About the Tactical Media Files
Welcome to the Tactical Media Files, a "living archive" for Tactical Media's present, past and future.
ReadWelcome to the Tactical Media Files, a "living archive" for Tactical Media's present, past and future.
ReadProjects that bend and stretch the possibilities of media technology. All levels are possible but we will definitely not fetishize high tech solution s. In fact N5M3 will counter the obsession with high technology. Instead of glitching the high-tech fantasies of many of the international art & tech events, N5M3 will make a vigorous effort to go low-tech.
Most media, and certainly common media, heavily depend on technology. "Media", actually is a term which is very hard to define; in many meanings of the word "media", technology is already implied. N5M3 will focus not only on the tactical potential of (new) media, it also wishes to reflect on the developments of media and media technology. The choice of media that we use, and the way we use these media is not completely self-evident or coincidental. Nor is it fully our own conscious decision. The construction of media technology instead is deeply political and political-economical.
Out now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.
Conscious of the growing involvement of artists in political protest through their art and the utilisation of conventional and digital media technologies, RealTime's editors approached media theorist McKenzie Wark to comment on where he sees Tactical Media fitting in the bigger picture of power and media.
ReadAndreas Broeckmann is an art historian and curator who lives in Berlin and works as the curator of the Leuphana Arts Program in Lüneburg.
ReadA public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.
Essay written in August 2002 for the New York University Tactical Media Lab, organised by the NYU Center for Media, Culture and History.
How much of this is fiction. focuses on politically inspired media art that uses deception in all its forms, and will be showing at HeK (House of Electronic Arts Basel) from 23 March until 21 May 2017.
ReadDoes the art of campaigning involve commodifying a struggle and presenting it in a package to the people through the media? What impact does the media really have? How useful is the net as an alternative medium? Does it only reach the alternative people - those who already know about the issues or is it capable of engaging with the mainstream public. Does genuine public opinion have any real impact in the current political and corporate climate?
ReadTactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.
ReadInternational Festival of Streaming Media
De Balie, Paradiso, Melkweg
Amsterdam, October 6 - 8, 2000
A public debate at Framer Framed, Tolhuistuin, Amsterdam, Sunday July 6, 2014 - 14.00 - 17.00 hrs.
The relationship between art and political conflict has been
significantly reshaped by the proliferation of digital media and the
internet as a means of instant dissemination of images, texts, and
audiovisual expressions. Artistic /activist actions intervene via these
digital means into an expanded symbolical space that is no longer the
sole sanctuary of artists and art audiences, but instead has become the
'neural fibre' of everyday life.