Search results for 'criticism'

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At the End of the Tyrolean Way - re: "Elections are a Con" 

"My 'Wahlen sind Betrug' ('Elections are a Con') poster project was selected in November 2011 by a jury using an exemplary open process for the TKI open competition by TKI (Tiroler Kulturinitiativen) on 'No theme'. For the first time in the 10-year history of TKI open, the province of Tyrol (Austria) denied funding for an artistic work selected by a jury of experts.

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The Legitimacy of Illegality 

Webcasting often is seen as an alternative for experiments which would not be able to get a licence for ethertransmissions. The difficulty projects and broadcasting initiatives encounter when trying to get legal airspace has caused a limited view of the possibilities of working within the ether as such. It is already clear that connections between networks like the internet and the ether can be most interesting, but this is of course not the only reason to have a look at the possibilities of broadcasting more closely. The ether is still the easiest way to reach large numbers of people fast. We should always be aware it is there when we need it.

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Inke Arns

Inke Arns, curator and artistic director of Hartware MedienKunstVerein (www.hmkv.de) in Dortmund, Germany, since 2005. She has worked internationally as an independent curator, writer and theorist specializing in media art, net cultures, and Eastern Europe since 1993. She lived in Paris (1982-86), finished school in West-Berlin in 1988, studied Russian literature, Eastern European studies, political science, and art history in Berlin and Amsterdam (1988-96) and in 2004 obtained her PhD from the Humboldt University in Berlin, with a thesis focusing on a paradigmatic shift in the way artists reflected the historical avant-garde and the notion of utopia in visual and media art projects of the 1980s and 1990s in (ex-)Yugoslavia and Russia.

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Grundrisse einer Netzkritik 

1. Toward a European Standard Code for Critical Interchange (ESCCI)

Bezeichnen wir das Internet einfach einmal als 'Kind der Moderne', soist das klassische Genre der Kritik sicherlich ein Teil davon. Im nochandauernden Zeitalter des multikulturellen Massenkonformismus, vollerMikropraxis und Ich-Management, ist die Kunst der Kritik jedoch inVergessenheit geraten. Die hiesigen Kommentare zielen nur noch aufKorrektur von Verhaltensweisen ab. Die Meinungsmacher/innen haben allesAngebotene laengst hinter sich, sie sehen das Ganze wirklichdifferenziert, aus sicherem Abstand. Die glueckliche Tatsache, man seieben nicht engagiert, wird als persoenliche Errungenschaft gefeiert.Solche talking heads ohne Eigenschaften sind aber nutzlos in Zeitenrascher Entwicklungen, sowie das beim Wachstum der Computernetze imMoment der Fall ist.

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Do It With Others (DIWO): Participatory Media in the Furtherfield Neighbourhood 

The Furtherfield community utilizes networked media to create, explore, nurture and promote the art that happens when connections are made and knowledge is shared - across the boundaries of established art-world institutions and their markets, grass-roots artistic and activist projects and communities of socially-engaged software developers. This is a spectrum that engages from the maverick media-art-makers and small collectives of cross-specialist practitioners, to projects that critique and change dominant hierarchical structures as part of their art process.

This text will provide a brief background as to how Furtherfield, a non-profit organization and community, came about and how it extends the DIY ethos of some early net art and tactical media, said to be motivated by curiosity, activism and precision, [01] towards a more collaborative approach that Furtherfield calls Do It With Others (DIWO).

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The Brent Spar Syndrome 

Shell is not going to forget lightly its misadventures with the Brent Spar. The Oil Major was taken by complete surprise when the Greenpeace campaign against sinking that former drill platform achieved its goals. What happened to Shell can in fact happen to any corporation. Loosing control of the situation as result of the activities of a pressure group has become a nightmare scenario for the modern multinational enterprise.

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The XYZ of Net Activism 

It's time to create the pop stars of activism,
the idoru of communication guerrilla,
it's time to threaten and charm the
masses by the ghosts coming from the
 net, to play the myth against the myth,
to be more nihilist than infoteinment!
                                  - etoy -

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Facial Weaponization Suite (2011 - 2014) 

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making "collective masks" in community-based workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

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3rd ArtLeaks Working Assembly - Belgrade 

Cultural Center REX, Jevrejska 16, Belgrade, Serbia
Friday, 31st of August, 7pm, 2012

Participants: Corina L. Apostol, Maja Ciric, Pavle Cosic / KORNET, Nikola Radic Lucati, Vladan Jeremic, Selman Trtovac, Vesna Milosavljevic / SEEcult.org, Stefan Tiron, Noa Treister, The Bureau of Melodramatic Research, Marica Radojcic, Rena Rädle.
The 3rd ArtLeaks Working Assembly will be facilitated by Corina Apostol, The Bureau of Melodramatic Research, Stefan Tiron and Vladan Jeremic.

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Art and the Human 

The punk band Pussy Riot, which I belong to, is a musical group that conducts unexpected performances in different urban spaces. Pussy Riot's songs address topical political issues. The interests of the group members are: political activism, ecology, and the elimination of authoritarian tendencies in the Russian state system through the creation of the civil society.

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Tactical Media After 9-11 

It is tempting to portray '9-11' as a turning point. Gore Vidal warns that, since September 11, the US is in danger of turning into a "seedy imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will not be tolerated." The list of measures to restrict civil liberties, freedom of speech and privacy, or what?s left of it, doesn?t stop. A recent conference in Perth concluded that post-September 11 reporting adds to divisions and stereotypes. "The media's failure to provide more perspectives to news consumers and ask critical questions is fuelling a culture of fear and blame around the world, experts say."

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In memoriam: Oleg Kireev 

On Friday April 3, 2009 we received the terribly sad news that our friend and ever inspiring colleague Oleg Kireev from Moscow had died, apparently as a result of suicide. We are left behind as friends and colleagues, bereaved and puzzled by this dramatic fact. Kireev was a prominent guest in some of the most important projects in the art / media / politics triangle, which we had the honour developing at De Balie. Kireev was a crucial figure in circles of free culture, media activism and the arts in Moscow, one of the most demanding environments for such activity one can think of.

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