David Cox

David Cox is an award winning film-maker, digital media artist, writer, and cultural critic who has lived and worked in Britain, the United States and Australia. His films include OTHERZONE, PUPPENHEAD and BIT. He obtained his Masters Degree in 2003 from the Royal Melbourne Institute of Technology University, Australia. He holds a Graduate Diploma in Applied Film and Television (with Honors) in 1990 from Melbourne's Swinburne School of Film and Television. He also holds a Bachelor of Education degree from Deakin University, Australia.

• culture jamming

Distance versus Desire 

The desire to transcend distance and separation has accompanied the history of media technology for many centuries. Various attempts to realise the demand for a presence from a distance have produced beautiful imaginaries such as those of telepresence and ubiquity, the electronic cottage and the reinvigoration of  the oikos, and certainly not least among them the reduction of physical mobility in favour of an ecologically more sustainable connected life style.  As current systems of hypermobility are confronted with an unfolding energy crisis and collide with severe ecological limits - most prominently in the intense debate on global warming - citizens and organisations in advanced and emerging economies alike are forced to reconsider one of the most daring projects of the information age: that a radical reduction of physical mobility is possible through the use of advanced telepresence technologies.

• electrosmog,
• im/mobility,
• telepresence

Notes on the Politics of Software Culture 

Software has, over the last few years, increasingly come into view as a cultural technique whose social and political impact ought to be studied carefully. To the extent that social processes rely on software for their execution - from systems of e-government and net-based education, online banking and shopping, to the organisation of social groups and movements -, it is necessary to understand the procedural specificities of the computer programmes employed, and the cultural and political 'rules' coded into them.

Islam and Tactical Media in Amsterdam 

Essay written in August 2002 for the New York University Tactical Media Lab, organised by the NYU Center for Media, Culture and History.

• tactical media,
• community media,
• islam

PGO - The Post-Governmental Organisation 

One of the four main themes of the N5M3 is the 'Post-Governmental Organisation', a title that is meant more polemically than descriptively. The 'PGO' label raises the question of the practical, political and ethical impli cations of strong, potentially global, independent organisations. The theme will be approached from different critical, analytical and ironic perspectives in a public debate, and the PGO Design-Show ("Get Organised!").

• post-governmental organisation

Tactical Media Connections update: May 1, 2015 

A public research trajectory tracing the legacies of Tactical Media and its connections to the present.

Tactical Media Connections is an extended trajectory of collaborative research tracing the legacies of Tactical Media and mapping the relationships between its precursors and its progeny. The program is realised through a series of meetings and exhibitions, culminating in the publication of a Tactical Media Anthology with contributions and dialogues ranging across generations and territories.

• art,
• tactical media,
• archive,
• theory,
• tactical research