Search results for 'amsterdam'

event

Dark Markets 

Dark Markets is a two day strategic conference that looked into the state of the art of media politics, information technologies, and theories of democracy. A variety of international speakers inquired into strategies of oppositional movements and discussed the role of new media.

Read
article

Tactical Media After 9-11 

It is tempting to portray '9-11' as a turning point. Gore Vidal warns that, since September 11, the US is in danger of turning into a "seedy imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will not be tolerated." The list of measures to restrict civil liberties, freedom of speech and privacy, or what?s left of it, doesn?t stop. A recent conference in Perth concluded that post-September 11 reporting adds to divisions and stereotypes. "The media's failure to provide more perspectives to news consumers and ask critical questions is fuelling a culture of fear and blame around the world, experts say."

Read
event

Final Program: As If / Vox Populi / The Syrian Archive / The Society of Post-Control 

Tactical Media Connections public program, Amsterdam January 20 - 22, 2017.

As part of the Tactical Media Connections public research trajectory tracing the legacies of Tactical Media and its connections to the present, a series of public events take place in Amsterdam between January 20 and 22, 2017. The public program includes an exhibition at Framer Framed in the Tolhuistuin cultural centre, opening on Friday January 20; a Meme Wars Lab workshop on Friday January 20; a public debate at Eye Filmmuseum on Saturday January 21, and a one day conference (‘The Society of Post-Control’) again at the Tolhuistuin on Sunday January 22.

Please find below a brief program overview, followed by a detailed description of the different parts of the public program.

Read
article

Media Without an Audience 

Presence in the mediated environment of digital networks is probably one of the most complex phenomena of the new types of social interaction that have emerged in these environments. In the current phase of radical deployment (or penetration) of the Internet, various attempts are being made to come to terms with the social dynamics of networked communication spaces. It seems that traditional media theory is not able to contextualise these social dynamics, as it remains stuck on a meta-level discourse of media and power structures (Virilio), hyperreality (Baudrillard), or on a retrograde analysis of media structures deeply rooted in the functionality and structural characteristics of broadcast media (McLuhan).

Read
event

Dictionary of War - Novi Sad Edition 

After a one year break the DICTIONARY OF WAR continues with a fifth edition on January 25th and 26th, 2008 in Novi Sad, Serbia. Again 25 new concepts on the topic of war will be presented in alphabetical order by artists, theorists, filmmakers, scientists, researchers. Loosely based on the slogan: "At least, when we create concepts, we are doing something" DICTIONARY OF WAR is a collaborative platform for creating concepts.

Read
event

Debates & Credits 

Media Art in the Public Domain

Debates & Credits was a Russian / Dutch art and media project which has invited four artists and artist collectives from Russia and four from The Netherlands to develop interventionist (media-) art works for the public space.

The project happened in three stages:
Amsterdam, September 11 - 22
Yekaterinburg, September 26 - 29
Moscow, October 7 - 13

Read
article

Mediate YourSelf! 

At the end of the third 'Next 5 Minutes' conference on tactical media (March 1999) in Amsterdam, an interesting discussion emerged around the question of how the minor media practices elaborated and highlighted in this vibrant event would ever reach a wider audience for lack of being covered by any mainstream outlet. At one point, some people from the back of the room (unfortunately I don't know anymore who exactly, I believe an Italian group), shouted: 'We don't want to be mediated - we mediate ourselves!'

Read
article

The Legitimacy of Illegality 

Webcasting often is seen as an alternative for experiments which would not be able to get a licence for ethertransmissions. The difficulty projects and broadcasting initiatives encounter when trying to get legal airspace has caused a limited view of the possibilities of working within the ether as such. It is already clear that connections between networks like the internet and the ether can be most interesting, but this is of course not the only reason to have a look at the possibilities of broadcasting more closely. The ether is still the easiest way to reach large numbers of people fast. We should always be aware it is there when we need it.

Read
campaign

Tactical Media Room 

Duration: 19 Apr 2022 - 30 Dec 2022

The Tactical Media Room (TMR) is an initiative of Waag Futurelab and Institute for Network Cultures (HvA), founded in late February 2022 after the Russian invasion in Ukraine. In collaboration with hackers, artists, designers and researchers in The Netherlands, TMR aims to support independent tactical media, journalists, newsrooms and civic initiatives from Ukraine, Russia, and Belarus.

Read
campaign

Clean Clothes Campaign 

The CCC is an international campaign, focused on improving working conditions in the global garment and sportswear industries, and empower the workers in it. There is a Clean Clothes Campaign in 12 European countries. These are Austria, Belgium (North and South), Denmark, France, Germany, Italy, the Netherlands, Norway, Spain, Sweden, Switzerland and the United Kingdom.

Read
event

WE ARE HERE evicted once again - Amsterdam refugee scandal continues... 

situation in vluchtschool

Dear followers and supporters,

Thank you very much for your support of more than two years, for everything you brought and you keep on bringing to us. Now that we have a hard moment than before, Now that we are tired and sick, now that the government is punishing us and now that we cannot go back to our respective countries, we turn ourselves towards you, the people of the Netherlands. Knowing that we cannot stay here, and we cannot go to other EU countries due to the EU Dublin's agreement (law) what are we going to do? We need politically your support more than before.

Read
person

Jordan Crandall

Jordan Crandall is an artist, theorist, and performer based in Los Angeles.  His video installations, presented in numerous exhibitions worldwide, combine formats and genres deriving from cinematic and military culture, exploring new regimes of power and their effects on subjectivity, sociality, embodiment, and desire. Crandall writes and lectures regularly at various institutions across the US and Europe.  He is the 2011 winner of the Vilém Flusser Theory Award for outstanding theory and research-based digital arts practice, given by the Transmediale in Berlin in collaboration with the Vilém Flusser Archive of the University of Arts, Berlin.  He is currently (2012) an Honorary Resident at Eyebeam art and technology center in New York, where he is continuing the development of a new body of work that blends performance art, political theater, philosophical speculation, and intimate reverie.  The work, entitled UNMANNED, explores new ontologies of distributed systems  -- a performative event-philosophy in the form of a book and a theatrical production.  He is also the founding editor of the new journal VERSION.

Read
person

Simona Levi

Simona Levi is a multidisciplinary artist born in Italy and established in Barcelona since 1990. She is the Director of Conservas, a cultural activity centre. Since 2000, she has directed the arts festival INn MOTION which takes place at the Centre of Contemporary Culture of the city of Barcelona. She is an outstanding activist in European social movements in the area of free circulation of knowledge and the right to housing. She is also involved in several artistic and activist platforms. She is co-founder of EXGAE, a civil organization that defends from the abuses of the cultural industry trade groups.

Read
article

Distance versus Desire 

The desire to transcend distance and separation has accompanied the history of media technology for many centuries. Various attempts to realise the demand for a presence from a distance have produced beautiful imaginaries such as those of telepresence and ubiquity, the electronic cottage and the reinvigoration of  the oikos, and certainly not least among them the reduction of physical mobility in favour of an ecologically more sustainable connected life style.  As current systems of hypermobility are confronted with an unfolding energy crisis and collide with severe ecological limits - most prominently in the intense debate on global warming - citizens and organisations in advanced and emerging economies alike are forced to reconsider one of the most daring projects of the information age: that a radical reduction of physical mobility is possible through the use of advanced telepresence technologies.

Read