Search results for 'amsterdam'

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Tactical Media Connections 

A public research trajectory tracing the legacies of Tactical Media and its connections to the present.

Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.

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Unser Feind, das Internet 

- Ethische NETZPRINZIPIEN

Impulsreferate etablieren eine engagierte RL Diskussion, die Im Netz fortgefuehrt und in Newsgroups konkretisiert wird.
Der Wunsch und die Notwendigkeit zur Entwicklung neuer Terminologien und originaerer Diskurse wurde evident. Nach den Jahren des Zitierens ist es an der Zeit und wird durch neue Lebensrealitaeten im elektronischen Netzwerk und aufgrund internationaler Erfahrungen mit der Praxis regulativer Eingriffe neue Begriffe, Strukturen und Theorien zu entwickeln. Jeder kann sich aktiv an dieser Koevolution technischer und Inhaltlicher Verbindungen beteiligen!

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    The DEF of Tactical Media 

    Campaigns and Movements Although a global conference, the first Next 5 Minutes, held six years ago(1993), was dominated by the first large scale encounter between two distinctive cultural communities. On the one hand, Western European and North American campaigning media artists and activists and on the other hand their equivalent from the former communist countries of Central and Eastern Europe, dissident artists and samizdat activists, still basking in the after glow of the role they played in bringing down the communist dictatorships. In the excitement of discovering each other, these two communities tended to gloss over their ideological differences,understandably emphasising only the shared practice of exploiting consumer electronics (in those days mostly the video camcorder) as a means of organisation and social mobilisation. We referred to these practices, and the distinctive aesthetic to which it gave rise, tactical media.

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    The GHI of Tactical Media 

    Tactical media are the field being worked by artists adopting a positive attitude towards contemporary digital technology, in a critical, innovative spirit. Media artists reveal a preoccupation with aesthetics as a concept, not with a particular style. This trend is part of the creation of a new language for the communications network era, a user language which is successful as art because it transmits an effective activism. Media activists are a hybrid of artist, scientist, theoretician and political activist that shuns labels and categorizations. Their creations are characterised by integration of user and machine in the work itself, so that interactivity has an important place within it. The concept of tactical media allows Art with a capital and grassroots political activism to be combined and, in this sense, we could include in it the tactical struggle that is part of anti-globalisation movements. Media activists point to the power of tactics as a means of breaking down the barriers between mainstream values and alternative ones, between professionals and amateurs and even between people who are creative and those that are not.

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    Migrant Navigator Xtra Tools 

    No borders = No nations? History of unification of the Europe is militant: Roman Empire > Napoleon's Empire > 3rd Reich. Economy is powerful weapon. Now this has all changed! Test yourself: Say at least three differences of the European Union with previous forms of European unification. Compare the results with your family, friends, neighbours and people you don't like. Than try it with the Migrant Navigator to see the difference!

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    As power becomes traceable: raising the stakes on critique 

    Among the many troubling and bizarre features of contemporary politics, the following apparent paradox can be found: Informationalisation has brought along enormous increases in the traceability of the doings and dealings of the powerful. But the disruptive power of the exposure of these activities to the public, today seems especially low. After information technology, the going about of those in power and their abuses, are increasingly documented, and the resulting records are increasingly susceptible to leakage to the public. Email is an obvious example. In the run-up to the last Iraq war, a message by an official of the National Security Agency (NSA), which requested ? aggressive surveillance ? of UN Security Council Members Angola, Cameroon, Chile, Bulgaria and Guinea, made its way to the newspapers.

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      Next 5 Minutes 1 

      The Next Five Minutes is a conference, exhibition and tv program taking place between 8th and 10th January 1993 in Amsterdam, that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and  marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.

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      A Virtual World is Possible: From Tactical Media to Digital Multitudes 

      I.

      We start with the current strategy debates of the so-called 'anti-globalisation movement', the biggest emerging political force for decades. In Part II we will look into strategies of critical new media culture in the post-speculative phase after dotcommania. Four phases of the global movement are becoming visible, all of which have distinct political, artistic and aesthetic qualities.

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      Data Trash: The Theory of the Virtual Class 

      Arthur Kroker, Canadian media theorist and is the author of 'ThePossessed Individual', 'Spasm' and 'Hacking the Future'. Over the pastyears he, together with Marilouise Kroker, were often in Europe andmade appearances at Virtual Futures, V-2, Eldorado/Antwerpen, etc.Recently, they have also been discovered in German-speaking countries.Both are noted for their somewhat compact jargon, which made theirmessage appear to drown somewhat in overcomplex code. But "DataTrash"`(1994) changed all that. The long treck through the squashydiscourses had not been in vain. Firmly rooted in European philosophy,yet not submerged, Arthur Kroker has found his topic: the virtual class.

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      Grundrisse einer Netzkritik 

      1. Toward a European Standard Code for Critical Interchange (ESCCI)

      Bezeichnen wir das Internet einfach einmal als 'Kind der Moderne', soist das klassische Genre der Kritik sicherlich ein Teil davon. Im nochandauernden Zeitalter des multikulturellen Massenkonformismus, vollerMikropraxis und Ich-Management, ist die Kunst der Kritik jedoch inVergessenheit geraten. Die hiesigen Kommentare zielen nur noch aufKorrektur von Verhaltensweisen ab. Die Meinungsmacher/innen haben allesAngebotene laengst hinter sich, sie sehen das Ganze wirklichdifferenziert, aus sicherem Abstand. Die glueckliche Tatsache, man seieben nicht engagiert, wird als persoenliche Errungenschaft gefeiert.Solche talking heads ohne Eigenschaften sind aber nutzlos in Zeitenrascher Entwicklungen, sowie das beim Wachstum der Computernetze imMoment der Fall ist.

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      "The Desire to be Wired" 


      1. Desire.

      I come from a social and cultural context which has its languagetaboos, and among them a strong one refers to the libido. Desire is,therefore, something rather personal, and connecting it to the publicsphere might personalize the approach in a naive sense I learned toavoid. But since the same topic has been voiced last year in thecalling papers of the Enschede Photo Biennial, we might be dealing herewith a common place, therefore with a language defensive reflex, andthis is something useful to talk about.

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