How much of this is fiction. @ HeK, Basel
How much of this is fiction. focuses on politically inspired media art that uses deception in all its forms, and will be showing at HeK (House of Electronic Arts Basel) from 23 March until 21 May 2017.
ReadHow much of this is fiction. focuses on politically inspired media art that uses deception in all its forms, and will be showing at HeK (House of Electronic Arts Basel) from 23 March until 21 May 2017.
ReadSecond Event of the Disruption Network Lab In cooperation with Kunstraum Kreuzberg /Bethanien
Kunstquartier Bethanien, Studio 1, Mariannenplatz 2, Berlin, May 29-30, 2015.
This two days event presents keynote speeches, panels and live cinema connected with the understanding of cyborg identities, while exposing power structures embedded in technology and our everyday life. The event is built around the international book launch of The Cyborg: A Treatise on the Artificial Man, written by political Sci-Fi theorist Antonio Caronia (Genoa, 1944 – Milan, 2013), published by Meson Press / Hybrid Publishing Lab, Leuphana University of Lüneburg. Starting from the book of Caronia and going beyond it, the analysis will culminate discussing the most recent frontiers of biotechnology and transhumanism.
The no border network is a tool for all groups and grass root organizations who work on the questions of migrants and asylum seekers in order to struggle alongside with them for freedom of movement, for the freedom for all to stay in the place which they have chosen, against repression and and the many controls which multiply the borders everywhere in all countries. This network is different from lobbying groups and NGOs because it is based on groups of grass root activists and intends to stay so. The coordination between the groups is done through two meetings every year and a working list on e-mail.
ReadExhibition, Bratislava, May 23 - June 22, 2014:
We are living in a prolonged period of economic, social, political and
environmental crisis, in which the yearning for global, redeeming
visions of the future has become increasingly frustrating, if not
obsolete. However, it is not possible to live without expectations,
without being able to imagine better conditions, a more positive state
of affairs. And what if ? as many thinkers, cultural producers and
various practitioners propose ? instead of heading towards fixed images
of the future, we understand utopia, as a continuous process of becoming
in which we participate? That is, instead of viewing the future as an
end, a goal we should attain in an ever-delayed 'some day', we actualize
it in the present, perform it in the everyday?
April 19, 2012 - FOR IMMEDIATE RELEASE
ON-THE-BRINK BANK STILL NOT YOURS (YET)
Dow Jones posts fake release for two hours; bank gets fake website blacklisted, briefly
Bank of America executives, investors, and opponents alike reacted with
surprise to yesterday's news - posted for two hours on Dow Jones Newswire
and elsewhere - that the mammoth financial institution, realizing it was
heading for a taxpayer bailout, was asking Americans to start thinking
about what they'll do with the bank once they own it, and to start
advertising that vision too.
Due to the impact of the cloud of volcanic ashes that lead to the cancellation of flights across Europe the 10th edition of the Dictionary of War will not take place on April 17th, 2010 in Trondheim (Norway). It will be postponed to a later date in the course of the exhibition "Manufacturing Today".
ReadThat guerrilla video is now the subject of historical reflection is
probably a sign of its demise. There has been a recent flurry of
archival and publishing activity centering on experiments made in the
'70s. In 1997, the Chicago-based Video Data Bank released Surveying the
First Decade, a compilation of work from the early days of video, and
Oxford University Press published Deirdre Boyle's Subject to Change:
Guerrilla Television Revisited, the definitive study of the video
movements of the late 1960s and '70s. These reflections on the utopian
impulse in early video provide an opportunity to think about the
present state of media in this country, in particular those movements
that have attempted to create electronic space for non-commercial views
that run counter to the mainstream.
Book presentations:
Tuesday, 5 March 2013, 7:00 p.m.
Depot, Vienna
Oliver Ressler in conversation with Luisa Ziaja (held in German)
An event in cooperation with Open Systems - Zentrum für Kunstprojekte, Vienna
Friday, 8 March 2013, 7:30 p.m.
Home Workspace, Ashkal Alwan, Beirut
Book signing at 7:30pm and presentation at 8pm by Gregory Sholette
Thursday, 25 April 2013, 6:30 p.m.
Austrian Cultural Forum, New York
Book presentation with Gregory Sholette, Oliver Ressler and guests
One day seminar and public evening debate on social media activism in the Arab World and China, organised by the Centre for Globalisation Studies of the University of Amsterdam, Monday 21 January 2013.
ReadA 3-channel video installation by Oliver Ressler - 2012
The
emergence of the movements of the squares and the Occupy movement in
2011 can be seen as a reaction by people who opposed and began to fight
the massive increase in social inequality and the dismantling of
democracy in times of global financial and economic crisis. The
movements of the squares are non-hierarchical and reject representation;
direct democracy shapes their activities. The occupation of public
places serves as a catalyst to develop demonstrations, general strikes,
meetings and working groups on different focal points. Successful site
occupancies in one place often inspire occupations in other cities,
without a linear relationship.
"My 'Wahlen sind Betrug' ('Elections are a Con') poster project was selected in November 2011 by a jury using an exemplary open process for the TKI open competition by TKI (Tiroler Kulturinitiativen) on 'No theme'. For the first time in the 10-year history of TKI open, the province of Tyrol (Austria) denied funding for an artistic work selected by a jury of experts.
ReadEvery so often, a technology or protocol emerges that is touted as a ?magic bullet? either by the company or consortium promoting it or a core group of enthusiasts using it. Examples of this are WAP, OS/2, ISDN etc? The technology is initially promoted as having ?earth-changing? significance that will revolutionize the way things are done. Eventually most of these either fall by the wayside or take their rightful place as effective [but less hyped] mainstream tools in a much larger toolbox of solutions. The problem with the magic bullet approach is that it over-promotes particular technologies and often obfuscating the real benefits they could provide if evaluated and positioned in a more realistic context. For the for-profit community investing in failed magic bullets, the fallout is typically nothing more than an unfortunate R&D decision which can be expensed before moving on to the next IT investment.
ReadThe two very different types of digital formations examined here make legible the variable ways in which the socio-technical interaction between digital technology and social logics produce distinctive outcomes. These differences point to the possibility that networked forms of power are not inherently distributive, as is often theorized when the focus is exclusively on technical properties.
ReadThesis 0
"What do I think of WikiLeaks? I think it would be a good idea!"
(after Mahatma Gandhi's famous quip on "Western Civilization")
Exploring the radical shift in the boundary between fiction and reality in a world increasingly governed by ‘post-truth’ politics
Exhibition @ FACT (Foundation for Art and Creative Technology), Liverpool, 2 March 2017 - 21 May 2017
Public Opening: Thursday 2 March / 6 - 8pm / All galleries
A dangerous new legal doctrine is lurking:
The unrestricted Trade Secret protection
Xnet launches a video campaign at European level, in collaboration with numerous civil society organizations such as Corporate Europe Observatory, EDRi, la Quadrature du Net, Health Action International, P2P Foundation, Initiative für Netzfreiheit, Commons Network, to expose the threats of the new legal doctrine on Trade Secrets for whistleblowers, freedom of press and information, workers and consumers, health and the public interest.
International public seminar and evening screening program on the recent outbursts of social protest and their media strategies, hosted by De Balie, centre for culture and politics in Amsterdam, Friday September 30, 2011.
Migration and media-activists gather with theorists and labour organizers to discuss and share best practices in the fight against precarity and insecure labour conditions. Sharing inspiring examples of social justice unionism and creative campaigning like Justice for Janitors in the U.S. and Cleaners For a Better Future in the Netherlands.
ReadThe tactical media concept originates in post-1989 Europe when political change coincided with a wild phase in thinking about media technologies. It was the decade when both artists and activists started to discover digital technologies on a massive scale. Prizes dropped and expectations rose to incredible heights.
Read