Summary of the presentations and public debate on digital archiving practices, activism, and the role of the artist.
Report of the event Vox Populi and the Syrian Archive on 21 January 2017, organised by Eric Kluitenberg..
Next 5 Minutes is a festival that brings together media, art and politics. Next 5 Minutes revolves around the notion of tactical media, the fusion of art, politics and media. The festival is organised irregularly, when the urgency is felt to bring a new edition of the festival together.
ReadTopographic representations of the built environment of cities tend to emphasize the distinctiveness of the various socio-economic sectors: the differences between poor and rich neighborhoods, between commercial and manufacturing districts, and so on. While valid, this type of representation of a city is partial because there are a variety of underlying connections. Further, it may even be more problematic than in the past, given some of the socio-economic, technical, and cultural dynamics of the current era. One step towards understanding what constitutes the complexity of large cities is the analysis of interconnections among urban forms and fragments that present themselves as unconnected.
ReadWhile the uprising in Egypt caught most observers of the Middle East
off guard, it did not come out of the blue. The seeds of this
spectacular mobilization had been sown as far back as the early 2000s
and had been carefully cultivated by activists from across the
political spectrum, many of these working online via Facebook, twitter,
and within the Egyptian blogosphere. Working within these media,
activists began to forge a new political language, one that cut across
the institutional barriers that had until then polarized Egypt's
political terrain, between more Islamicly-oriented currents (most
prominent among them, the Muslim Brotherhood) and secular-liberal ones.
The culture jammers tried to subvert the big brand names. But the smart
advertisers now use guerrilla tactics themselves, according to James Harkin
In a recent newspaper interview, Kalle Lasn was interrogated about
Adbusters, the Canadian anti-advertising magazine that he founded.
This is a short text [1] which appears in "Public Netbase: Non Stop Future. New Practices in Art and Media" edited by the fine people at the New Media Center_kuda.org, in cooperation with World-Information Institute / t0. This book was presented at Transmediale 2009 in Berlin.
http://nonstop-future.org
Tactical media as a practice has a long history and, it seems save to predict, an even longer future. Yet its existence as a distinct concept around which something of a social movement, or more precisely, a self- aware network of people and projects would coalesce has been relatively short lived, largely confined to the internet's first decade as a mass medium (1995-2005).
In 1996, Adams Wood, Jeff Taylor, and A. Mark Liiv were working as activists on a forest defense campaign in Idaho. With a Hi-8 camera, they documented violations of timber sales agreements and confrontations between angry loggers and non-violent protesters as a way to keep people safe, as a tool in legal defense, and as an alternative to mainstream corporate media, which was biased in favor of the timber industry. The activists managed to pull off a 41-day road blockade, and the future founders of Whispered Media were shooting it. They cut their first video and called it ROAD USE RESTRICTED. The succinct but intense twelve-minute video was a great success, becoming part of several activist-run road shows and inspiring many a tree-hugger to haul it out to Idaho, which, says Liiv, "is not on the way to anywhere."
?In Central and (South-) Eastern Europe the cultural landscape has entered the Post-Soros Era, while still awaiting the arrival of the widely expected EU patronage for the arts and the civil sector ?? (from the original description of the ?Enduring Post Communism? panel)
1. Desire.
I come from a social and cultural context which has its languagetaboos, and among them a strong one refers to the libido. Desire is,therefore, something rather personal, and connecting it to the publicsphere might personalize the approach in a naive sense I learned toavoid. But since the same topic has been voiced last year in thecalling papers of the Enschede Photo Biennial, we might be dealing herewith a common place, therefore with a language defensive reflex, andthis is something useful to talk about.
We understand the end of something all too easily in the negative sense as a mere stopping, as the lack of constitution, perhaps even as decline and impotence, the end suggests the completion and the place in which the whole of history is gathered in its most extreme possibility.[1]
ReadIt wasn't exactly the right place nor really the right time to launch a political campaign which publicly called for a series of offenses against the law, yet when the call "No one is illegal" went out exactly five years ago at documentaX, the usual reservations counted little. In the Orangerie which had been temporarily arranged as a media laboratory, at the end of the visitors' course of the well-known Kassler art exhibition, a dozen political and media activists from all Germany's bigger cities met up at the end of June 1997 in order to publish an appeal.
ReadShell is not going to forget lightly its misadventures with the Brent Spar. The Oil Major was taken by complete surprise when the Greenpeace campaign against sinking that former drill platform achieved its goals. What happened to Shell can in fact happen to any corporation. Loosing control of the situation as result of the activities of a pressure group has become a nightmare scenario for the modern multinational enterprise.
ReadInstigating final declaration of the FC⚡MC
In the middle of the protest, something new emerged:
Final declaration of the FC⚡MC - International Media Center during G20 in Hamburg
FOR IMMEDIATE RELEASE
Wednesday, June 22, 2016
Simi Valley, Ca. - The NRA announced today, at the Ronald Reagan Presidential Library, a new program to get guns into the hands of statistically under-armed Americans—from homosexuals to the elderly to besieged urban communities—and make self-defense, rather than gun control, the protection of choice for all Americans.
Ferguson is everywhere. From St. Louis to Ayotzinapa to Palestine, millions are rising together to resist discrimination and State terrorism.
Privacy, copyright, classified documents and state secrets, but also spontaneous network phenomena like flash mobs and hashtag revolutions, reveal one thing – we lost control over the digital world. We experience a digital tailspin, or as Michael Seemann calls it in this essay: a loss of control or Kontrollverlust. Data we never knew existed is finding paths that were not intended and reveals information that we would never have thought of on our own.
ReadUK Uncut is a grassroots movement taking action to highlight alternatives to the government's spending cuts.
The CAE Defense Fund was created in 2005 as a mechanism to raise funds
for legal bills incurred by Dr. Steven Kurtz and Dr. Robert Ferrell in
what its members argued was a politically motivated attack by the
Department of Justice - one which threatened the constitutional and
fundamental rights not only of the two defendants, but also of
everyone, due to legal precedents that would have been set by an
unfavorable outcome.
In response, thousands of people worldwide organized demonstrations and
raised money for the two men's legal defense through fundraisers and a
variety of other grassroots efforts.
www.caedefensefund.org
Today, Thursday 5 July 2012, WikiLeaks began publishing the Syria Files -
more than two million emails from Syrian political figures, ministries
and associated companies, dating from August 2006 to March 2012.
On Saturday, the 12th of March 2011, a few minutes before six, the second Video Vortex reader was presented to the audience of the sixth edition of the Video Vortex conference. Editors Geert Lovink and Rachel Somers Miles invited the contributors to the second volume, who were present en masse, to celebrate the launch of the book on stage.
Read