FCForum 2010 full declaration
Free Culture Forum 2010 Declaration: Sustainable Models for Creativity
Michael Seemann studied Applied Cultural Studies in Lüneburg. Since 2005 he is active on the internet with various projects. He founded twitkrit.de and Twitterlesung.de ('reading Twitter'), organized various events and runs the popular podcast wir.muessenreden.de. In 2010 he began the blog CTRL-verlust, about the loss of control over data on the internet. In 2014 he published Das neue Spiel after a successful crowdfunding campaign. Now he blogs at mspr0.de and writes for various media like Rolling Stone, TIME online, SPEX, Spiegel Online, c't and the DU magazine. He gives lectures on whistleblowing, privacy, copyright, internet culture and the crisis of institutions in times of Kontrollverlust.
Gregory Sholette is an artist, activist and author based in New York.
ReadTetsuo Kogawa's interests range over a variety of disciplines and critical approaches.
ReadAndreas Broeckmann is an art historian and curator who lives in Berlin and works as the curator of the Leuphana Arts Program in Lüneburg.
ReadOrganiser, networker and writer, based in Cluj. Born in Bucharest, Romania, grew up in New York. Ex-philosopher, media theorist and freelance organizer.
ReadXnet – Internet Freedoms
Xnet is an activist project working in fields related to digital rights and democracy: freedom of expression; net neutrality; privacy; the free circulation of culture, knowledge and information; mechanisms for transparency, participation and citizen control of power and institutions; the defense of citizen journalism for the right to know, inform and be informed; the technical, communications and legal fight against corruption; and the technopolitics understood as the practice of networking and taking action for citizen empowerment, justice and social transformation.
A Body for Cultures in Ruin
For Whom It May Concern,
We would like you to read this document and respond to this idea. It
was our wish and motivation to consider a format which could
accommodate certain situations in which countries and cultures find
themselves in these days. Ever increasingly, we are witnessing the
phenomena of ruined nation states, crashing financial markets and
bankrupt governments. So far, this is only interpreted in the usual
journalistic way of reporting the political and financial aspects of
the crises. But we, cultural workers, know better. It is only perceived
as 'news'. Arts and culture in this situation are the last to be
considered contemporary, sensitive instruments that could express the
'signs of the times'. First of all culture is a prime target of budget
cuts and this has become the only language in which officials can
speak. Art, by definition, is always in a defensive role and cannot
make demands. We do not like to further the culture of complaint, nor
is this the right time to dream up new utopias. We propose to radically
face current global economic forces. We want to intervene in their
sphere. Culture should not be left out: condemned to compensate for and
be at the receiving end of this trauma.
From 1993 is the editor in chief of Neural, the Italian/English new media culture magazine.
ReadEric Kluitenberg is an independent theorist, writer, and organiser on culture, media and technology. He is the editor-in-chief of the Tactical Media Files, and a Research Fellow at the Institute of Network Cultures (2013). He teaches media theory and history at the Art/Science Interfaculty in The Hague.
ReadJames Harkin is a trend forecaster for the Social Issues research Centre in Oxford and a consultant to global intelligence projects at HeadlightVision
ReadPress Release, February 17, 2011:
Declaration drafted during 4 months by the Free/Libre Culture Forum.
Each year, the FCForum brings together key organisation and active
voices in the sphere of free/libre culture. It responds to the need for
an international arena in which to put together and coordinate a global
framework for action, and to the need to defend and expand the sphere
in which human creativity and knowledge can prosper freely and
sustainably.
The Raqs Media Collective enjoys playing a plurality of roles, often appearing as artists, occasionally as curators, sometimes as philosophical agent provocateurs.
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