Moderator of Enduring Post Communism: Networks of Patronage- An independent media artist, curator and writer, Nina Czegledy has been involved in collaborative international projects and cultural exchange focusing on Eastern European initiatives since the mid eighties.
ReadFranny Armstrong is a director of the McLibel documentary and obsessive McSpotlight fan, on new media's battle with the burgers.
ReadAndrew Gavin Marshall is a 26-year old researcher and writer based in Montreal, Canada.
ReadDeep Dish TV and Paper Tiger TV to Release New Video Series About Resistance to Rise of Far-Right Political Movements.
We Interrupt this Program brings together reports from frontlines of fight against white nationalism, neoliberalism, patriarchy, and colonialism.
Arthur Kroker is media- en cultuurwetenschapper aan de University
of Victoria in Canada. Hij houdt zich bezig met technologie, cultuur en
theorie, Franse en Duitse politieke theorie, sociale wetenschappen en
ethiek en biotechnologie. Samen met zijn vrouw Marilouise onderhoudt hij
CTheory.net, het toonaangevende online magazine over
technologie, media en cultuur, met artikelen, interviews, video's en
recensies.
The McLibel media strategy arose from a simple premise: this story has
to be told. Most people have been affected by McDonald's in one way or
another - working in a store, being nagged by children, stumbling
through litter, suffering ill-health or enjoying their burgers - and
the corporation's influence continues to increase as they relentlessly
pursue their "global domination strategy" (to use their own words). Two
people investing their lives to stand up to such a force has got to be
a great story in anybody's book.
Jeremy Hammond is a gifted young computer programmer facing a decade in prison. His crime? Leaking information from the private intelligence firm Strategic Forecasting, information which revealed that Stratfor had been spying on human rights activists at the behest of corporations and the U.S. government.
ReadKrzysztof Wodiczko is an artist currently living in Boston and teaching at MIT.
ReadMichael Seemann studied Applied Cultural Studies in Lüneburg. Since 2005 he is active on the internet with various projects. He founded twitkrit.de and Twitterlesung.de ('reading Twitter'), organized various events and runs the popular podcast wir.muessenreden.de. In 2010 he began the blog CTRL-verlust, about the loss of control over data on the internet. In 2014 he published Das neue Spiel after a successful crowdfunding campaign. Now he blogs at mspr0.de and writes for various media like Rolling Stone, TIME online, SPEX, Spiegel Online, c't and the DU magazine. He gives lectures on whistleblowing, privacy, copyright, internet culture and the crisis of institutions in times of Kontrollverlust.
Ah, the oil industry. While most people are resigned to the knowledge
that large petroleum manufacturers are at least partly to blame when it
comes to destroying Third World infrastructures, propping up meritless
dictators, or encouraging blind consumerism in the face of an
environmentally poisoned and diseased future ? the question I often ask
is 'What about the music'?
And while they are fiendishly scarce, the oil industry, like many other
bastions of capitalism, indeed produced a number of privately pressed,
in-house motivational musicals, and several squeaked out on LP (for
employees only, of course). They're known as industrial shows: lavish
stage productions that serve to entertain, educate, and encourage
employees to do their job with gusto.
Florian Schneider is a filmmaker, writer, and developer in the fields of new media, networking and open source technologies. In his work he focuses on bordercrossings between mainstream and independent media, art and activism, theory and technology.
ReadOuter Spaces Conference Series 2017
An analysis of ISIS and its media strategy, the meaning of cyber jihad, and why people enrol as foreign fighters.
The 12th conference of the Disruption Network Lab
Directed by Tatiana Bazzichelli. Studio 1, Mariannenplatz 2, 10997 Berlin.
Global Uprisings is an independent news site and video series dedicated to showing responses to the economic crisis and authoritarianism. Since 2011, Brandon Jourdan and Marianne Maeckelbergh have been travelling, researching, and making documentary films.
Their short films detail social movements in Bosnia and Herzegovina, Egypt, Greece, Portugal, Spain, Turkey, the UK, and the US. Their films cover strikes and demonstrations in the UK, the large-scale housing occupations and street mobilizations in Spain, the various general strikes, protests, and factory occupations in Greece, the revolution in Egypt, the Gezi Park uprising in Turkey, the 2014 social explosion in Bosnia and Herzegovina, the revolt against austerity in Portugal, and the occupy movement in the United States.
Book presentations:
Tuesday, 5 March 2013, 7:00 p.m.
Depot, Vienna
Oliver Ressler in conversation with Luisa Ziaja (held in German)
An event in cooperation with Open Systems - Zentrum für Kunstprojekte, Vienna
Friday, 8 March 2013, 7:30 p.m.
Home Workspace, Ashkal Alwan, Beirut
Book signing at 7:30pm and presentation at 8pm by Gregory Sholette
Thursday, 25 April 2013, 6:30 p.m.
Austrian Cultural Forum, New York
Book presentation with Gregory Sholette, Oliver Ressler and guests
The idea for the Art of Campaigning topic originates from the works of
the McLibel group [www.mcspotlight.org]. Their type of net.campaign
questions previous forms of activism, which was focused on the mass
media and their ability to influence public opinion, by staging direct
action (targeted at known media makers). Big NGO's such as Greenpeace
have built up experiences with this model for decades. The scenarios
they use have not changed much since the seventies. There is the usual
PR material: official reports, books, folders, flyers, magazine and
original video footage, shot on location. Campaigns are being planned
long in advance. The way of working does not differ much from a
campaign to launch a new product. Professionalism has taken over the
task of volunteers. Their role is being reduced to that of a local
support group, doing the actual grass roots work with the population.
Utopian ideas - like "Spaceship Earth" - are round, multidimensional, interrelated: their archetypal map is the Milky Way, the infinite constellations. But rational thinking is instrumental, linear, it distorts: and that's exactly the problem with the Mercator map, the most common world projection. Buckminster Fuller, inventor of the geodesic dome, created a "Dymaxion map" to undo those distortions. First the earth becomes a geometric figure, an isocahedron: its 20 triangles are then disjointed and laid flat, so the land masses radiate from a nexus in the north, without splitting continents or enlarging the polar regions.