Search results for 'art of campaigning'

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Prisoners of Dissent — Locked Up for Exposing Crimes 

Berlin · May 12 2017:

Conference series by Disruption Network Lab e.V.

Whistleblowers and truth-tellers persecuted for blowing the whistle, critical thinkers and activists meet to discuss countermeasures to detention and repression.

The 11th event of the Disruption Network Lab to celebrate the upcoming freedom of Chelsea Manning and launch the new book by John Kiriakou (CIA anti-torture whistleblower). Directed by Tatiana Bazzichelli.

With: John Kiriakou (CIA anti-torture whistleblower, USA); Annie Machon (former MI5 intelligence officer, UK/BE);
Annegret Falter (Chair Whistleblower Netzwerk e.V., DE); Magnus Ag (Senior Programm Officer, Freemuse, DK/DE); Silvanos Mudzvova (Artist Protection Fund Fellow in residency at The University of Manchester, ZWE/UK).

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Tactical Media After 9-11 

It is tempting to portray '9-11' as a turning point. Gore Vidal warns that, since September 11, the US is in danger of turning into a "seedy imperial state." Make war, not politics. The new patriotism requires: "Disruption, including obstructing the view or hearing of others, will not be tolerated." The list of measures to restrict civil liberties, freedom of speech and privacy, or what?s left of it, doesn?t stop. A recent conference in Perth concluded that post-September 11 reporting adds to divisions and stereotypes. "The media's failure to provide more perspectives to news consumers and ask critical questions is fuelling a culture of fear and blame around the world, experts say."

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It Is Not The Changes That Might Take Place, But The Changes That Are Already Occurring And How To Make The Most Out Of It 

More than talking about changes that can be expected in the media landscape because of the developments and the influence of on-line streaming media, it is more consequent and important to consider (and act up on) the influence that these facilities already have in this particular area and the way in which information and communications as a whole have changed and will continue to change because on-line streaming media.

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    Syrian Hands Raised: User Generated Creativity Between Citizenship and Dissent 

    As much as images of violence, civil war, and sectarian strife become prominent in the media narrative of the Syrian uprising, little gems of innovative cultural production, artistic resistance, and creative disobedience continue to sprout across the virtual alleys of the Internet. These creative gems are also the germs of a viral peer-production process at work at a grassroots level in the new Syrian public sphere. Such acts of creativity - mash-ups, cartoons, slogans, jokes, songs, and web series - are probably too small and inconsistent in impact compared to the horrific magnificence that shelling, bombing, sniping, and killing scenes that provide daily fodder to global television viewers. It is also challenging to discover them; in fact, as remarked by Tunisian blogger Sami ben Gharbia at the Arab Bloggers meeting in Tunis (3-6 October 2011), Facebook is not the most suitable platform for activists to store, archive, tag, search for content, and give it a context.

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    9-11 and After: A Virtual Case Book 

     The attack on the World Trade Center was--among other things--a stunning media event, and there was no shortage of analysis on mass media coverage. We saw no reason to replicate what others were doing. What no one seemed to be looking at closely was the significance of this ephemeral material that filled the streets and parks in New York below 14th Street or its relationship with the new media that was also flooding our lives.

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      Toward Polymorphous Radio 

      We understand the end of something all too easily in the negative sense as a mere stopping, as the lack of constitution, perhaps even as decline and impotence, the end suggests the completion and the place in which the whole of history is gathered in its most extreme possibility.[1]

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