Activists are using the internet to fight large companies over ethical issues. Yet many major brand-owners lack a clear counter-strategy. Earlier this month a group of environmental activists staged a sit-in at Shell's London offices. Although Shell turned the power off and cut the phone lines, activist Roddy Mansfield broadcast the protest live to the internet and e-mailed the press, using a digital camera, laptop computer and mobile phone.
UKRAiNATV together with THE VOID (INC) came to co-organize a day long event at Framed Framed in Amsterdam. Part of the ongoing exhibition "Really? Art and Knowledge in Time of Crisis" this event will focus on streaming practices, hybrid and tactical media, stream art and expanded tv... With an open invitation to both in-person and online audiences, we will explores how media can be used as a tool for collaboration during times of crisis. It includes hands-on activities like PeerTube transmission tests, live stream workshop together with talks and creative performances.
ReadTheorist, writer, and Research Fellow at the Moving Image Lab as well as coordinator and curator at the Post-Media Lab at Leuphana University in Lüneburg.
ReadBrett Stalbaum is an artist and research theorist specializing in information
theory, database, and software development. A serial collaborator, he
was a co-founder of the Electronic Disturbance Theater in 1998, for
which he co-developed software called FloodNet (http://www.thing.net/~rdom/ecd/ecd.html),
which has been used on behalf of the Zapatista movement against the
websites of the Presidents of Mexico and the United States, as well as
the Pentagon. As Forbes Magazine put it "Perhaps the first electronic
attack against a target on American soil was the result of an art
project." For EDT, this was all learned behavior taught by the example
of the Zapatistas. Stalbaum has been part of many other individual and
collaborative projects, and has published widely on digital art, its
context and aesthetics, and location aware media. He is a past editor
of Switch, the new media journal of the CADRE digital media lab.
Since 2006 Oliver Marchart is Professor at the Universtiy of Luzern, 2001-2002 he was Scientific Advisor and Head of the Education Project of documenta 11.
He lectured at different universities (University of Vienna, University
of Innsbruck, Art Academies, Essex Summer School, University of Basel).
Fellowships: Research Fellow at the Centre for Theoretical Studies,
University of Essex (1995); Junior Fellow at the International Research
Center for Cultural Studies in Vienna (1997-1998); Fellow at the
Columbia University Institute at Reid Hall and the École des Hautes
Études en Sciences Sociales, Paris (2005).
Organiser, networker and writer, based in Cluj. Born in Bucharest, Romania, grew up in New York. Ex-philosopher, media theorist and freelance organizer.
Readtranzit is a network working independently in Austria, the Czech Republic, Hungary and Slovakia since 2002.
ReadA biography on Christoph Schlingensief.
By Till Briegleb.
The current techno-economic paradigm of Web 2.0 has challenged notions of art and hacktivism within digital culture. The book "Networked Disruption" takes up this challenge and discusses a new perspective on political and social criticism. It simultaneously asks what are the conditions for hacker and artistic practices under Web 2.0 and how can social networking be seen to build on and incorporate artistic practices from the earlier decades of digital and network culture.
Through its theoretical discussion of contemporary art and hacktivism, the book maps out a new contradictory space for art and criticism: Networked disruption.
Expert meeting (morning) and public presentations (afternoon) during the Dutch Electronic Art Festival (DEAF) 2007.
Organised by de Balie and Portsmouth University, ISEA and V2_ In collaboration with Virtual Platform.
Thursday 12 April
Expert meeting: 10.00 ? 13.00
Public presentations: 15.00 ? 18.00
