Help B92 Campaign
International support campaign for independent media in Yugoslavia, including the famous Radio B92 media center, in operation between March and July 1999.
ReadInternational support campaign for independent media in Yugoslavia, including the famous Radio B92 media center, in operation between March and July 1999.
ReadThe latest issue of The Occupied Times of London is devoted to the question of technology in contemporary forms of political contestation. The main question thrown up by the editors is to ask: "What is technology for?" (TMF editors)
ReadThe Letter written by N. Tolokonniokova in which she outlines the problematics of Gender Equality and other fundamental freedoms in frames of ethical consensus monopolized by the Russian Orthodox Church and the Russian State, absent the plurality of the people of Russia and incarceration of Pussy Riot, as its main actors.
ReadInterventions in Engineering Cultures
The most significant underwriter of engineering research in the United
States is the Department of Defense, largely acting through the Defense
Advanced Research Projects Agency (DARPA). DARPA exists to channel funds
from the military to academic and corporate research labs in exchange
for technological innovations that serve the needs of its clients - the
Army, Navy, Air Force, and Marines. As DARPA public relations officers
are fond of pointing out, innovations funded by DARPA grants may also
find expression in civilian applications, particularly in the
communications and aerospace industries.
Introduction to the cultural intelligence manual "Tactical Reality Dictionary"
tactical media event
Amsterdam & Rotterdam, The Netherlands, 12-14 March, 1999
www.n5m.org
(Source: Updated announcement Feb 11, 1999)
The Negative Dialectics of the Net
In his essay, "Presenting the Unpresentable: The Sublime", Jean-François Lyotard observes that capitalism, technoscience and the pictorial avant-garde of the twentieth century share an 'affinity to infinity'. All three point towards a sensibility that is constitutive for the experience of the modern world.
If the left has learned anything from resistance against capital driven technocracy, it is that the democratic process is only minimally useful for slowing the profit machine of pancapitalism. Since corporations and other capital-saturated institutions own the process, and tend to function outside national democratic imperatives, other methods of power appropriation have to be developed. In the case of biotechnology, the resistance is unfortunately in a position of reactivity. Corporations have already infiltrated most governments and markets at such a furious pace that all that can be done is attempt to slow them down, while cells and organizations regroup and decide on a way to address the many problems that have already arisen, and the many potential accidents that are in front of us.
Essay written in August 2002 for the New York University Tactical Media Lab, organised by the NYU Center for Media, Culture and History.
Jeremy Hammond Sentenced to 10 Years in Prison! Show Him He Still Has Our Support!
Jeremy Hammond is a 28-year-old political activist sentenced to 120 months in prison, with an additional 3 years probation upon his release,
after pleading guilty to the Anonymous conspiracy to hack the private
intelligence firm Strategic Forecasting (Stratfor). A longtime proponent
of "hactivism," his actions are a form of electronic civil
disobedience. He believes that "people have a right to know what
governments and corporations are doing behind closed doors."
A demonstration in solidarity with Anonymous Hacker Jeremy Hammond occurred last night (December 3, 2013) at the Metropolitan Detention Center in Sunset Park, Brooklyn where he is temporarily being held. Just two weeks ago, the 28 year old was sentenced to 10 years in federal detention for cyber crimes. Amongst other high-profile breaches, he leaked confidential intelligence data to Wikileaks from a private intelligence firm known as Stratfor. Many consider Stratfor to be a "shadow CIA" operating under even less regulation and oversight than a government entity.
ReadPlease join Not An Alternative, Eyebeam Art and Technology Center, and
Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond
Models of Consensus, an exhibition which examines models of
participation and participation as a model in art and activism.
Re:Group proposes that with participation now a dominant paradigm,
structuring social interaction, art, activism, the architecture of the
city, the internet, and the economy, we are all integrated into
participatory structures whether we want to be or not. The exhibition
showcases work that subverts existing systems or envisions new
alternatives to the ways in which individuals can take part, or choose
not to take part, in social and cultural life.
This essay provides a short and insightful overview of alternative television projects in the Italy of Berlusconi.
To: nettime-l {AT} bbs.thing.net
Subject: <nettime> Rise and Decline of the Syndicate
Date: Tue, 13 Nov 2001 15:52:49 +0100
The Syndicate mailing list imploded and went down in August 2001, destroying the life-line of the Syndicate network. The network had been in a shaky situation for a while, due - we believe - to the destabilisation of the problematic balance between personal contacts of list members, lurking and filtering-and-not-reading-let-alone-posting subscribers, and a growing number of self-promoters who used the list as a personal performance space and disregarded the social rules of the online community.
The need for net criticism certainly is a matter of overwhelming urgency. While a number of critics have approached the new world of computerized communications with a healthy amount of skepticism, their message has been lost in the noise and spectacle of corporate hype-the unstoppable tidal wave of seduction has enveloped so many in its dynamic utopian beauty that little time for careful reflection is left. Indeed, a glimpse of a possibility for a better future may be contained in the new techno-apparatus, and perhaps it is best to acknowledge these possibilities here in the beginning, since Critical Art Ensemble (CAE) has no desire to take the position of the neoluddites who believe that the techno-apparatus should be rejected outright, if not destroyed. To be sure, computerized communications offer the possibility for the enhanced storage, retrieval, and exchange of information for those who have access to the necessary hardware, software, and technical skills. In turn, this increases the possibility for greater access to vital information, faster exchange of information, enhanced distribution of information, and cross cultural artistic and critical collaborations. The potential humanitarian benefits of electronic systems are undeniable; however, CAE questions whether the electronic apparatus is being used for these purposes in the representative case, much as we question the political policies which guide the net's development and accessibility.
ReadThe desire to transcend distance and separation has accompanied the history of media technology for many centuries. Various attempts to realise the demand for a presence from a distance have produced beautiful imaginaries such as those of telepresence and ubiquity, the electronic cottage and the reinvigoration of the oikos, and certainly not least among them the reduction of physical mobility in favour of an ecologically more sustainable connected life style. As current systems of hypermobility are confronted with an unfolding energy crisis and collide with severe ecological limits - most prominently in the intense debate on global warming - citizens and organisations in advanced and emerging economies alike are forced to reconsider one of the most daring projects of the information age: that a radical reduction of physical mobility is possible through the use of advanced telepresence technologies.
ReadActivist Media Tomorrow*
* BH: When I wrote this text five years ago, it really was not clear whether
the swarming tactics of the counter-globalization movement would get a
"second chance." But they have, and now the subtitle could be "activist
media today."
What happened at the turn of the millennium, when a myriad of recording
devices were hooked up to the Internet and the World Wide Web became an
electronic prism refracting all the colors of a single anti-capitalist
struggle? What kind of movement takes to the barricades with samba bands
and videocams, tracing an embodied map through a maze of virtual
hyperlinks and actual city streets? The organizational aesthetics of the
networked movements was called "tactical media," a concept that mixed
the quick-and-dirty appropriation of consumer electronics with the
subtle counter-cultural anthropology of Michel de Certeau. The idea was
to evoke a new kind of popular subjectivity, constitutionally "under the
radar," impossible to identify, constantly shifting with the inventions
of digital storytelling and the ruses of open-source practice. Too bad
so much of this subversive process was frozen into a single seductive
phrase.
The two very different types of digital formations examined here make legible the variable ways in which the socio-technical interaction between digital technology and social logics produce distinctive outcomes. These differences point to the possibility that networked forms of power are not inherently distributive, as is often theorized when the focus is exclusively on technical properties.
Read
What is Hollaback?
The real motive of street harassment is
intimidation. To make its target scared or uncomfortable, and to make
the harasser feel powerful. But what if there was a simple way to take
that power away by exposing it? You can now use your smartphone to do
just that by documenting, mapping, and sharing incidents of street
harassment. Join an entire community ready to Hollaback!
Against torture in Egypt and inhuman treatment of Egyptians in their own country
"It's Khaled Said...
He is a 28 years old Egyptian who was tortured and killed by two policemen in the street where he lived in Alexandria, Egypt. Khaled's death further exposed the Egyptian police brutality and their systematic torture of Egyptians. Khaled died, but many Egyptians have become alive where his picture has now become the symbol of Egyptians' struggle for their rights and freedom."