Search results for 'politics'

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The Watershed in Your Head - Mapping Anthropocene River Basins 

Translating the abstraction—and banalities—of the Anthropocene into readable cartography has resulted in many past attempts that often ended up reproducing those same qualities. But, as Brian Holmes asserts in this essay, we seem to have found ourselves in a moment where collaboration, engagement, and new forms of knowledge exchange are breaking that deadlock. Tracing his own involvement with artistic practices that both engage with and attempt to represent a “political ecology,” Holmes explains how the evolving, collaborative cartographic practice that brought the "Mississippi. An Anthropocene River map" into being simultaneously reveals and interrogates the power structures of Anthropocence society.

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Rise and Decline of the Syndicate: the End of an Imagined Community 

To: nettime-l {AT} bbs.thing.net
Subject: <nettime> Rise and Decline of the Syndicate
Date: Tue, 13 Nov 2001 15:52:49 +0100

The Syndicate mailing list imploded and went down in August 2001, destroying the life-line of the Syndicate network. The network had been in a shaky situation for a while, due - we believe - to the destabilisation of the problematic balance between personal contacts of list members, lurking and filtering-and-not-reading-let-alone-posting subscribers, and a growing number of self-promoters who used the list as a personal performance space and disregarded the social rules of the online community.


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Putting the Demo Back in Democracy: March Against the Moguls. 

That guerrilla video is now the subject of historical reflection is probably a sign of its demise. There has been a recent flurry of archival and publishing activity centering on experiments made in the '70s. In 1997, the Chicago-based Video Data Bank released Surveying the First Decade, a compilation of work from the early days of video, and Oxford University Press published Deirdre Boyle's Subject to Change: Guerrilla Television Revisited, the definitive study of the video movements of the late 1960s and '70s. These reflections on the utopian impulse in early video provide an opportunity to think about the present state of media in this country, in particular those movements that have attempted to create electronic space for non-commercial views that run counter to the mainstream.

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campaign

Holograms for Freedom 

The Citizens’ Securities Law’s Reform is an attack on the right of freedom of assembly. This measure restricts citizens’ liberties, and criminalizes their right to protest. Turning a right into an offence for which you can be pursued, detained, and judged.
To respond to this injustice and to show the future will have to face if this bill continues its course, we saw the need to carry out a different kind of protest that would allow our demands to become unstoppable: the first hologram protest in history.
A massive protest, through which we will demonstrate, that despite the trammels imposed by the government, they will not silence our voices, and even if we have to turn ourselves into holograms, we will keep on protesting.
www.hologramasporlalibertad.org/en.html#project

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event

Sarai Reader 08: Fear 

Modernity's great promise - the freedom from fear, now lies in ruins. One can argue that this vision was always compromised - modernity (especially in the form that emerged in the West, under Capitalism) always hid its own fears, and hid from its own fears - the fear of epidemics, of urban panic, of the homeless multitude and of criminal activity. This led to a drive for transparency: for separating the civic from the criminal, the civilised and the barbaric peoples, the human from the non human, life from the machine.

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The tactics of occupation: Becoming cockroach 

The global occupy protest movement is proliferating by "contagion, epidemics, battlefields, and catastrophes".[1] Furthermore, it materialises and disperses in multiple ephemeral processes of transformation that construct a common for the multitude of protestors. The common produced by the global occupy movement is not a mutually shared opposition to the capitalist crisis, nor a collective identity (of the "indignados" or of the 99%), nor a consensual political project (for real, authentic democracy). The common does not even embody an identical strategy of occupying public space, but rather to a series of becomings that question established categorizations and taxonomies that normalize the production of subjectivities and the organisation of life.

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The dark side of Camping 

Camping can be so nice. Crawling out of dewy plastic in the early morning, with a pinch of sleep still in your eyes, braving the unbearably hot sun, yet invigorated and ready to take on the day with as much indifference as possible to the ongoing struggle with nature. Surely everybody knows that the secret of success is to fight the laws of petty bourgeois civilisation with minimal equipment and therefore gain a flexibility that is capable of suspending the otherwise ruling power relations for a clearly defined amount of time.

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The GHI of Tactical Media 

Tactical media are the field being worked by artists adopting a positive attitude towards contemporary digital technology, in a critical, innovative spirit. Media artists reveal a preoccupation with aesthetics as a concept, not with a particular style. This trend is part of the creation of a new language for the communications network era, a user language which is successful as art because it transmits an effective activism. Media activists are a hybrid of artist, scientist, theoretician and political activist that shuns labels and categorizations. Their creations are characterised by integration of user and machine in the work itself, so that interactivity has an important place within it. The concept of tactical media allows Art with a capital and grassroots political activism to be combined and, in this sense, we could include in it the tactical struggle that is part of anti-globalisation movements. Media activists point to the power of tactics as a means of breaking down the barriers between mainstream values and alternative ones, between professionals and amateurs and even between people who are creative and those that are not.

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Escaping Assad and Revolution in Rojava 

An interview with a Syrian activist in exile, code-named Sami, published by Occupy.com draws attenton once more to the radical experiment in real-life bottom-up matriarchal democratic design unfolding  against all odds in the autonomous Kurdish region of Rojava in Northern Syria. We are republishing two short texts here on this subject matter to speculate about the question if 'Rojava' could offer a repeatable model for post-governmental political design?

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Die Informationsbombe 

Ausgestrahlt im Deutsch-Franzoesischen Kulturkanal ARTE November 1995.


In den fuenfziger Jahren hat Albert Einstein gesagt, dass wir es mitdrei Bomben zu tun haetten. Die erste, die Atombombe, sei bereitsgezuendet. Die zweite sei die Informatikbombe; die dritte, dieBevoelkerungsbombe, werde im 21. Jahrhundert explodieren. Gegenwaertigexplodiert die Informatikbombe. Neue Technologien, insbesondere dieMoeglichenkeiten zur Schaffung virtueller Welten, veraendern Kultur,Politik und Gesellschaft grundlegend. Zu diesem Thema diskutieren heuteabend im Gespraech der Stadtplaner und Philosoph Paul Virilio undFriedrich Kittler, Medienspezialist an der Humboldt Universitaet inBerlin.

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Grundrisse einer Netzkritik 

1. Toward a European Standard Code for Critical Interchange (ESCCI)

Bezeichnen wir das Internet einfach einmal als 'Kind der Moderne', soist das klassische Genre der Kritik sicherlich ein Teil davon. Im nochandauernden Zeitalter des multikulturellen Massenkonformismus, vollerMikropraxis und Ich-Management, ist die Kunst der Kritik jedoch inVergessenheit geraten. Die hiesigen Kommentare zielen nur noch aufKorrektur von Verhaltensweisen ab. Die Meinungsmacher/innen haben allesAngebotene laengst hinter sich, sie sehen das Ganze wirklichdifferenziert, aus sicherem Abstand. Die glueckliche Tatsache, man seieben nicht engagiert, wird als persoenliche Errungenschaft gefeiert.Solche talking heads ohne Eigenschaften sind aber nutzlos in Zeitenrascher Entwicklungen, sowie das beim Wachstum der Computernetze imMoment der Fall ist.

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Ten Premises For A Pandemic 

How much has changed in just a few days. Here is another text I've composed in an attempt to continue to think about the pandemic, and our lives within it. I hope it's of use, however minorly, as we all try to come to some kind of terms with the novel transformations, precarities, and struggles emerging in every direction.

~i

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campaign

Occupy Central with Love and Peace 

This campaign originates from our love and concern for Hong Kong. We believe that a truly harmonious society can only be built upon a just political system. The campaign aims to strive for the election of the Chief Executive by universal and equal suffrage in 2017. Civic awakening determines the success of the movement. Therefore, dialogue, deliberation, authorization by citizens and civil disobedience are all conducive to the reflection and participation of the whole society. We shall be like preachers communicating enthusiastically with different communities to convey the universal values such as democracy, universal and equal suffrage, justice and righteousness. We hope that in realizing these values in the system and society of Hog Kong they are willing to pay a price.

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