Search results for 'fear'

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We are not surprised. 

We are not surprised.

We are artists, arts administrators, assistants, curators, directors, editors, educators, gallerists, interns, scholars, students, writers, and more—workers of the art world—and we have been groped, undermined, harassed, infantilized, scorned, threatened, and intimidated by those in positions of power who control access to resources and opportunities. We have held our tongues, threatened by power wielded over us and promises of institutional access and career advancement.

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Participationism (re: Re:Group: Beyond Models of Consensus) 

From: beka economopoulos
Date: June 10, 2010 6:07:12 GMT+02:00
Subject: [iDC] Participationism (was "why do we need physical campuses")

Hi all,
(...) Below is (one of) the curatorial statement(s) of a show that Not An Alternative has curated with Upgrade NY! and Eyebeam, called Re:Group: Beyond Models of Consensus, about the subjects of collaboration and participation. After constant debate, the curatorial committee never came to consensus about the thesis for the show, and so we've presented two distinct positions.
Below is that of our group, Not An Alternative. The opening is tomorrow, with a curators talk at 5pm, so if you're in NY and you're ready for a rumble join us there.
Best, Beka

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Corporate Counter Campaigns - Introduction 

Introducing the panel on Counter-strategies of Corporations against Campaigns Featuring: What are the modern-times strategies of present day companies? And: How can we respond to these?

This part of the introduction includes a short outline of the themes to be discussed at the forum. Being used are examples from the work of the panelists and cases they have been working on. Also included are exerpts from recent articles on the corporate world's reaction to social and environmental cam-paigns, illuminating the main themes from different points of view. References are included below, if you would like to receive four further texts on this subject, please let me know: evel@xs4all.nl

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Tactical Media After 9-11 

It is tempting to portray '9-11' as a turning point. Gore Vidal warns that, since September 11, the US is in danger of turning into a "seedy imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will not be tolerated." The list of measures to restrict civil liberties, freedom of speech and privacy, or what?s left of it, doesn?t stop. A recent conference in Perth concluded that post-September 11 reporting adds to divisions and stereotypes. "The media's failure to provide more perspectives to news consumers and ask critical questions is fuelling a culture of fear and blame around the world, experts say."

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Rehearsal of Memory 

About his CD-ROM production called ROM

The production of this interactive programme has been commissioned by Video Postive 1995 and the construction of the artwork is set to take place during January to April 1995.

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    Notes on the Future of Activism 

    Contemporary activism begins from the realization that for the first time in history, a synergy of catastrophes face us. Our physical environment is dying, our financial markets are collapsing and our culture, fed on a diet of junk thought, is atrophying -- unable to muster the intellectual courage to face our predicament.

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    Streaming Networks 

    We've had the camcorder revolution. It made making videoprograms cheaper. Audio-equipment is affordable, so radiomaking is possible for a large amount of people too. So for a long time already the masses are potential mediaproducers. There were only minor successes in accessing the broadcast channels both legally and illegally. But the efficient one-to-many distribution system (radio and tv) are chocked, regulated, hard to get access to. The Internet having the capacity for streaming media seems to promise new possibilities. Boundless access, for anyone making radio, and maybe in the near future TV. Some are pessimistic, and see these channels soon closed and regulated as well. What will this streaming media look like and who will be streaming?

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      Paolo Gerbaudo, Tweets and the Streets: Social Media and Contemporary Activism 

      "Tweets and the Streets analyses the culture of the new protest movements of the 21st century. From the Arab Spring to the "indignados" protests in Spain and the Occupy movement, Paolo Gerbaudo examines the relationship between the rise of social media and the emergence of new forms of protest. Gerbaudo argues that activists' use of Twitter and Facebook does not fit with the image of a "cyberspace" detached from physical reality. Instead, social media is used as part of a project of re-appropriation of public space, which involves the assembling of different groups around "occupied" places such as Cairo's Tahrir Square or New York's Zuccotti Park."

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      My Postmodernism - My '80s 

      Filmmaker and activist Gregg Bordowitz's passage through the 1980s mirrors the course of AIDS activism in that decade. From the very first ACT up demonstration in New York to the triumphal storming of the FDA headquarters outside Washington, DC, he deployed his art in the battle against AIDS. Bordowitz leads off this two-issue series of personal chronicles of the decade, recounting his experiences as an activist and guerrilla filmmaker at the forefront of the fight.

      "Art does have the power to save lives, and it is this very power that must be recognized, fostered, and supported in every way possible."
      - Douglas Crimp, introduction to AIDS: Cultural Analysis/Cultural Activism (MIT Press, 1988)

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      Signs of the Times 

      Friday, October 05, 2001 12:20 PM
      subject: Activism After September 11

      Dear Friends,
      This essay was published today in The Nation. It's an attempt to discuss what the atrocities of September 11 might mean to those of us who are publicly critical of corporate power and the current global economic model. There are no easy answers to this question so the essay is more of a meditation on symbolism and tone than a political roadmap.

      Take care,
      Naomi

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      In solidarity with Library Genesis and Sci-Hub 

      In Antoine de Saint Exupéry's tale the Little Prince meets a businessman who accumulates stars with the sole purpose of being able to buy more stars. The Little Prince is perplexed. He owns only a flower, which he waters every day. Three volcanoes, which he cleans every week. "It is of some use to my volcanoes, and it is of some use to my flower, that I own them," he says, "but you are of no use to the stars that you own".

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