Search results for 'art'

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BLF Manifesto 

In the beginning was the Ad. The Ad was brought to the consumer by the Advertiser. Desire, self worth, self image, ambition, hope; all find their genesis in the Ad. Through the Ad and the intent of the Advertiser we form our ideas and learn the myths that make us into what we are as a people. That this method of self definition displaced the earlier methods is beyond debate. It is now clear that the Ad holds the most esteemed position in our cosmology.

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CHANCE 2000: Vote yourself! Just do it! 

Germany 1998: 2 years before the New Millenium a new form of Political Party came into existence: CHANCE 2000 - The Party of the Last Chance. In the midst of an election that was one of the most important in postfascist Germany an artist jumped into the political arena to "make politics more aesthetic and aesthetics more political". The film- and theatremaker and talk show host Christoph Schlingensief started the Campagne: "VOTE YOURSELF!" In Berlin he started the project with an "Election Circus". Together with a famous circus-family from former East Germany and with his crew of actors and his family of handicapped performers he founded "CHANCE 2000 - Party of the Last Chance" in a circus tent in Berlin/ Prenzlauer Berg. The message for the Republic was: "Vote Yourself, we know how to do it!" Every citizen was asked to become an independent candidate for the new Bundestag. Manuals were sent out how to become a direct candidate. And many different people realized their chance to "prove that they exist" by bringing their name on the ballot sheet: "Chance Meier", "Chance Mueller", "Chance Schmidt". If you managed to collect 200 signatures of support in your political region you were part of the game and you could vote yourself. Why not voting somebody you know by heart, you trust and love?

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Stop The Jabiluka Uranium Mine in Kakadu 

Does the art of campaigning involve commodifying a struggle and presenting it in a package to the people through the media? What impact does the media really have? How useful is the net as an alternative medium? Does it only reach the alternative people - those who already know about the issues or is it capable of engaging with the mainstream public. Does genuine public opinion have any real impact in the current political and corporate climate?

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Recombinant Television 

VakuumTV was founded in February 1994 on the initiative of Laszlo Kistamas and currently includes Dora Csernatony, Ferenc Grof, Laszlo Kistamas, and Attila Till. Its members presented weekly broadcasts on Monday nights at the most popular cultural club in Budapest, Tilos az A. Between February 1994 and September 1997 Vakuum TV broadcast 52 shows, and after 3 years of rest, started broadcasting again in 2000. Each show blended short films, interactive engagements between the audience and the announcer, and live performances but each used a very different content to create a parallel televisual reality.

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Dictionary of War - Novi Sad Edition 

After a one year break the DICTIONARY OF WAR continues with a fifth edition on January 25th and 26th, 2008 in Novi Sad, Serbia. Again 25 new concepts on the topic of war will be presented in alphabetical order by artists, theorists, filmmakers, scientists, researchers. Loosely based on the slogan: "At least, when we create concepts, we are doing something" DICTIONARY OF WAR is a collaborative platform for creating concepts.

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Dark Markets 

Dark Markets is a two day strategic conference that looked into the state of the art of media politics, information technologies, and theories of democracy. A variety of international speakers inquired into strategies of oppositional movements and discussed the role of new media.

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CAE: Framing Tactical Media 


Anyone involved with "tactical media" (TM) before its famed christening in 1996 at the Next Five Minutes had to know that naming this cultural/political tendency was going to have some very negative repercussions. The naming was the first step in doing what TM feared the most°Xclaiming cultural territory doomed to house haunting archives. Once given an official title, so many nasty processes could begin - most significantly, the construction of historical narratives. So many narratives already exist explaining this ephemeral, immediate, specific, and deterritorialized process of cultural production that seemed so urgent to so many radical subjects in the early 90s.

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Publication: Legacies of Tactical Media - The Tactics of Occupation: From Tompkins Square to Tahrir. 

Out now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.

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Security through InSecurity 

Increase the level of paranoia.....
bombs in the metro.....bombs in Oklahoma......
bombs in the World Trade Center.....bombs in Mururoa.....
Who are the real terrorists?

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    The Disappearance of Public Space on the Net 

    The Internet was started in the 1970's by the U.S. Defense Departmentas a communications tool and is now being bought out by I.B.M., M.C.I.and other megaCorporations. April, 1995 marked the closing of theNational Science Foundation's part of the internet, and signaled thebeginning of the end of the publicly funded computer networkinfrastructure.

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    My Postmodernism - My '80s 

    Filmmaker and activist Gregg Bordowitz's passage through the 1980s mirrors the course of AIDS activism in that decade. From the very first ACT up demonstration in New York to the triumphal storming of the FDA headquarters outside Washington, DC, he deployed his art in the battle against AIDS. Bordowitz leads off this two-issue series of personal chronicles of the decade, recounting his experiences as an activist and guerrilla filmmaker at the forefront of the fight.

    "Art does have the power to save lives, and it is this very power that must be recognized, fostered, and supported in every way possible."
    - Douglas Crimp, introduction to AIDS: Cultural Analysis/Cultural Activism (MIT Press, 1988)

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    Tactical Media in Brazil - Submidialogia conference report 

    The four-day conference on the campus of the Universidade Estadual de Campinas (Unicamp) brought together many key persons from the tactical media movement of Brazil and some of their counterparts in the Brasilian government.
    The movement is converging from roots in free radio, free software, hardware hacking, art and social movements. It is currently focussed around a large-scale project master-minded by Claudio Prado and supported by the Ministry of Culture: ?Pontos de Cultura? (Culture Spots) which is aiming to empower up to 600 cultural projects with free software-based multimedia production and publication facilities.

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    The Undisciplined and Punishment 

    In the past several years a lively list serve has evolved that addresses issue of incarceration and justice in the United States. Each night I log on to messages that range from desperate pleadings for someone life to cautious discussions of what the slogans should be on the posters for the next Mumia march. There are technical descriptions of prison architecture and quests for herbal cures to cell block bronchitis epidemics. It is the underside of what is one of our leading industries: locking people up.

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