No borders = No nations? History of unification of the Europe is militant: Roman Empire > Napoleon's Empire > 3rd Reich. Economy is powerful weapon. Now this has all changed! Test yourself: Say at least three differences of the European Union with previous forms of European unification. Compare the results with your family, friends, neighbours and people you don't like. Than try it with the Migrant Navigator to see the difference!
ReadThe exposure of undercover policeman Mark Kennedy in the eco-activist movement revealed how the state monitors and undermines political activism. This book shows the other grave threat to our political freedoms - undercover activities by corporations.
ReadAmong the many troubling and bizarre features of contemporary politics, the following apparent paradox can be found: Informationalisation has brought along enormous increases in the traceability of the doings and dealings of the powerful. But the disruptive power of the exposure of these activities to the public, today seems especially low. After information technology, the going about of those in power and their abuses, are increasingly documented, and the resulting records are increasingly susceptible to leakage to the public. Email is an obvious example. In the run-up to the last Iraq war, a message by an official of the National Security Agency (NSA), which requested ? aggressive surveillance ? of UN Security Council Members Angola, Cameroon, Chile, Bulgaria and Guinea, made its way to the newspapers.
Opening on 22 June 2024 at Framer Framed, the exhibition Really? Art and Knowledge in Time of Crisis highlights the ways in which the scientific disciplines – historically associated with truth-telling – are increasingly used by cynical actors of big corporations and rogue governments alike to obscure, mislead and effectively capitalise and weaponise ignorance. The exhibition is curated by David Garcia and Mi You.
Tuesday evening May 24 the theme issue (Im)Mobility of Open, Journal for Art and the Public Domain was presented at the Stedelijk Museum Bureau Amsterdam, in combination with a screening of The Forgotten Space, a film by Allan Sekula and Noël Burch, and a Q & A with filmmaker Noël Burch.
The Next Five Minutes is a conference, exhibition and tv program taking place between 8th and 10th January 1993 in Amsterdam, that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
ReadAbstract of the lecture by Peter Lamborn Wilson
For the 'Next Five Minutes" Conference, Amsterdam, january 1996
The first interview was conducted during the opening of Hybrid Workspace in June 1997, the temporary media lab in the margins of the big art show Documenta X in Kassel (Germany).
ReadI.
We start with the current strategy debates of the so-called 'anti-globalisation movement', the biggest emerging political force for decades. In Part II we will look into strategies of critical new media culture in the post-speculative phase after dotcommania. Four phases of the global movement are becoming visible, all of which have distinct political, artistic and aesthetic qualities.
Arthur Kroker, Canadian media theorist and is the author of 'ThePossessed Individual', 'Spasm' and 'Hacking the Future'. Over the pastyears he, together with Marilouise Kroker, were often in Europe andmade appearances at Virtual Futures, V-2, Eldorado/Antwerpen, etc.Recently, they have also been discovered in German-speaking countries.Both are noted for their somewhat compact jargon, which made theirmessage appear to drown somewhat in overcomplex code. But "DataTrash"`(1994) changed all that. The long treck through the squashydiscourses had not been in vain. Firmly rooted in European philosophy,yet not submerged, Arthur Kroker has found his topic: the virtual class.
1. Toward a European Standard Code for Critical Interchange (ESCCI)
Bezeichnen wir das Internet einfach einmal als 'Kind der Moderne', soist das klassische Genre der Kritik sicherlich ein Teil davon. Im nochandauernden Zeitalter des multikulturellen Massenkonformismus, vollerMikropraxis und Ich-Management, ist die Kunst der Kritik jedoch inVergessenheit geraten. Die hiesigen Kommentare zielen nur noch aufKorrektur von Verhaltensweisen ab. Die Meinungsmacher/innen haben allesAngebotene laengst hinter sich, sie sehen das Ganze wirklichdifferenziert, aus sicherem Abstand. Die glueckliche Tatsache, man seieben nicht engagiert, wird als persoenliche Errungenschaft gefeiert.Solche talking heads ohne Eigenschaften sind aber nutzlos in Zeitenrascher Entwicklungen, sowie das beim Wachstum der Computernetze imMoment der Fall ist.
1. Desire.
I come from a social and cultural context which has its languagetaboos, and among them a strong one refers to the libido. Desire is,therefore, something rather personal, and connecting it to the publicsphere might personalize the approach in a naive sense I learned toavoid. But since the same topic has been voiced last year in thecalling papers of the Enschede Photo Biennial, we might be dealing herewith a common place, therefore with a language defensive reflex, andthis is something useful to talk about.
Exploring the radical shift in the boundary between fiction and reality in a world increasingly governed by ‘post-truth’ politics
Exhibition @ FACT (Foundation for Art and Creative Technology), Liverpool, 2 March 2017 - 21 May 2017
Public Opening: Thursday 2 March / 6 - 8pm / All galleries
With kind permission of the author and publisher we have included the introduction of Rita Raley's book Tactical Media - 'Tactical Media as Virtuosic Performance' in the TMF resource as a pdf document. Raley's book appeared as part of the series Electronic Mediations with the University of Minnesota Press in 2009.
The Next Five Minutes is a conference, exhibition and tv program that wants to leave behind the rigid dichotomy between the mainstream, commercial and national tv on one hand and marginal independent tv on the other. Although these differences may still be important, N5M wants to focus on tv-makers crossing the borders of tv-making and going into the spaces that the tv-world still has to offer.
More than talking about changes that can be expected in the media landscape because of the developments and the influence of on-line streaming media, it is more consequent and important to consider (and act up on) the influence that these facilities already have in this particular area and the way in which information and communications as a whole have changed and will continue to change because on-line streaming media.
ReadIntroducing the panel on Counter-strategies of Corporations against
Campaigns Featuring: What are the modern-times strategies of present
day companies? And: How can we respond to these?
This part of the introduction includes a short outline of the themes to
be discussed at the forum. Being used are examples from the work of the
panelists and cases they have been working on. Also included are
exerpts from recent articles on the corporate world's reaction to
social and environmental cam-paigns, illuminating the main themes from
different points of view. References are included below, if you would
like to receive four further texts on this subject, please let me know:
evel@xs4all.nl
International public seminar on the new forms of protest and their media, hosted by De
Balie, centre for culture and politics in Amsterdam, on Friday September
30, 2011.
This short essay was written in the run up to the fourth Next 5 Minutes festival of Tactical Media, which took place in Amsterdam September 11 - 14, 2003.
Working with new media in the part of South Asia that I come from is something like crossing a tightrope on a bicycle. The bicycle which could have helped me along were I on my way on flat ground makes the crossing that much more precarious. Consider the bicycle to be the single computer and the internet connection which I use along with at least seventeen other people, friends, colleagues, neighbours and complete strangers.
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