A to Z: The Precarious Alphabet of War
War, in the broadest sense, is a battle about the power to define and definitions, that are not carried out at the center of words but at their very margins. But what can words do, as soon as the state of war has become a rule and a normality worldwide?
The second edition of DICTIONARY OF WAR, July 22 and 23 in Muffathalle Munich
ReadIntroduction
By Andrew Boyd & Dave Oswald Mitchell
"The clowns are organizing. They are organizing. Over and out."
-Overheard on UK police radio during action
by Clandestine Insurgent Rebel Clown Army, July 2004
ARTPLAY, Small Hall, Moscow, Russia
Dates: October 23rd - November 6th, 2013
In the second half of the 20th century, anarchist artists from PROVO,
feminist movement Dolle Mina, Amsterdam squatters and media activists
influenced Dutch state politics and changed public opinion with their
sensational actions. What were they fighting for and what has become of
activist art today? The exhibition tells the story of creative protest
movements in the Netherlands from 1960s till 1990s, when those movements
flourished, and also includes pieces by contemporary artists working
with political themes today.
On March 22nd and 23rd 2013 the Institute of NetworkCultures will organize the event Unlike Us #3. The aim of Unlike Us is to establish a research network of artists, designers, scholars, activists and programmers who work on 'alternatives in social media'. Unlike Us was founded in July 2011. Through workshops, conferences, online dialogues and publications, Unlike Us intends to both analyze the economic and cultural aspects of dominant social media platforms and to propagate the further development and proliferation of alternative, decentralized social media software.
ReadWe networkers and flextimers of Northern and Southern Europe, autonomously gathered at Middlesex University and determined to go beyond the sclerotizing European Social Forum, solemnly join minds and bodies in the present declaration of conflict against Europe's governments and corporate bureaucracies.
From November 2010 we have been working on a daily basis in different
fields of Internet activism and journalism anonymously. We have decided,
however, to become public. The reasons are many, our personal security
being the main one.
We are Pedro Noel and Santiago Carrion Arcos, two Philosophy graduates from different origins, who met while studying in Spain.
Motivated by the theories of Richard Stallman, Lawrence Lessig, Geert Lovink and David Garcia, Brazilian Internet users, activists and artists are, more and more, developing attractive activism and tactical media projects.
ReadFriday, October 05, 2001 12:20 PM
subject: Activism After September 11
Dear Friends,
This essay was published today in The Nation. It's
an attempt to discuss what the atrocities of September 11 might mean to
those of us who are publicly critical of corporate power and the
current global economic model. There are no easy answers to this
question so the essay is more of a meditation on symbolism and tone
than a political roadmap.
Take care,
Naomi
Overview and manifesto of urban tv movements in Italy
Our ability to move into a collectively imagined future has been trapped in an ever-present now, composed of continually transmitted images. The spectacle accompanies us throughout our lives. News, propaganda, advertising, entertainment and social media present a continuous stream of imagery, projecting a constant justification for how our culture is formulated. When Guy Debord first published The Society of the Spectacle in 1967, the digital revolution was still decades away and the technological capacity to project images into every corner of our lives was far less developed than it is today. The spectacle is no longer simply all of the time; it is also everywhere. More than ever before, Debord's words apply: "Everything that was directly lived has receded into a representation."
ReadMcSpotlight.is: "The biggest, loudest, most red, most read Anti-McDonald's extravaganza the world has ever seen."
ReadFrom February 27th to 29th young artists, filmmak- ers, musicians, theorists and activists from all over Europe and many other parts of the world meet at the Muffathalle in Munich for NEURO; a number of events, speeches, discussions, presentations, performances, concerts and actions reflecting the pulse of the age. About two years after the first make-world festival, NEURO will again interface with current debates around migration and mobility, racism and nationalism, civil society and global mobilisation, networking and new technologies, informatisation and precarious labour, education and control society, common organising, and digital culture.
ReadPlease join Not An Alternative, Eyebeam Art and Technology Center, and
Upgrade NY! this Thursday, June 10 for the opening of Re:Group: Beyond
Models of Consensus, an exhibition which examines models of
participation and participation as a model in art and activism.
Re:Group proposes that with participation now a dominant paradigm,
structuring social interaction, art, activism, the architecture of the
city, the internet, and the economy, we are all integrated into
participatory structures whether we want to be or not. The exhibition
showcases work that subverts existing systems or envisions new
alternatives to the ways in which individuals can take part, or choose
not to take part, in social and cultural life.
Ibraaz Publishing and I.B. Tauris are pleased to announce the book launch of Uncommon Grounds: New Media and Critical Practices in North Africa and the Middle East, edited by Anthony Downey.
ReadThe McLibel Trial is the infamous British court case between McDonald's
and a former postman & a gardener from London (Helen Steel and Dave
Morris). It ran for two and a half years and became the longest ever
English trial. The defendants were denied legal aid and their right to
a jury, so the whole trial was heard by a single Judge, Mr Justice
Bell. He delivered his verdict in June 1997.
Simona Levi is a multidisciplinary artist born in Italy and established in Barcelona since 1990. She is the Director of Conservas, a cultural activity centre. Since 2000, she has directed the arts festival INn MOTION which takes place at the Centre of Contemporary Culture of the city of Barcelona. She is an outstanding activist in European social movements in the area of free circulation of knowledge and the right to housing. She is also involved in several artistic and activist platforms. She is co-founder of EXGAE, a civil organization that defends from the abuses of the cultural industry trade groups.
