Search results for 'homelessness'
Occupy and UK Uncut: the evolution of activism
Occupy Sandy gained the attention denied to Occupy Our Homes because it replaced militant Occupy! with "do-it-yourself" Occupy. Feel-good mutual aid displaced attention from the underlying contradiction between public housing and private utilities onto the quick fix of digital media. Occupy Our Homes, on the other hand, confronts the system with its failures ? predatory lending, homelessness, and empty bank-owned houses. The problems it addresses can't be solved by rolling up our sleeves and getting involved; they require political solutions.
ReadHousing as a Human Right
A Billion Dollar Issue
by Alina Mogollon-Volk (AliMVo Productions)
EPISODE 6 of We Interrupt This Program
Reading the Arab Image
This debate in the frame of the International Film Festival Rotterdam's
Power Cut Middle East programme, takes a look at the images, both moving
and still, that have come from the Middle East like a huge wave in the
past few months. Due to the increase of mobile phone films and photos,
we have a great deal of material whose origin is uncertain. It seems
authentic, but who is coming to blows with whom? And who has made the
films and taken the photos? Regimes are also aware of this, and use it
to their advantage. Are we seeing actors, paid demonstrators, real
people? How do we read and interpret these images?
Signs of the Times
Friday, October 05, 2001 12:20 PM
subject: Activism After September 11
Dear Friends,
This essay was published today in The Nation. It's
an attempt to discuss what the atrocities of September 11 might mean to
those of us who are publicly critical of corporate power and the
current global economic model. There are no easy answers to this
question so the essay is more of a meditation on symbolism and tone
than a political roadmap.
Take care,
Naomi
My Postmodernism - My '80s
Filmmaker and activist Gregg Bordowitz's passage through the
1980s mirrors the course of AIDS activism in that decade. From the very
first ACT up demonstration in New York to the triumphal storming of the
FDA headquarters outside Washington, DC, he deployed his art in the
battle against AIDS. Bordowitz leads off this two-issue series of
personal chronicles of the decade, recounting his experiences as an
activist and guerrilla filmmaker at the forefront of the fight.
"Art
does have the power to save lives, and it is this very power that must
be recognized, fostered, and supported in every way possible."
- Douglas Crimp, introduction to AIDS: Cultural Analysis/Cultural Activism (MIT Press, 1988)
No One is Illegal! Manifesto
For a world without borders! No immigration controls!
DEFEND THE OUTLAW!
Immigration controls should be abolished. People should not be deemed 'illegal' because they have fallen foul of an increasingly brutal and
repressive system of controls. Why is immigration law different from
all other law? Under all other laws it is the act that is illegal, but
under immigration law it is the person who is illegal. Those subject to
immigration control are dehumanized, are reduced to non-persons, are
nobodies. They are the modern outlaw. Like their medieval counterpart
they exist outside of the law and outside of the law's protection.
Opposition to immigration controls requires defending all immigration
outlaws.