Search results for 'collaboration'


event

Disruption Network Lab #2: Cyborg 

Second Event of the Disruption Network Lab In cooperation with Kunstraum Kreuzberg /Bethanien
Kunstquartier Bethanien, Studio 1, Mariannenplatz 2, Berlin, May 29-30, 2015.

This two days event presents keynote speeches, panels and live cinema connected with the understanding of cyborg identities, while exposing power structures embedded in technology and our everyday life. The event is built around the international book launch of The Cyborg: A Treatise on the Artificial Man, written by political Sci-Fi theorist Antonio Caronia (Genoa, 1944 – Milan, 2013), published by Meson Press / Hybrid Publishing Lab, Leuphana University of Lüneburg. Starting from the book of Caronia and going beyond it, the analysis will culminate discussing the most recent frontiers of biotechnology and transhumanism.

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campaign

No Border Campaign / Network 

The no border network is a tool for all groups and grass root organizations who work on the questions of migrants and asylum seekers in order to struggle alongside with them for freedom of movement, for the freedom for all to stay in the place which they have chosen, against repression and and the many controls which multiply the borders everywhere in all countries. This network is different from lobbying groups and NGOs because it is based on groups of grass root activists and intends to stay so. The coordination between the groups is done through two meetings every year and a working list on e-mail.

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event

The Need for Practice 

Exhibition, Bratislava, May 23 - June 22, 2014:

We are living in a prolonged period of economic, social, political and environmental crisis, in which the yearning for global, redeeming visions of the future has become increasingly frustrating, if not obsolete. However, it is not possible to live without expectations, without being able to imagine better conditions, a more positive state of affairs. And what if ? as many thinkers, cultural producers and various practitioners propose ? instead of heading towards fixed images of the future, we understand utopia, as a continuous process of becoming in which we participate? That is, instead of viewing the future as an end, a goal we should attain in an ever-delayed 'some day', we actualize it in the present, perform it in the everyday?

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event

Bank of America still not yours... yet. 

April 19, 2012 - FOR IMMEDIATE RELEASE
ON-THE-BRINK BANK STILL NOT YOURS (YET)
Dow Jones posts fake release for two hours; bank gets fake website blacklisted, briefly

Bank of America executives, investors, and opponents alike reacted with surprise to yesterday's news - posted for two hours on Dow Jones Newswire and elsewhere - that the mammoth financial institution, realizing it was heading for a taxpayer bailout, was asking Americans to start thinking about what they'll do with the bank once they own it, and to start advertising that vision too.

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event

Dictionary of War - Trondheim Edition 

Due to the impact of the cloud of volcanic ashes that lead to the cancellation of flights across Europe the 10th edition of the Dictionary of War will not take place on April 17th, 2010 in Trondheim (Norway). It will be postponed to a later date in the course of the exhibition "Manufacturing Today".

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article

Putting the Demo Back in Democracy: March Against the Moguls. 

That guerrilla video is now the subject of historical reflection is probably a sign of its demise. There has been a recent flurry of archival and publishing activity centering on experiments made in the '70s. In 1997, the Chicago-based Video Data Bank released Surveying the First Decade, a compilation of work from the early days of video, and Oxford University Press published Deirdre Boyle's Subject to Change: Guerrilla Television Revisited, the definitive study of the video movements of the late 1960s and '70s. These reflections on the utopian impulse in early video provide an opportunity to think about the present state of media in this country, in particular those movements that have attempted to create electronic space for non-commercial views that run counter to the mainstream.

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event

It's the Political Economy, Stupid - The Global Financial Crisis in Art and Theory 

Book presentations:

Tuesday, 5 March 2013, 7:00 p.m.
Depot, Vienna
Oliver Ressler in conversation with Luisa Ziaja (held in German)
An event in cooperation with Open Systems - Zentrum für Kunstprojekte, Vienna

Friday, 8 March 2013, 7:30 p.m.
Home Workspace, Ashkal Alwan, Beirut
Book signing at 7:30pm and presentation at 8pm by Gregory Sholette

Thursday, 25 April 2013, 6:30 p.m.
Austrian Cultural Forum, New York
Book presentation with Gregory Sholette, Oliver Ressler and guests

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event

Take The Square 

A 3-channel video installation by Oliver Ressler - 2012

The emergence of the movements of the squares and the Occupy movement in 2011 can be seen as a reaction by people who opposed and began to fight the massive increase in social inequality and the dismantling of democracy in times of global financial and economic crisis. The movements of the squares are non-hierarchical and reject representation; direct democracy shapes their activities. The occupation of public places serves as a catalyst to develop demonstrations, general strikes, meetings and working groups on different focal points. Successful site occupancies in one place often inspire occupations in other cities, without a linear relationship.

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event

At the End of the Tyrolean Way - re: "Elections are a Con" 

"My 'Wahlen sind Betrug' ('Elections are a Con') poster project was selected in November 2011 by a jury using an exemplary open process for the TKI open competition by TKI (Tiroler Kulturinitiativen) on 'No theme'. For the first time in the 10-year history of TKI open, the province of Tyrol (Austria) denied funding for an artistic work selected by a jury of experts.

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article

Realizing The Promise of Open Source in the Non-Profit Sector 

Every so often, a technology or protocol emerges that is touted as a ?magic bullet? either by the company or consortium promoting it or a core group of enthusiasts using it. Examples of this are WAP, OS/2, ISDN etc? The technology is initially promoted as having ?earth-changing? significance that will revolutionize the way things are done. Eventually most of these either fall by the wayside or take their rightful place as effective [but less hyped] mainstream tools in a much larger toolbox of solutions. The problem with the magic bullet approach is that it over-promotes particular technologies and often obfuscating the real benefits they could provide if evaluated and positioned in a more realistic context. For the for-profit community investing in failed magic bullets, the fallout is typically nothing more than an unfortunate R&D decision which can be expensed before moving on to the next IT investment.

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    article

    Electronic Markets & Activist Networks 

    The two very different types of digital formations examined here make legible the variable ways in which the socio-technical interaction between digital technology and social logics produce distinctive outcomes. These differences point to the possibility that networked forms of power are not inherently distributive, as is often theorized when the focus is exclusively on technical properties.

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    campaign

    Trade Secrets Trolls 

    A dangerous new legal doctrine is lurking:
    The unrestricted Trade Secret protection

    Xnet launches a video campaign at European level, in collaboration with numerous civil society organizations such as Corporate Europe Observatory, EDRi, la Quadrature du Net, Health Action International, P2P Foundation, Initiative für Netzfreiheit, Commons Network, to expose the threats of the new legal doctrine on Trade Secrets for whistleblowers, freedom of press and information, workers and consumers, health and the public interest.

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    article

    Tactical Media, the Second Decade 

    The tactical media concept originates in post-1989 Europe when political change coincided with a wild phase in thinking about media technologies. It was the decade when both artists and activists started to discover digital technologies on a massive scale. Prizes dropped and expectations rose to incredible heights.

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