Art, Resistance and Rebellion on the Net
Call to join the cybernetic edition of CompArte "Against Capital and its Walls, All the Arts"
July, 2017
Call to join the cybernetic edition of CompArte "Against Capital and its Walls, All the Arts"
July, 2017
One of the four main themes of the N5M3 is the 'Post-Governmental
Organisation', a title that is meant more polemically than
descriptively. The 'PGO' label raises the question of the practical,
political and ethical impli cations of strong, potentially global,
independent organisations. The theme will be approached from different
critical, analytical and ironic perspectives in a public debate, and
the PGO Design-Show ("Get Organised!").
Tjebbe vam Tijen is a Dutch artist, theorist and curator.
ReadDerrick de Kerckhove is the former director of the McLuhan Program in Culture and Technology. He received his PhD. in French Language and Literature from the University of Toronto and a Doctorat du 3e cycle in Sociology of Art from the University of Tours. From 1972 to 1980 he was an associate of the Centre for Culture and Technology and worked with Marshall McLuhan for over ten years as translator, assistant and co-author.
ReadA conversation between the Electronic Disturbance Theater & Ian Alan Paul
Khalil Sakakini Cultural Center
مركز خليل السكاكيني الثقافي
Wednesday, March 22nd, 6:30pm
Khalil Sakakini Str. Al Masyoon, Ramallah, Palestine
Wednesday, March 22nd, 6:30pm
Pussy Riot : Art or Politics?
March 17th, 2005
How did it come to this?
Only a perverse authoritarian logic can explain how Critical Art
Ensemble (CAE) can at one moment be creating the project "Free Range
Grain" for the Risk exhibition at Schirn Kunsthalle in Frankfurt,
reconfiguring it for The Interventionists exhibition at Mass MoCA in a
second moment, and then suddenly have a CAE member in FBI detention.
The U.S. Justice Department has accused us of such shocking crimes as
bioterrorism, health and safety violations, mail fraud, wire fraud, and
even murder. Now, as we retool "Free Range Grain" for the Risk
exhibition at the Glasgow Center for Contemporary Art, the surreal
farce of our legal nightmare continues unabated.