Archives - Life-Cycles - Care
TMF editors Eric Kluitenberg and David Garcia have been invited to participate in the workshop "Taking Care of Things!" in Lüneburg, Germany, January 15-18, organised by the Post-Media Lab / Centre for Digital Cultures - Leuphana University, and Habits of Living in cooperation with the Stadtarchiv Lüneburg.
"Tweets and the Streets analyses the culture of the new protest movements of the 21st century. From the Arab Spring to the "indignados" protests in Spain and the Occupy movement, Paolo Gerbaudo examines the relationship between the rise of social media and the emergence of new forms of protest. Gerbaudo argues that activists' use of Twitter and Facebook does not fit with the image of a "cyberspace" detached from physical reality. Instead, social media is used as part of a project of re-appropriation of public space, which involves the assembling of different groups around "occupied" places such as Cairo's Tahrir Square or New York's Zuccotti Park."
Deep Dish TV and Paper Tiger TV to Release New Video Series About Resistance to Rise of Far-Right Political Movements.
We Interrupt this Program brings together reports from frontlines of fight against white nationalism, neoliberalism, patriarchy, and colonialism.
More than talking about changes that can be expected in the media landscape because of the developments and the influence of on-line streaming media, it is more consequent and important to consider (and act up on) the influence that these facilities already have in this particular area and the way in which information and communications as a whole have changed and will continue to change because on-line streaming media.
ReadThe Negative Dialectics of the Net
In his essay, "Presenting the Unpresentable: The Sublime", Jean-François Lyotard observes that capitalism, technoscience and the pictorial avant-garde of the twentieth century share an 'affinity to infinity'. All three point towards a sensibility that is constitutive for the experience of the modern world.
Collaborative Futures is a collaboratively authored book about the
theory and practice of collaboration, with a focus on social media and
peer-production. The true nature of collaborative culture as a form of
creative expression in the context of digital and network technologies
has remained elusive, a buzzword often falling prey to corporate and
ideological interests.
1. Desire.
I come from a social and cultural context which has its languagetaboos, and among them a strong one refers to the libido. Desire is,therefore, something rather personal, and connecting it to the publicsphere might personalize the approach in a naive sense I learned toavoid. But since the same topic has been voiced last year in thecalling papers of the Enschede Photo Biennial, we might be dealing herewith a common place, therefore with a language defensive reflex, andthis is something useful to talk about.
Outer Spaces Conference Series 2017
An analysis of ISIS and its media strategy, the meaning of cyber jihad, and why people enrol as foreign fighters.
The 12th conference of the Disruption Network Lab
Directed by Tatiana Bazzichelli. Studio 1, Mariannenplatz 2, 10997 Berlin.
Programming produced by any big transnational TV network (CNN, BBC, etc.) is, from the standpoint of an Internet user, similar to an Aggregator site distributing video material. It may also function as a portal providing a variety of material of interest to the viewer. Similarities abound - sections of a transnational TV network correspond to parts of an aggregate site: a program schedule is analogous to a web site index, news programs function as general information about the portal's community, shows represent particular web pages or sections on the portal. Most importantly, both TV network and a Web portal try to fulfill the basic media mission: to define its own reality and broadcast it that reality to potential followers - TV viewers or Internet users.
ReadBORDER="Ø" LOCATION="YES"
"Culture-jamming," a term I have popularized by articles in The New
York Times and Adbusters, might best be defined as media hacking,
information warfare, terror-art, and guerrilla semiotics, all in one.
Billboard bandits, pirate TV and radio broadcasters, media hoaxers, and
other vernacular media wrenchers who intrude on the intruders,
investing ads, newscasts, and other media artifacts with subversive
meanings are all culture- jammers." Mark Dery
Damn the Networks! Victory to the Imagination!
Yogi in Craig Baldwin's "Spectres of the Spectrum"
Have you ever heard of the Leica Revolution? No?
Natália Mazotte is a Brazilian journalist from Rio de Janeiro with a background in social and technological issues related to the creation and sharing of knowledge. She writes for the Knight Center for Journalism in the Americas, of Texas University, and works for a Brazilian NGO named Ibase. She is a researcher and fellow in the Graduate Programme of Culture and Communication of Federal University of Rio de Janeiro.
