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campaign

Critical Art Ensemble Defense Fund 

The CAE Defense Fund was created in 2005 as a mechanism to raise funds for legal bills incurred by Dr. Steven Kurtz and Dr. Robert Ferrell in what its members argued was a politically motivated attack by the Department of Justice - one which threatened the constitutional and fundamental rights not only of the two defendants, but also of everyone, due to legal precedents that would have been set by an unfavorable outcome.

In response, thousands of people worldwide organized demonstrations and raised money for the two men's legal defense through fundraisers and a variety of other grassroots efforts.

www.caedefensefund.org

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Bodies of Fear in a World of Threat 

They wanted the Germs; they got 'em. - Darby Crash

The use of the symbolic abstraction of fear as an exchangeable sign has always been a helpful means to justify and manifest the most perverse needs of authority invested in the expansion of militarized orders and the erasure of individual autonomy. But in the United States after the 9/11 attacks, fear reigns supreme as a fundamental unit of exchange across the entire political, economic, and military spectrum.

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Historical Background of the US Biowarfare Program 

In light of the current FBI/Patriot Act investigations against Critical Art Ensemble (CAE), it is worthwhile to point out two moments from the history of the US government?s involvement in biowarfare. The first concerns the specific issue of access to knowledge, education, and resources in the life sciences. The second concerns the general backdrop of US biodefense ideology. All of this information has been confirmed by several sources, and has been in the public domain for some time (see the references below).
Needless to say, this is not meant to be a comprehensive ?history? of biowarfare. Instead, it is a perspective on biowarfare from the vantage point of US involvement. What is evident is that the US government?s involvement in biowarfare raises far more substantial questions than the investigation of dissenting artists.

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EuroMayDay Call Spring 2010 

Precarisation is the norm, temp work, low salaries, unemployment. Barbed wire, uniforms and camps that protect fortress-europe, excluding and persecuting thousands of women, men and children. Police and armies are in the streets, with their cameras and helicopters. Control is everywhere, terrorist laws are used to legitimize repression. The media keeps the lid on the pot that is starting to boil over. At the same time it is doing its best to convince us to keep up consumption. The serpent is eating its own tail. Our brothers and sisters in the south are paying the bill; and we pay too. Animals becoming extinct show the way to the future generations. And at the same time, the banks are throwing our billions out the window...

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event

Book Launch Critical Strategies in Art and Media 

Following the September 2009 roundtable conference organised by the World Information Institute in New York, the follow-up publication will be presented on Thursday April 15 at the New School University. The book launch hosted by Ted Byfield, with remarks by Marco Deseriis (NYU), Steve Kurtz (Critical Art Ensemble), Andy Bichlbaum (The Yes Men), Ken Wark (NSU), and Trebor Scholz (NSU)
Wollman Hall, New School University, 65
West 11th St, 5th Floor, New York, NY.
6:30 - 8:15 pm

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