On Saturday, the 12th of March 2011, a few minutes before six, the second Video Vortex reader was presented to the audience of the sixth edition of the Video Vortex conference. Editors Geert Lovink and Rachel Somers Miles invited the contributors to the second volume, who were present en masse, to celebrate the launch of the book on stage.
ReadAmsterdam & Rotterdam, The Netherlands, 12-14 March, 1999
The third Next 5 Minutes, an Amsterdam based conference on tactical communications culture, featuring do-it-yourself media, dissident art and electronic media activists from around the world, took place on the 12th, 13th and 14th of March 1999.
N5M3 archived festival website
ReadThere is a last enterprise that might be undertaken. It would be to seek
experience at its source, or rather, above that decisive turn where,
taking a bias in the direction of our utility, it becomes properly human
experience. (Bergson, 1991: 184).
This debate will address some of the doubts that hard core activists have about the usefulness of art in a political context.
Thesis 0
"What do I think of WikiLeaks? I think it would be a good idea!"
(after Mahatma Gandhi's famous quip on "Western Civilization")
The resistance continues at Liberty Square and worldwide!
OccupyWallSt.org is the unofficial de facto online resource for the
ongoing protests happening on Wall Street. We are an affinity group
committed to doing technical support work for resistance movements. We
are not affiliated with Adbusters, anonymous or any other organization.
Book presentations:
Tuesday, 5 March 2013, 7:00 p.m.
Depot, Vienna
Oliver Ressler in conversation with Luisa Ziaja (held in German)
An event in cooperation with Open Systems - Zentrum für Kunstprojekte, Vienna
Friday, 8 March 2013, 7:30 p.m.
Home Workspace, Ashkal Alwan, Beirut
Book signing at 7:30pm and presentation at 8pm by Gregory Sholette
Thursday, 25 April 2013, 6:30 p.m.
Austrian Cultural Forum, New York
Book presentation with Gregory Sholette, Oliver Ressler and guests
a year ago wikileaks was as known as any other hacker project on the
chaos computer congress in berlin. its organizers which you remember
only by surname were talking about technical and organisational
issues, smoking a joint and gathering collaborators and co-developers.
like often german or swedish hackers were running the backend of this
project. they like the technocratic part where organisation and code
goes together. here is where wikileaks has its center, and the idea of
it was rather a channel, a protocol, or a p2p network to allow more
transparency in information. the opposite movement against closing
down on information which belongs to the public, and a direct result
of a cyberpunk worldview, where an oligarchy of a few corporations
runs the world.
Right in time for the 1998 German elections, Christoph Schlingensief decided to found his own party with the futuristic-sounding name CHANCE2000 - motto: Vote Yourself!
On Mute and the Cultural Politics of the Net
It is tempting to portray '9-11' as a turning point. Gore Vidal warns
that, since September 11, the US is in danger of turning into a "seedy
imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will
not be tolerated." The list of measures to restrict civil liberties,
freedom of speech and privacy, or what?s left of it, doesn?t stop. A
recent conference in Perth concluded that post-September 11 reporting
adds to divisions and stereotypes. "The media's failure to provide more
perspectives to news consumers and ask critical questions is fuelling a
culture of fear and blame around the world, experts say."
Tactical Media Connections public program, Amsterdam January 20 - 22, 2017.
As part of the Tactical Media Connections public research trajectory tracing the legacies of Tactical Media and its connections to the present, a series of public events take place in Amsterdam between January 20 and 22, 2017. The public program includes an exhibition at Framer Framed in the Tolhuistuin cultural centre, opening on Friday January 20; a Meme Wars Lab workshop on Friday January 20; a public debate at Eye Filmmuseum on Saturday January 21, and a one day conference (‘The Society of Post-Control’) again at the Tolhuistuin on Sunday January 22.
Please find below a brief program overview, followed by a detailed description of the different parts of the public program.
We are not surprised.
We are artists, arts administrators, assistants, curators, directors, editors, educators, gallerists, interns, scholars, students, writers, and more—workers of the art world—and we have been groped, undermined, harassed, infantilized, scorned, threatened, and intimidated by those in positions of power who control access to resources and opportunities. We have held our tongues, threatened by power wielded over us and promises of institutional access and career advancement.
The Next Five Minutes is a conference, exhibition and tv program taking place between 8th and 10th January 1993 in Amsterdam, that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
Read"World War III will be a guerilla information war, with no division between military and civilian participation." -- motto of Tactical Media Crew, borrowed from Marshall McLuhan
ReadThis interview was conducted between subRosa and Ryan Griffis via email correspondence during the first half of 2003.
Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making "collective masks" in community-based workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
ReadGermany 1998: 2 years before the New Millenium a new form of
Political Party came into existence: CHANCE 2000 - The Party of the
Last Chance. In the midst of an election that was one of the most
important in postfascist Germany an artist jumped into the political
arena to "make politics more aesthetic and aesthetics more political".
The film- and theatremaker and talk show host Christoph Schlingensief
started the Campagne: "VOTE YOURSELF!" In Berlin he started the project
with an "Election Circus". Together with a famous circus-family from
former East Germany and with his crew of actors and his family of
handicapped performers he founded "CHANCE 2000 - Party of the Last
Chance" in a circus tent in Berlin/ Prenzlauer Berg. The message for
the Republic was: "Vote Yourself, we know how to do it!" Every citizen
was asked to become an independent candidate for the new Bundestag.
Manuals were sent out how to become a direct candidate. And many
different people realized their chance to "prove that they exist" by
bringing their name on the ballot sheet: "Chance Meier", "Chance
Mueller", "Chance Schmidt". If you managed to collect 200 signatures of
support in your political region you were part of the game and you
could vote yourself. Why not voting somebody you know by heart, you
trust and love?
Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.
ReadThere is a last enterprise that might be undertaken. It would be to seek experience at its source, or rather, above that decisive turn where, taking a bias in the direction of our utility, it becomes properly human experience. (Bergson, 1991: 184).
Read