Search results for 'theory'

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My Postmodernism - My '80s 

Filmmaker and activist Gregg Bordowitz's passage through the 1980s mirrors the course of AIDS activism in that decade. From the very first ACT up demonstration in New York to the triumphal storming of the FDA headquarters outside Washington, DC, he deployed his art in the battle against AIDS. Bordowitz leads off this two-issue series of personal chronicles of the decade, recounting his experiences as an activist and guerrilla filmmaker at the forefront of the fight.

"Art does have the power to save lives, and it is this very power that must be recognized, fostered, and supported in every way possible."
- Douglas Crimp, introduction to AIDS: Cultural Analysis/Cultural Activism (MIT Press, 1988)

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The XYZ of Net Activism 

It's time to create the pop stars of activism,
the idoru of communication guerrilla,
it's time to threaten and charm the
masses by the ghosts coming from the
 net, to play the myth against the myth,
to be more nihilist than infoteinment!
                                  - etoy -

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Electronic Civil Disobedience, Simulation, and the Public Sphere 

What counts in the long run is the "use" one makes of a theory....We must start from existing practices in order to retrace the fundamental flaws.
--Felix Guattari, "Why Marx and Freud No Longer Disturb Anyone"

In 1994, when Critical Art Ensemble first introduced the idea and a possible model of electronic civil disobedience (ECD) as another option for digital resistance, the collective had no way of knowing what elements would be the most practical, nor did it know what elements would require additional explanation. After nearly five years of field testing of ECD by various groups and individuals, its information gaps have become a little more obvious and can finally be addressed.

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Constructing the Digital Commons 

March 2003

Democracy can be understood in two notably distinct ways. In the institutional view democracy is understood as the interplay of institutional actors that represent 'the people' and are held accountable through the plebiscite; public votes, polls and occasionally referenda. The second view on democracy is radically different in that it sees the extent to which people can freely assemble, discuss and share ideas about vital social issues, organise themselves around these issues, and can freely voice their opinions in public fora, as a measure for just how democratic a given society is.

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Tactical Media Connections update: May 1, 2015 

A public research trajectory tracing the legacies of Tactical Media and its connections to the present.

Tactical Media Connections is an extended trajectory of collaborative research tracing the legacies of Tactical Media and mapping the relationships between its precursors and its progeny. The program is realised through a series of meetings and exhibitions, culminating in the publication of a Tactical Media Anthology with contributions and dialogues ranging across generations and territories.

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Final Program: As If / Vox Populi / The Syrian Archive / The Society of Post-Control 

Tactical Media Connections public program, Amsterdam January 20 - 22, 2017.

As part of the Tactical Media Connections public research trajectory tracing the legacies of Tactical Media and its connections to the present, a series of public events take place in Amsterdam between January 20 and 22, 2017. The public program includes an exhibition at Framer Framed in the Tolhuistuin cultural centre, opening on Friday January 20; a Meme Wars Lab workshop on Friday January 20; a public debate at Eye Filmmuseum on Saturday January 21, and a one day conference (‘The Society of Post-Control’) again at the Tolhuistuin on Sunday January 22.

Please find below a brief program overview, followed by a detailed description of the different parts of the public program.

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Global Uprisings 

Global Uprisings is an independent news site and video series dedicated to showing responses to the economic crisis and authoritarianism. Since 2011, Brandon Jourdan and Marianne Maeckelbergh have been travelling, researching, and making documentary films.

Their short films detail social movements in Bosnia and Herzegovina, Egypt, Greece, Portugal, Spain, Turkey, the UK, and the US. Their films cover strikes and demonstrations in the UK, the large-scale housing occupations and street mobilizations in Spain, the various general strikes, protests, and factory occupations in Greece, the revolution in Egypt, the Gezi Park uprising in Turkey, the 2014 social explosion in Bosnia and Herzegovina, the revolt against austerity in Portugal, and the occupy movement in the United States.

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Facial Weaponization Suite (2011 - 2014) 

Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making "collective masks" in community-based workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.

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Tactical Media, the Second Decade 

The tactical media concept originates in post-1989 Europe when political change coincided with a wild phase in thinking about media technologies. It was the decade when both artists and activists started to discover digital technologies on a massive scale. Prizes dropped and expectations rose to incredible heights.

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Using the Media: the Clean Clothes Campaign 

The existing use of media so far has been determined by the local, decentralized nature of the campaign. Local groups are adapting, editing and redesigning existing material like research results, lines of argumentation and logos, photos and slogans. The educational material, used by trade unions, schools and churches is very specific and "customized", and therefore cannot be used in campaigns which target the general public.

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30 Years of Tactical Media 

This is a short text [1] which appears in "Public Netbase: Non Stop Future. New  Practices in Art and Media" edited by the fine people at the New Media  Center_kuda.org, in cooperation with World-Information Institute / t0. This book was presented at Transmediale 2009 in Berlin.
http://nonstop-future.org

Tactical media as a practice has a long history and, it seems save to  predict, an even longer future. Yet its existence as a distinct concept  around which something of a social movement, or more precisely, a self- aware network of people and projects would coalesce has been relatively  short lived, largely confined to the internet's first decade as a mass  medium (1995-2005).

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The ABC of Tactical Media 

Tactical Media are what happens when the cheap 'do it yourself' media, made possible by the revolution in consumer electronics and expanded forms of distribution (from public access cable to the internet) are exploited by groups and individuals who feel aggrieved by or excluded from the wider culture. Tactical media do not just report events, as they are never impartial they always participate and it is this that more than anything separates them from mainstream media.

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Art and Political Conflict 

A public debate at Framer Framed, Tolhuistuin, Amsterdam, Sunday July 6, 2014 - 14.00 - 17.00 hrs.

The relationship between art and political conflict has been significantly reshaped by the proliferation of digital media and the internet as a means of instant dissemination of images, texts, and audiovisual expressions. Artistic /activist actions intervene via these digital means into an expanded symbolical space that is no longer the sole sanctuary of artists and art audiences, but instead has become the 'neural fibre' of everyday life.

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