
Thursday, 25 April 2013, 6:30 p.m.
Austrian Cultural Forum, New York
Book presentation with Gregory Sholette, Oliver Ressler and guests
A 3-channel video installation by Oliver Ressler - 2012
The
emergence of the movements of the squares and the Occupy movement in
2011 can be seen as a reaction by people who opposed and began to fight
the massive increase in social inequality and the dismantling of
democracy in times of global financial and economic crisis. The
movements of the squares are non-hierarchical and reject representation;
direct democracy shapes their activities. The occupation of public
places serves as a catalyst to develop demonstrations, general strikes,
meetings and working groups on different focal points. Successful site
occupancies in one place often inspire occupations in other cities,
without a linear relationship.
