Search results for 'art'

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Interfund report 

Subject: [Interfund] - Create Your Own Solutions
Date: 03.12.98, 21:54:24

Interfund meeting  {AT}  Xchange Unlimited, Riga November 29, 1998.

During the Xchange Unlimited Baltic New Media Culture Festival in Riga a meeting was held to discuss the creation of the Interfund. The participants were Diana McCarty, Rasa Smite, Manu Luksch, Pit Schultz, Eric Kluitenberg, and others.

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    Dictionary of War - Bolzano Edition 

    Bolzano Edition: September 20th and 21st 2008

    First organized in 2006, Dictionary of War is a collaborative platform for creating concepts on the topic of "war", to be invented, arranged and presented at a public, two-day event. The aim is to introduce a series of concepts that either play an important role in the contemporary discourse of war, have so far been neglected, or have yet to be created.

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    Dictionary of War - Gwangju Edition 

    The Dictionary of War proceeds with a 6th edition at the opening of the Gwangju Biennale, in Gwangju, Korea. For the first time outside of Europe this edition takes place in the city of the Gwangju civil uprising of May 18, 1980, and in a country that is still in state of war.

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    The Concept of Tactical Media 

    Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society...   Read More

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    BLF Manifesto 

    In the beginning was the Ad. The Ad was brought to the consumer by the Advertiser. Desire, self worth, self image, ambition, hope; all find their genesis in the Ad. Through the Ad and the intent of the Advertiser we form our ideas and learn the myths that make us into what we are as a people. That this method of self definition displaced the earlier methods is beyond debate. It is now clear that the Ad holds the most esteemed position in our cosmology.

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    CHANCE 2000: Vote yourself! Just do it! 

    Germany 1998: 2 years before the New Millenium a new form of Political Party came into existence: CHANCE 2000 - The Party of the Last Chance. In the midst of an election that was one of the most important in postfascist Germany an artist jumped into the political arena to "make politics more aesthetic and aesthetics more political". The film- and theatremaker and talk show host Christoph Schlingensief started the Campagne: "VOTE YOURSELF!" In Berlin he started the project with an "Election Circus". Together with a famous circus-family from former East Germany and with his crew of actors and his family of handicapped performers he founded "CHANCE 2000 - Party of the Last Chance" in a circus tent in Berlin/ Prenzlauer Berg. The message for the Republic was: "Vote Yourself, we know how to do it!" Every citizen was asked to become an independent candidate for the new Bundestag. Manuals were sent out how to become a direct candidate. And many different people realized their chance to "prove that they exist" by bringing their name on the ballot sheet: "Chance Meier", "Chance Mueller", "Chance Schmidt". If you managed to collect 200 signatures of support in your political region you were part of the game and you could vote yourself. Why not voting somebody you know by heart, you trust and love?

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    Stop The Jabiluka Uranium Mine in Kakadu 

    Does the art of campaigning involve commodifying a struggle and presenting it in a package to the people through the media? What impact does the media really have? How useful is the net as an alternative medium? Does it only reach the alternative people - those who already know about the issues or is it capable of engaging with the mainstream public. Does genuine public opinion have any real impact in the current political and corporate climate?

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    Recombinant Television 

    VakuumTV was founded in February 1994 on the initiative of Laszlo Kistamas and currently includes Dora Csernatony, Ferenc Grof, Laszlo Kistamas, and Attila Till. Its members presented weekly broadcasts on Monday nights at the most popular cultural club in Budapest, Tilos az A. Between February 1994 and September 1997 Vakuum TV broadcast 52 shows, and after 3 years of rest, started broadcasting again in 2000. Each show blended short films, interactive engagements between the audience and the announcer, and live performances but each used a very different content to create a parallel televisual reality.

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    Dictionary of War - Novi Sad Edition 

    After a one year break the DICTIONARY OF WAR continues with a fifth edition on January 25th and 26th, 2008 in Novi Sad, Serbia. Again 25 new concepts on the topic of war will be presented in alphabetical order by artists, theorists, filmmakers, scientists, researchers. Loosely based on the slogan: "At least, when we create concepts, we are doing something" DICTIONARY OF WAR is a collaborative platform for creating concepts.

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    Dark Markets 

    Dark Markets is a two day strategic conference that looked into the state of the art of media politics, information technologies, and theories of democracy. A variety of international speakers inquired into strategies of oppositional movements and discussed the role of new media.

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    CAE: Framing Tactical Media 


    Anyone involved with "tactical media" (TM) before its famed christening in 1996 at the Next Five Minutes had to know that naming this cultural/political tendency was going to have some very negative repercussions. The naming was the first step in doing what TM feared the most°Xclaiming cultural territory doomed to house haunting archives. Once given an official title, so many nasty processes could begin - most significantly, the construction of historical narratives. So many narratives already exist explaining this ephemeral, immediate, specific, and deterritorialized process of cultural production that seemed so urgent to so many radical subjects in the early 90s.

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    Publication: Legacies of Tactical Media - The Tactics of Occupation: From Tompkins Square to Tahrir. 

    Out now and available for download:
    INC Network Notebooks 05 - Legacies of Tactical Media
    Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.

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