This workshop follows on from the Moving Forest event on July 4 as a coda, giving a time for reflection and for developing the argument and experience of the work along other lines. It involves participants, organisers and guests, and people from CCW, CCS, RADA and activists, artists and others from across the sprawl.
ReadTuesday evening May 24 the theme issue (Im)Mobility of Open, Journal for Art and the Public Domain was presented at the Stedelijk Museum Bureau Amsterdam, in combination with a screening of The Forgotten Space, a film by Allan Sekula and Noël Burch, and a Q & A with filmmaker Noël Burch.
A public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Tactical Media Connections is an extended trajectory of collaborative research tracing the legacies of Tactical Media and mapping the relationships between its precursors and its progeny. The program is realised through a series of meetings and exhibitions, culminating in the publication of a Tactical Media Anthology with contributions and dialogues ranging across generations and territories.
On March 22nd and 23rd 2013 the Institute of NetworkCultures will organize the event Unlike Us #3. The aim of Unlike Us is to establish a research network of artists, designers, scholars, activists and programmers who work on 'alternatives in social media'. Unlike Us was founded in July 2011. Through workshops, conferences, online dialogues and publications, Unlike Us intends to both analyze the economic and cultural aspects of dominant social media platforms and to propagate the further development and proliferation of alternative, decentralized social media software.
ReadTo: nettime-l {AT} bbs.thing.net
Subject: <nettime> Rise and Decline of the Syndicate
Date: Tue, 13 Nov 2001 15:52:49 +0100
The Syndicate mailing list imploded and went down in August 2001, destroying the life-line of the Syndicate network. The network had been in a shaky situation for a while, due - we believe - to the destabilisation of the problematic balance between personal contacts of list members, lurking and filtering-and-not-reading-let-alone-posting subscribers, and a growing number of self-promoters who used the list as a personal performance space and disregarded the social rules of the online community.
This interview was conducted between subRosa and Ryan Griffis via email correspondence during the first half of 2003.
They wanted the Germs; they got 'em. - Darby Crash
The use of the symbolic abstraction of fear as an exchangeable sign has
always been a helpful means to justify and manifest the most perverse
needs of authority invested in the expansion of militarized orders and
the erasure of individual autonomy. But in the United States after the
9/11 attacks, fear reigns supreme as a fundamental unit of exchange
across the entire political, economic, and military spectrum.
Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.
ReadA collaborative, activist and conceptual art work of the net
Dr. Shahidul Alam, internationally renowned photographer, activist, founder and Managing Director of the Bangladesh multimedia company, Drik, founder of Chobi Mela International Photography Festival and Pathshala South Asian Media Institute, was forcibly abducted from his home on the night of 5 August.
Shahidul Alam was granted bail on November 15, 2018 and released from jail, but still faces a maximum of 14 years in prison if convicted.
News and updates #freeshahidulalam
On 14 October, the net culture institution Public Netbase was served a writ intended to prohibit a work of art. The writ was the result of a lawsuit filed by Nike corporation, with a disputed amount of 78,000 Euros. The space installation "nikeground ? rethinking space" is a joint project of Public Netbase and the renowned art group 0100101110101101.ORG. The renaming of the historic Karlsplatz square in the center of Vienna into Nikeplatz, as suggested by the project, is meant to encourage reflection and public debates. In their work, the authors combine the artistic tradition of mythopoesis with the new culture of communication technologies.
Read1. Autogenerative Europe
In our imagination, eastern Europe was always black and white. Traveling to East Germany or Poland meant suddenly leaving colorful western Europe and entering a movie from the forties or fifties. Later we simply couldn't remember having seen any color, not the green of the trees, nor the red of the brick buildings. When we went to the movies to see a film by Wajda, Kieslowski or Tarkowsky, the filmmaker's experiments with color only reinforced our image of the east as gray. Europe clearly had an ideologically motivated neurosis when it came to the perception of color.
Right in time for the 1998 German elections, Christoph Schlingensief decided to found his own party with the futuristic-sounding name CHANCE2000 - motto: Vote Yourself!
The reader of The Seropositive Ball has been added to the Tactical Media Files as a freely downloadable pdf. The Seropostive Ball was a 69-hour 'networked event' staged at Amsterdam's Paradiso June 21-24, 1990, and a shadow conference to the World AIDS Conference in San Francisco. The event was an important precursor for the first Next 5 Minutes festival on Tactical Television (1993). This exceptional document deserves special attention, hence this non-standard announcement. (TMF editors)
ReadThe Seropositive Ball was a networked event that lasted 69 hours
non-stop. It was a shadow conference to the World AIDS Conference, which
was held the same days in San Francisco. Because people with HIV and
AIDS were not welcome in the USA, both the Paradiso gathering as well as
the especially designed 0+net offered a way to show commitment, share
feelings and insights, exchange knowledge and art and express political
views for many people involved.
Tactical media are the field being worked by artists adopting a positive attitude towards contemporary digital technology, in a critical, innovative spirit. Media artists reveal a preoccupation with aesthetics as a concept, not with a particular style. This trend is part of the creation of a new language for the communications network era, a user language which is successful as art because it transmits an effective activism. Media activists are a hybrid of artist, scientist, theoretician and political activist that shuns labels and categorizations. Their creations are characterised by integration of user and machine in the work itself, so that interactivity has an important place within it. The concept of tactical media allows Art with a capital and grassroots political activism to be combined and, in this sense, we could include in it the tactical struggle that is part of anti-globalisation movements. Media activists point to the power of tactics as a means of breaking down the barriers between mainstream values and alternative ones, between professionals and amateurs and even between people who are creative and those that are not.
ReadVakuumTV was founded in February 1994 on the initiative of László
Kistamás. Its members presented weekly broadcasts on Monday nights at
the most popular cultural club in Budapest, Tilos az Á. Needless to
say, the designation 'VakuumTV' was not meant to refer to any kind of
conventional television channel which could be received on TV sets in
commercial circulation. Rather, its founders envisioned a live show in
which a large frame separating the stage from the audience imitates the
experience of watching TV for the audience. Thus VakuumTV can be
received only where this frame is set up.
BORDER="Ø" LOCATION="YES"
The second edition of DICTIONARY OF WAR, July 22 and 23 in Muffathalle Munich
Read