The Flexible Personality - Notes
Notes for Brain Holmes' text: The Flexible Personality: For a New Cultural Critique.
ReadNotes for Brain Holmes' text: The Flexible Personality: For a New Cultural Critique.
ReadWe are not surprised.
We are artists, arts administrators, assistants, curators, directors, editors, educators, gallerists, interns, scholars, students, writers, and more—workers of the art world—and we have been groped, undermined, harassed, infantilized, scorned, threatened, and intimidated by those in positions of power who control access to resources and opportunities. We have held our tongues, threatened by power wielded over us and promises of institutional access and career advancement.
From: beka economopoulos
Date: June 10, 2010 6:07:12 GMT+02:00
Subject: [iDC] Participationism (was "why do we need physical campuses")
Hi all,
(...) Below is (one of) the curatorial statement(s) of a show that Not An
Alternative has curated with Upgrade NY! and Eyebeam, called Re:Group:
Beyond Models of Consensus, about the subjects of collaboration and
participation. After constant debate, the curatorial committee never
came to consensus about the thesis for the show, and so we've presented
two distinct positions.
Below is that of our group, Not An Alternative. The opening is
tomorrow, with a curators talk at 5pm, so if you're in NY and you're
ready for a rumble join us there.
Best, Beka
Introducing the panel on Counter-strategies of Corporations against
Campaigns Featuring: What are the modern-times strategies of present
day companies? And: How can we respond to these?
This part of the introduction includes a short outline of the themes to
be discussed at the forum. Being used are examples from the work of the
panelists and cases they have been working on. Also included are
exerpts from recent articles on the corporate world's reaction to
social and environmental cam-paigns, illuminating the main themes from
different points of view. References are included below, if you would
like to receive four further texts on this subject, please let me know:
evel@xs4all.nl
It is tempting to portray '9-11' as a turning point. Gore Vidal warns
that, since September 11, the US is in danger of turning into a "seedy
imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will
not be tolerated." The list of measures to restrict civil liberties,
freedom of speech and privacy, or what?s left of it, doesn?t stop. A
recent conference in Perth concluded that post-September 11 reporting
adds to divisions and stereotypes. "The media's failure to provide more
perspectives to news consumers and ask critical questions is fuelling a
culture of fear and blame around the world, experts say."
About his CD-ROM production called ROM
The production of this interactive programme has been commissioned by
Video Postive 1995 and the construction of the artwork is set to take
place during January to April 1995.
Outer Spaces Conference Series 2017
An analysis of ISIS and its media strategy, the meaning of cyber jihad, and why people enrol as foreign fighters.
The 12th conference of the Disruption Network Lab
Directed by Tatiana Bazzichelli. Studio 1, Mariannenplatz 2, 10997 Berlin.
'We Are Left to Make This Moment Into a Movement'
As the news cameras leave, Russell says the real fight begins.
"Free Pussy Riot collective members Maria Alekhina, Ekaterina Samutsevich, Nadezhda Tolokonnikova from Russian prison and drop all charges now. Write a letter of support pussriotsolidarity@gmail.com visit the site freepussyriot.org & donate/sign petition"
Read'Everyone has the right to freedom of opinion and expression; this
right includes freedom to hold opinions without interference and to
seek, receive and impart information and ideas through any media and
regardless of frontiers.' -Article 19, United Nations Declaration of
Universal Human Rights
No One Is Illegal is an international network of local groups of immigrants, refugees and
allies who fight for the rights of all migrants to live with dignity
and respect.
Contemporary activism begins from the realization that for the first time in history, a synergy of catastrophes face us. Our physical environment is dying, our financial markets are collapsing and our culture, fed on a diet of junk thought, is atrophying -- unable to muster the intellectual courage to face our predicament.
ReadHave you ever heard of the Leica Revolution? No?
We've had the camcorder revolution. It made making videoprograms
cheaper. Audio-equipment is affordable, so radiomaking is possible for
a large amount of people too. So for a long time already the masses are
potential mediaproducers. There were only minor successes in accessing
the broadcast channels both legally and illegally. But the efficient
one-to-many distribution system (radio and tv) are chocked, regulated,
hard to get access to. The Internet having the capacity for streaming
media seems to promise new possibilities. Boundless access, for anyone
making radio, and maybe in the near future TV. Some are pessimistic,
and see these channels soon closed and regulated as well. What will
this streaming media look like and who will be streaming?
An attempt to provisionally theorize the emergence of new subjectivities in the early stages of the coronavirus pandemic.
Read"Tweets and the Streets analyses the culture of the new protest movements of the 21st century. From the Arab Spring to the "indignados" protests in Spain and the Occupy movement, Paolo Gerbaudo examines the relationship between the rise of social media and the emergence of new forms of protest. Gerbaudo argues that activists' use of Twitter and Facebook does not fit with the image of a "cyberspace" detached from physical reality. Instead, social media is used as part of a project of re-appropriation of public space, which involves the assembling of different groups around "occupied" places such as Cairo's Tahrir Square or New York's Zuccotti Park."
Filmmaker and activist Gregg Bordowitz's passage through the
1980s mirrors the course of AIDS activism in that decade. From the very
first ACT up demonstration in New York to the triumphal storming of the
FDA headquarters outside Washington, DC, he deployed his art in the
battle against AIDS. Bordowitz leads off this two-issue series of
personal chronicles of the decade, recounting his experiences as an
activist and guerrilla filmmaker at the forefront of the fight.
"Art
does have the power to save lives, and it is this very power that must
be recognized, fostered, and supported in every way possible."
- Douglas Crimp, introduction to AIDS: Cultural Analysis/Cultural Activism (MIT Press, 1988)
Friday, October 05, 2001 12:20 PM
subject: Activism After September 11
Dear Friends,
This essay was published today in The Nation. It's
an attempt to discuss what the atrocities of September 11 might mean to
those of us who are publicly critical of corporate power and the
current global economic model. There are no easy answers to this
question so the essay is more of a meditation on symbolism and tone
than a political roadmap.
Take care,
Naomi
In Antoine de Saint Exupéry's tale the Little Prince meets a businessman who accumulates stars with the sole purpose of being able to buy more stars. The Little Prince is perplexed. He owns only a flower, which he waters every day. Three volcanoes, which he cleans every week. "It is of some use to my volcanoes, and it is of some use to my flower, that I own them," he says, "but you are of no use to the stars that you own".
Read