Oliver Marchart

Since 2006 Oliver Marchart is Professor at the Universtiy of Luzern, 2001-2002 he was Scientific Advisor and Head of the Education Project of documenta 11. He lectured at different universities (University of Vienna, University of Innsbruck, Art Academies, Essex Summer School, University of Basel). Fellowships: Research Fellow at the Centre for Theoretical Studies, University of Essex (1995); Junior Fellow at the International Research Center for Cultural Studies in Vienna (1997-1998); Fellow at the Columbia University Institute at Reid Hall and the École des Hautes Études en Sciences Sociales, Paris (2005).

• public domain,
• political science

 Raqs Media Collective

The Raqs Media Collective enjoys playing a plurality of roles, often appearing as artists, occasionally as curators, sometimes as philosophical agent provocateurs.

• art,
• public space,
• public domain,
• digital commons

Rick Prelinger

Archivist, teacher, writer, lecturer and filmmaker. President, Prelinger Associates, Inc., commonly known as Prelinger Archives. Co-founder (with Megan Shaw Prelinger) of the Prelinger Library, an appropriation-friendly reference library in San Francisco.
Founded Prelinger Archives (New York and San Francisco), which at its peak held over 48,000 ephemeral (advertising, industrial, educational, documentary and amateur) films and over 30,000 cans of unedited (raw) footage. The core film collection was acquired in August 2002 by the Library of Congress.

• archive,
• public domain

Constructing the Digital Commons 

March 2003

Democracy can be understood in two notably distinct ways. In the institutional view democracy is understood as the interplay of institutional actors that represent 'the people' and are held accountable through the plebiscite; public votes, polls and occasionally referenda. The second view on democracy is radically different in that it sees the extent to which people can freely assemble, discuss and share ideas about vital social issues, organise themselves around these issues, and can freely voice their opinions in public fora, as a measure for just how democratic a given society is.

• public space,
• public domain,
• digital commons

A Different Sense of Time - Reading Tactical Media 

This short essay for Cahiers Costech explores the complicated relationship of activist and experimental / artistic practices around digital and online media to the problem of time.

• tactical media,
• archive,
• activism,
• info-activism,
• tactical research

World-Information Amsterdam 

World-Information.Org is an trans-national cultural intelligence provider, a collaborative effort of artists, scientists and technicians. It is a practical example for a technical and contextual environment for cultural production and an independent platform of critical media intelligence.

• infopolitics,
• info-activism,
• World-Information.Org,
• world-information,
• surveillance

Aaron Swartz

Aaron Swartz is the founder of Demand Progress, which launched the campaign against the Internet censorship bills (SOPA/PIPA) and now has over a million members. He is also a Contributing Editor to The Baffler and on the Council of Advisors to The Rules.

• infopolitics,
• public domain,
• info-activism

1st Annual #FREEBASSELDAY on March 15 

We, the supporters of the #FREEBASSEL project are inviting every person, everywhere to make an event on March 15, 2013 with other people in your city in global solidarity to call for the immediate release of open web advocate Bassel Khartibil. This day is the one year anniversary of the illegal jailing of Bassel Khartibil, well known free internet pioneer, software engineer, teacher, husband, family-man and friend. Bassel is a normal guy, in a bad situation. He is now stuck in a Syrian jail cell where he is not able to directly contribute to his local and global communities. We demand his captors to #FREEBASSEL!

• campaign,
• infopolitics,
• public domain,
• info-activism,
• middle east

Help B92 Campaign 

International support campaign for independent media in Yugoslavia, including the famous Radio B92 media center, in operation between March and July 1999.

• radio,
• tactical media,
• independent media,
• yugoslavia

Media Squares: On the new forms of protest and their media 

International public seminar and evening screening program on the recent outbursts of social protest and their media strategies, hosted by De Balie, centre for culture and politics in Amsterdam, Friday September 30, 2011.

• tactical media,
• design,
• media criticism,
• participatory media,
• wikileaks,
• middle east,
• street protest,
• cinema,
• occupy

net.congestion 

International Festival of Streaming Media
De Balie, Paradiso, Melkweg
Amsterdam, October 6 - 8, 2000

• network cultures,
• streaming media

Migrants / Media / Metropolis 

Migration and media-activists gather with theorists and labour organizers to discuss and share best practices in the fight against precarity and insecure labour conditions. Sharing inspiring examples of social justice unionism and creative campaigning like Justice for Janitors in the U.S. and Cleaners For a Better Future in the Netherlands.

• campaign

Publication: Legacies of Tactical Media - The Tactics of Occupation: From Tompkins Square to Tahrir. 

Out now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.

• tactical media,
• archive,
• theory,
• media theory,
• hybrid space,
• tactical camping,
• occupy,
• self-mediation,
• tactical research

At Frontiers 

Frequently at frontiers we are asked, "Anything to declare?"

The wisest thing to do when faced with the scrutiny of a border official is to say that you have "nothing to declare", and quickly move on. Crossing borders usually entails an effort not to say too much, or at least to get by with saying very little. A degree of reticence is the mark of the wise and experienced traveller.

• no border,
• borders

Interfund report 

Subject: [Interfund] - Create Your Own Solutions
Date: 03.12.98, 21:54:24

Interfund meeting  {AT}  Xchange Unlimited, Riga November 29, 1998.

During the Xchange Unlimited Baltic New Media Culture Festival in Riga a meeting was held to discuss the creation of the Interfund. The participants were Diana McCarty, Rasa Smite, Manu Luksch, Pit Schultz, Eric Kluitenberg, and others.