Search results for 'tactical+media'
Rita Raley
Tactics of Protest
Tahrir Cinema
The Becoming Environmental of Power: Tactical Media After Control - Part II
There is a last enterprise that might be undertaken. It would be to seek experience at its source, or rather, above that decisive turn where, taking a bias in the direction of our utility, it becomes properly human experience. (Bergson, 1991: 184).
ReadWhen Thought Becomes Crime*
March 17th, 2005
How did it come to this?
Only a perverse authoritarian logic can explain how Critical Art
Ensemble (CAE) can at one moment be creating the project "Free Range
Grain" for the Risk exhibition at Schirn Kunsthalle in Frankfurt,
reconfiguring it for The Interventionists exhibition at Mass MoCA in a
second moment, and then suddenly have a CAE member in FBI detention.
The U.S. Justice Department has accused us of such shocking crimes as
bioterrorism, health and safety violations, mail fraud, wire fraud, and
even murder. Now, as we retool "Free Range Grain" for the Risk
exhibition at the Glasgow Center for Contemporary Art, the surreal
farce of our legal nightmare continues unabated.
Erik Hobijn over techno-parasieten
Techno-parasieten zijn volgens de definitie van Hobijn 'apparaatjes die gebruikmaken van gedeeltes van onze verworvenheden, speeltjes behept met opmerkzaamheid die technische storingen tot gevolg hebben.' Technoparasiet 00020004C leeft van de lantaarnpaal. Het is een soort bloemkelk dat het regenwater opvangt en het licht van de lantaarn omzet in energie, met als doel het creëren van een potentiaal verschil. Het regenwater wordt gebru ikt om het proces te versnellen. Hiermee wordt eerst de zinklaag aangetast en op den duur ook de ijzerlaag aangevroten zodat de lantaarnpaal wordt doorgezaagd en omvalt. Een andere parariet klimt in een spiraalachtige beweging langs de lantaarnpaal omhoog. Het motortje loopt op lichtenergie, heel langzaam. Boven aangekomen slaat hij ineens het glas en lamp kapot, vermoord zo zijn voedingsbron en valt dan naar beneden.
ReadArt and the Battle for Truth
In their curatorial statement for the exhibition, Really? Art and Knowledge in Time of Crisis (2024), Mi You and David Garcia explore how artists address the erosion of trust in knowledge and the rise of disinformation through investigative and critical practices.
The Avant-Garde Never Gives Up
The avant-garde never gives up. And tactical media has produced (at least) three different theaters of operation to wage its struggle: media activism, pure tactical aesthetics, and net conceptualism. The first allows for "formal" net.art tactics (materialist, structural), the latter two allow for "real" net.art tactics (native presence, site-specificity).
ReadCAE: Framing Tactical Media
Anyone involved with "tactical media" (TM) before its famed christening in 1996 at the Next Five Minutes had to know that naming this cultural/political tendency was going to have some very negative repercussions. The naming was the first step in doing what TM feared the most°Xclaiming cultural territory doomed to house haunting archives. Once given an official title, so many nasty processes could begin - most significantly, the construction of historical narratives. So many narratives already exist explaining this ephemeral, immediate, specific, and deterritorialized process of cultural production that seemed so urgent to so many radical subjects in the early 90s.
Social media activism in the Arab World and China
One day seminar and public evening debate on social media activism in the Arab World and China, organised by the Centre for Globalisation Studies of the University of Amsterdam, Monday 21 January 2013.
ReadSome points of departure
Introductory essay for the second editon of the Next 5 Minutes festival of tactical media, 1996.
Strategies for Tactical Archives: Public keynote lecture and conference, October 27 - 28, 2023
The Strategies for Tactical Archives conference investigates how documentation and archiving can feed into living practices of activists, artists and media makers that address the position of communities who feel aggrieved or excluded from the wider public culture.
The program consists of a public keynote lecture on Friday evening October 27 (starting 19.30) by Sarah Schulman, writer, activist and co-initiator of the ACTUP Oral History Project and author of Let the Record Show - A Political History of ACTUP New York, 1987-1993. This is followed by a one day conference on Saturday October 28 (10-17 hrs.) at Nieuwe Instituut, Rotterdam.