Search results for 'art of campaigning'

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Dutch Protest Museum 

ARTPLAY, Small Hall, Moscow, Russia
Dates: October 23rd - November 6th, 2013

In the second half of the 20th century, anarchist artists from PROVO, feminist movement Dolle Mina, Amsterdam squatters and media activists influenced Dutch state politics and changed public opinion with their sensational actions. What were they fighting for and what has become of activist art today? The exhibition tells the story of creative protest movements in the Netherlands from 1960s till 1990s, when those movements flourished, and also includes pieces by contemporary artists working with political themes today.

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The End of a Paradise 

In tactical media circles the Amsterdam media landscape has long been treated as a Utopian model because of her free radios, open tv-channels and digital public spaces. The last few years this media paradise is under threat. How did this come about? And is it still possible to reverse this development? This is the theme of the Amsterdam Media Debate. Nina Meilof (The Digital City - DDS), Andreas Baader and Josephine (Radio Patapoe), Frank (Radio de Vrije Keyser) and media-activists Patrice Riemens, Geert Lovink and Menno Grootveld prepared the grounds for the discussion.
The aim of the Amsterdam Media Debate during The Next 5 Minutes is to explain to the international participants that big changes are underway here. They may perhaps learn something from our experiences, but we would also like to try and find out what the differences are with other big cities and with other countries. What are these big changes and how is the situation at the present moment?

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Culture Board for Bulgaria 

A Body for Cultures in Ruin

For Whom It May Concern,

We would like you to read this document and respond to this idea. It was our wish and motivation to consider a format which could accommodate certain situations in which countries and cultures find themselves in these days. Ever increasingly, we are witnessing the phenomena of ruined nation states, crashing financial markets and bankrupt governments. So far, this is only interpreted in the usual journalistic way of reporting the political and financial aspects of the crises. But we, cultural workers, know better. It is only perceived as 'news'. Arts and culture in this situation are the last to be considered contemporary, sensitive instruments that could express the 'signs of the times'. First of all culture is a prime target of budget cuts and this has become the only language in which officials can speak. Art, by definition, is always in a defensive role and cannot make demands. We do not like to further the culture of complaint, nor is this the right time to dream up new utopias. We propose to radically face current global economic forces. We want to intervene in their sphere. Culture should not be left out: condemned to compensate for and be at the receiving end of this trauma.

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Utopian Promises-Net Realities 

The need for net criticism certainly is a matter of overwhelming urgency. While a number of critics have approached the new world of computerized communications with a healthy amount of skepticism, their message has been lost in the noise and spectacle of corporate hype-the unstoppable tidal wave of seduction has enveloped so many in its dynamic utopian beauty that little time for careful reflection is left. Indeed, a glimpse of a possibility for a better future may be contained in the new techno-apparatus, and perhaps it is best to acknowledge these possibilities here in the beginning, since Critical Art Ensemble (CAE) has no desire to take the position of the neoluddites who believe that the techno-apparatus should be rejected outright, if not destroyed. To be sure, computerized communications offer the possibility for the enhanced storage, retrieval, and exchange of information for those who have access to the necessary hardware, software, and technical skills. In turn, this increases the possibility for greater access to vital information, faster exchange of information, enhanced distribution of information, and cross cultural artistic and critical collaborations. The potential humanitarian benefits of electronic systems are undeniable; however, CAE questions whether the electronic apparatus is being used for these purposes in the representative case, much as we question the political policies which guide the net's development and accessibility.

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The ABC of Tactical Media 

Tactical Media are what happens when the cheap 'do it yourself' media, made possible by the revolution in consumer electronics and expanded forms of distribution (from public access cable to the internet) are exploited by groups and individuals who feel aggrieved by or excluded from the wider culture. Tactical media do not just report events, as they are never impartial they always participate and it is this that more than anything separates them from mainstream media.

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Art and the Human 

The punk band Pussy Riot, which I belong to, is a musical group that conducts unexpected performances in different urban spaces. Pussy Riot's songs address topical political issues. The interests of the group members are: political activism, ecology, and the elimination of authoritarian tendencies in the Russian state system through the creation of the civil society.

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Viridian Note 00029: The Interfund 

From: Bruce Sterling <bruces {AT} well.com>
Date: Mon, 14 Dec 1998 22:59:27 -0600 (CST)
Sender: owner-nettime-l {AT} basis.Desk.nl

Key concepts:  art movements, Internet, reputation economics, arts grants, Europe, Interfund


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Constructing the Digital Commons 

March 2003

Democracy can be understood in two notably distinct ways. In the institutional view democracy is understood as the interplay of institutional actors that represent 'the people' and are held accountable through the plebiscite; public votes, polls and occasionally referenda. The second view on democracy is radically different in that it sees the extent to which people can freely assemble, discuss and share ideas about vital social issues, organise themselves around these issues, and can freely voice their opinions in public fora, as a measure for just how democratic a given society is.

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Disruption Network Lab #2: Cyborg 

Second Event of the Disruption Network Lab In cooperation with Kunstraum Kreuzberg /Bethanien
Kunstquartier Bethanien, Studio 1, Mariannenplatz 2, Berlin, May 29-30, 2015.

This two days event presents keynote speeches, panels and live cinema connected with the understanding of cyborg identities, while exposing power structures embedded in technology and our everyday life. The event is built around the international book launch of The Cyborg: A Treatise on the Artificial Man, written by political Sci-Fi theorist Antonio Caronia (Genoa, 1944 – Milan, 2013), published by Meson Press / Hybrid Publishing Lab, Leuphana University of Lüneburg. Starting from the book of Caronia and going beyond it, the analysis will culminate discussing the most recent frontiers of biotechnology and transhumanism.

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The Revenge of Print 

In the wireless era, is the paper medium simply passé for the work of activists? Are zamizdat, fanzines and political magazines just good for historians? After the mid-nineties zine crisis due to a sudden rise of the cost of paper and the advent of the Internet, the actual role of magazines seems to be re-defined and still strategical for the circulation of ideas.

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    Unknown Quantity - Foreword 

    "Contemporary civilization differs in one particularly distinctive feature from those which preceded it: speed. The change has come about within a generation," noted the historian Marc Bloch, writing in the nineteen-thirties. This situation brings in its wake a second feature: the accident. The progressive spread of catastrophic events do not just affect current reality, but produce anxiety and anguish for coming generations.

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    The Archive: Unveiling the Present 

    Framer Framed is proud to present an evening program that focuses on YanukovychLeaks and Videoccupy; two artistic projects respectively from Ukraine and Turkey. The projects are concerned with the notion of archiving in relation to current political issues in these countries.

    Tuinzaal, Tolhuistuin, Amsterdam, September 17, 2014, 20.30 hrs.

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