Search results for 'art'

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make world paper 3 

Two years after 911 the global cup looks both half full and half empty. It's hard to be optimistic, yet there are plenty of reasons for it. With the Bush-Blair war machine running out of steam, the movement of movements shifts its attention to alternatives for the WTO, Security Council and similar post-democratic bodies. In the moral desert of the Iraq War the structuration of imaginary consent through the repetitive bombardment of the image began to show severe cracks in credibility. These discrepancies within the represented result in a heightened need for action. The Iraq war didn't fool any one and both sides are still reeling a little from the shock. While maintaining their anger, people moved on from protest to a collective search for that other, possible world. What might a global democracy look like? Would it be a system with representatives and 'rights,' or rather a dynamic set of events, without higher aims?

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Post-media Operators 

1.
The record industry is in the process of being outflanked by means of the very processes that it has come to rely upon. Since the 60's its continual efforts to create new needs has meant that it nurtured an everchanging musical soundscape that is now mutating at such a pace that it cannot keep track long enough to harness these musical evolutions in the direction of profit. That fact that it doesn't achieve this harnessing has the remarkable effect of making the 'new' last longer! A longevity that comes from our always being able to place ourselves amidst a continual re-definition of these sounds. Even in terms of format, the profit-orientated shift to a CD market which may have meant that back-catalogues could be re-sold has also worked to deliver an on-line tap of musical history at the same time that vinyl pressing has become cheaper. These and other factors feed into the accelerating mutation that in turn creates a dissatisfaction with what the industry can offer.

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Rehearsal of Memory 

About his CD-ROM production called ROM

The production of this interactive programme has been commissioned by Video Postive 1995 and the construction of the artwork is set to take place during January to April 1995.

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    campaign

    ACT UP (AIDS Coalition To Unleash Power) 

    ACT UP, AIDS Coalition To Unleash Power, is a diverse, non-partisan group of individuals, united in anger and committed to direct action to end the AIDS crisis, started in 1987. We meet with government officials, we distribute the latest medical information, we protest and demonstrate. We are not silent.

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    Dawn of the Organised Networks 

    At first glance the concept of "organised networks" appears oxymoronic. In technical terms, all networks are organised. There are founders, administrators, moderators and active members who all take up roles. Think also back to the early work on cybernetics and the "second order" cybernetics of Bateson and others. Networks consist of mobile relations whose arrangement at any particular time is shaped by the "constitutive outside" of feedback or noise.[1] The order of networks is made up of a continuum of relations governed by interests, passions, affects and pragmatic necessities of different actors. The network of relations is never static, but this is not to be mistaken for some kind of perpetual fluidity. Ephemerality is not a condition to celebrate for those wishing to function as political agents.

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    person

    Simona Levi

    Simona Levi is a multidisciplinary artist born in Italy and established in Barcelona since 1990. She is the Director of Conservas, a cultural activity centre. Since 2000, she has directed the arts festival INn MOTION which takes place at the Centre of Contemporary Culture of the city of Barcelona. She is an outstanding activist in European social movements in the area of free circulation of knowledge and the right to housing. She is also involved in several artistic and activist platforms. She is co-founder of EXGAE, a civil organization that defends from the abuses of the cultural industry trade groups.

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    The Role of the Engineer in the Information Age 

    When looking at technology, we barely see machinery, let alone the people who made it. We seem to take technology and its development for a given, neglecting the process of its creation. We live off the fruits of the tree, without examining its roots.

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      World Charter of Free Media 

      Tunis March 2015
      We, communicators and activists committed to multiple emancipatory communication practices across different regions of the world, freely assembled in March 2015 in Tunis, on the occasion of the 4th World Forum on Free Media, organized in the framework of the World Social Forum 2015, adopt this World Charter of Free Media, as the result of our collective reflection initiated in 2013, and as an expression of our resistance, and our commitment to just and emancipatory communication, and our engagement with world developments and humanity.

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      The Invention of the Savage: Colonial Exhibitions and the Staging of the Arab Spring 

      Watching a popular uprising in real time was indeed a dramatic experience. As viewers tuned in (or streamed in) to the violence, courage, and uncertainty of events in North Africa this year, many of them had the impression of witnessing the "actual" events, free from the framing tactics and analytical bias often found on the six o'clock news. A host of new media celebrities became household names as they reported live from Tahrir, and news outlets such as Al-Jazeera saw an unprecedented rise in viewership. Spectators were made to believe that a return to the event "itself" was once again possible after decades of being locked into what Jean Baudrillard called the hyper-real. The revolution in-and-of-itself seemed to unfold before our eyes, creating a fetish for real-time revolt.

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