Search results for 'activism'

event

Dutch Protest Museum 

ARTPLAY, Small Hall, Moscow, Russia
Dates: October 23rd - November 6th, 2013

In the second half of the 20th century, anarchist artists from PROVO, feminist movement Dolle Mina, Amsterdam squatters and media activists influenced Dutch state politics and changed public opinion with their sensational actions. What were they fighting for and what has become of activist art today? The exhibition tells the story of creative protest movements in the Netherlands from 1960s till 1990s, when those movements flourished, and also includes pieces by contemporary artists working with political themes today.

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Unlike Us #3 - Social Media: Design or Decline 

On March 22nd and 23rd 2013 the Institute of NetworkCultures will organize the event Unlike Us #3. The aim of Unlike Us is to establish a research network of artists, designers, scholars, activists and programmers who work on 'alternatives in social media'. Unlike Us was founded in July 2011. Through workshops, conferences, online dialogues and publications, Unlike Us intends to both analyze the economic and cultural aspects of dominant social media platforms and to propagate the further development and proliferation of alternative, decentralized social media software.

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person

 FuturePress

From November 2010 we have been working on a daily basis in different fields of Internet activism and journalism anonymously. We have decided, however, to become public. The reasons are many, our personal security being the main one.

We are Pedro Noel and Santiago Carrion Arcos, two Philosophy graduates from different origins, who met while studying in Spain.

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article

Signs of the Times 

Friday, October 05, 2001 12:20 PM
subject: Activism After September 11

Dear Friends,
This essay was published today in The Nation. It's an attempt to discuss what the atrocities of September 11 might mean to those of us who are publicly critical of corporate power and the current global economic model. There are no easy answers to this question so the essay is more of a meditation on symbolism and tone than a political roadmap.

Take care,
Naomi

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Media, Activism and Society of the Spectacle 

Our ability to move into a collectively imagined future has been trapped in an ever-present now, composed of continually transmitted images. The spectacle accompanies us throughout our lives. News, propaganda, advertising, entertainment and social media present a continuous stream of imagery, projecting a constant justification for how our culture is formulated. When Guy Debord first published The Society of the Spectacle in 1967, the digital revolution was still decades away and the technological capacity to project images into every corner of our lives was far less developed than it is today. The spectacle is no longer simply all of the time; it is also everywhere. More than ever before, Debord's words apply: "Everything that was directly lived has receded into a representation."

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event

NEURO networking Europe 

From February 27th to 29th young artists, filmmak- ers, musicians, theorists and activists from all over Europe and many other parts of the world meet at the Muffathalle in Munich for NEURO; a number of events, speeches, discussions, presentations, performances, concerts and actions reflecting the pulse of the age. About two years after the first make-world festival, NEURO will again interface with current debates around migration and mobility, racism and nationalism, civil society and global mobilisation, networking and new technologies, informatisation and precarious labour, education and control society, common organising, and digital culture.

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Re:Group: Beyond Models of Consensus 

Please join Not An Alternative, Eyebeam Art and Technology Center, and Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond Models of Consensus, an exhibition which examines models of participation and participation as a model in art and activism.

Re:Group proposes that with participation now a dominant paradigm, structuring social interaction, art, activism, the architecture of the city, the internet, and the economy, we are all integrated into participatory structures whether we want to be or not. The exhibition showcases work that subverts existing systems or envisions new alternatives to the ways in which individuals can take part, or choose not to take part, in social and cultural life.

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McLibel 

The McLibel Trial is the infamous British court case between McDonald's and a former postman & a gardener from London (Helen Steel and Dave Morris). It ran for two and a half years and became the longest ever English trial. The defendants were denied legal aid and their right to a jury, so the whole trial was heard by a single Judge, Mr Justice Bell. He delivered his verdict in June 1997.

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Simona Levi

Simona Levi is a multidisciplinary artist born in Italy and established in Barcelona since 1990. She is the Director of Conservas, a cultural activity centre. Since 2000, she has directed the arts festival INn MOTION which takes place at the Centre of Contemporary Culture of the city of Barcelona. She is an outstanding activist in European social movements in the area of free circulation of knowledge and the right to housing. She is also involved in several artistic and activist platforms. She is co-founder of EXGAE, a civil organization that defends from the abuses of the cultural industry trade groups.

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The tactics of occupation: Becoming cockroach 

The global occupy protest movement is proliferating by "contagion, epidemics, battlefields, and catastrophes".[1] Furthermore, it materialises and disperses in multiple ephemeral processes of transformation that construct a common for the multitude of protestors. The common produced by the global occupy movement is not a mutually shared opposition to the capitalist crisis, nor a collective identity (of the "indignados" or of the 99%), nor a consensual political project (for real, authentic democracy). The common does not even embody an identical strategy of occupying public space, but rather to a series of becomings that question established categorizations and taxonomies that normalize the production of subjectivities and the organisation of life.

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