Search results for 'art'
Simona Levi
Simona Levi is a multidisciplinary artist born in Italy and established in Barcelona since 1990. She is the Director of Conservas, a cultural activity centre. Since 2000, she has directed the arts festival INn MOTION which takes place at the Centre of Contemporary Culture of the city of Barcelona. She is an outstanding activist in European social movements in the area of free circulation of knowledge and the right to housing. She is also involved in several artistic and activist platforms. She is co-founder of EXGAE, a civil organization that defends from the abuses of the cultural industry trade groups.
Conference Report ‘The Society of Post-Control’
Summary of the extended conversation on the emergence, consequences, and activist responses to the concept of "post-control"
Report of the conference 'The Society of Post-Control', organised by Eric Kluitenberg and David Garcia, tying into the opening of the exhibition As If.
The Role of the Engineer in the Information Age
When looking at technology, we barely see machinery, let alone the people who made it. We seem to take technology and its development for a given, neglecting the process of its creation. We live off the fruits of the tree, without examining its roots.
ReadWorld Charter of Free Media
Tunis March 2015
We, communicators and activists committed to multiple emancipatory communication practices across different regions of the world, freely assembled in March 2015 in Tunis, on the occasion of the 4th World Forum on Free Media, organized in the framework of the World Social Forum 2015, adopt this World Charter of Free Media, as the result of our collective reflection initiated in 2013, and as an expression of our resistance, and our commitment to just and emancipatory communication, and our engagement with world developments and humanity.
The Invention of the Savage: Colonial Exhibitions and the Staging of the Arab Spring
Watching a popular uprising in real time was indeed a dramatic experience. As viewers tuned in (or streamed in) to the violence, courage, and uncertainty of events in North Africa this year, many of them had the impression of witnessing the "actual" events, free from the framing tactics and analytical bias often found on the six o'clock news. A host of new media celebrities became household names as they reported live from Tahrir, and news outlets such as Al-Jazeera saw an unprecedented rise in viewership. Spectators were made to believe that a return to the event "itself" was once again possible after decades of being locked into what Jean Baudrillard called the hyper-real. The revolution in-and-of-itself seemed to unfold before our eyes, creating a fetish for real-time revolt.
ReadN5M3 South Asia Forum Presentation
Working with new media in the part of South Asia that I come from is something like crossing a tightrope on a bicycle. The bicycle which could have helped me along were I on my way on flat ground makes the crossing that much more precarious. Consider the bicycle to be the single computer and the internet connection which I use along with at least seventeen other people, friends, colleagues, neighbours and complete strangers.
ReadPostscript on the Societies of Control
1. Historical
Foucault located the disciplinary societies in the eighteenth and nineteenth centuries; they reach their height at the outset of the twentieth. They initiate the organization of vast spaces of enclosure. The individual never ceases passing from one closed environment to another, each having its own laws: first the family; then the school ("you are no longer in your family"); then the barracks ("you are no longer at school"); then the factory; from time to time the hospital; possibly the prison, the preeminent instance of the enclosed environment. It's the prison that serves as the analogical model: at the sight of some laborers, the heroine of Rossellini's Europa '51 could exclaim, "I thought I was seeing convicts."
Notes on Culture Jamming
"Culture-jamming," a term I have popularized by articles in The New
York Times and Adbusters, might best be defined as media hacking,
information warfare, terror-art, and guerrilla semiotics, all in one.
Billboard bandits, pirate TV and radio broadcasters, media hoaxers, and
other vernacular media wrenchers who intrude on the intruders,
investing ads, newscasts, and other media artifacts with subversive
meanings are all culture- jammers." Mark Dery
Damn the Networks! Victory to the Imagination!
Yogi in Craig Baldwin's "Spectres of the Spectrum"
A Concise Lexicon of / for the Digital Commons
Access / Bandwidth / Code / Data / Ensemble / Fractal / Gift / Heterogeneous / Iteration / Journal / Kernel / Liminal / Meme / Nodes / Orbit / Portability / Quotidian / Rescension / Site / Tools / Ubiquity / Vector / Web / Xenophilly / Yarn / Zone
The Flexible Personality: For a New Cultural Critique
The events of the century's turn, from Seattle to New York, have shown that a sweeping critique of capitalist globalization is possible, and urgently necessary-before the level of violence in the world dramatically increases. The beginnings of such a critique exist, with the renewal of "unorthodox" economics. [1] But now one can look further, toward a critique of contemporary capitalist culture.
ReadTwelve Theses on WikiLeaks
Thesis 0
"What do I think of WikiLeaks? I think it would be a good idea!"
(after Mahatma Gandhi's famous quip on "Western Civilization")
Data Trash: The Theory of the Virtual Class
Arthur Kroker, Canadian media theorist and is the author of 'ThePossessed Individual', 'Spasm' and 'Hacking the Future'. Over the pastyears he, together with Marilouise Kroker, were often in Europe andmade appearances at Virtual Futures, V-2, Eldorado/Antwerpen, etc.Recently, they have also been discovered in German-speaking countries.Both are noted for their somewhat compact jargon, which made theirmessage appear to drown somewhat in overcomplex code. But "DataTrash"`(1994) changed all that. The long treck through the squashydiscourses had not been in vain. Firmly rooted in European philosophy,yet not submerged, Arthur Kroker has found his topic: the virtual class.
Shadow Citizens - Želimir Žilnik
Online Film Programme
As part of the exhibition, more than twenty of Žilnik’s films are from now on available for online viewing. Many of these are rarely screened, and all are being made available online to this extent for the first time. The films trace various periods and different working conditions within Žilnik’s practice.
Call for a #GlobalDebout, May 15, 2016
We call for a #globaldebout day of action on the 15th of May, 2016.
We call on peoples movements across the world to mobilise for justice and real democracy on the weekend of May 15th, 2016 for a #GLOBALDEBOUT. We invite you to come to Paris for an International Gathering of movements at Place de la Republic on May 7 and 8.
Today #46mars (April 15) is just two weeks after one million people mobilized in Paris and the movement Nuit Debout continues to grow. In numerous French and foreign cities, #Nuitdebout (Night on our Feet) is a light in the dark, it gives testimony to our hopes, dreams and common rebellions. Those who have taken the squares in the past and those who are taking them NOW: we know something is happening.
Nuit Debout
Nuit Debout is a French social movement that began on March 31, 2016, arising out of protests against proposed neoliberal labor reforms known as the "Loi Travail," or the "El Khomri Law".
The movement is centred at Paris's Place de la République, where protestors have held nightly assemblies following the March 31 protest. The movement has spread to dozens of other cities and towns in France and to neighbouring countries in Europe.
[From: Wikipedia.org ]
Hands Up United
Ferguson is everywhere. From St. Louis to Ayotzinapa to Palestine, millions are rising together to resist discrimination and State terrorism.
Video Vortex Reader II launched and available for download
On Saturday, the 12th of March 2011, a few minutes before six, the second Video Vortex reader was presented to the audience of the sixth edition of the Video Vortex conference. Editors Geert Lovink and Rachel Somers Miles invited the contributors to the second volume, who were present en masse, to celebrate the launch of the book on stage.
Read