Summary of the presentations and public debate on digital archiving practices, activism, and the role of the artist.
Report of the event Vox Populi and the Syrian Archive on 21 January 2017, organised by Eric Kluitenberg..
On 14 October, the net culture institution Public Netbase was served a writ intended to prohibit a work of art. The writ was the result of a lawsuit filed by Nike corporation, with a disputed amount of 78,000 Euros. The space installation "nikeground ? rethinking space" is a joint project of Public Netbase and the renowned art group 0100101110101101.ORG. The renaming of the historic Karlsplatz square in the center of Vienna into Nikeplatz, as suggested by the project, is meant to encourage reflection and public debates. In their work, the authors combine the artistic tradition of mythopoesis with the new culture of communication technologies.
ReadFilmmaker and activist Gregg Bordowitz's passage through the
1980s mirrors the course of AIDS activism in that decade. From the very
first ACT up demonstration in New York to the triumphal storming of the
FDA headquarters outside Washington, DC, he deployed his art in the
battle against AIDS. Bordowitz leads off this two-issue series of
personal chronicles of the decade, recounting his experiences as an
activist and guerrilla filmmaker at the forefront of the fight.
"Art
does have the power to save lives, and it is this very power that must
be recognized, fostered, and supported in every way possible."
- Douglas Crimp, introduction to AIDS: Cultural Analysis/Cultural Activism (MIT Press, 1988)
On Mute and the Cultural Politics of the Net
Devin Allen and Stephanie Renée on the power of photography and citizen activism in contesting social injustice Fields of Knowledge
ReadFerguson is everywhere. From St. Louis to Ayotzinapa to Palestine, millions are rising together to resist discrimination and State terrorism.
Today, Thursday 5 July 2012, WikiLeaks began publishing the Syria Files -
more than two million emails from Syrian political figures, ministries
and associated companies, dating from August 2006 to March 2012.
A to Z: The Precarious Alphabet of War
War, in the broadest sense, is a battle about the power to define and definitions, that are not carried out at the center of words but at their very margins. But what can words do, as soon as the state of war has become a rule and a normality worldwide?
The second edition of DICTIONARY OF WAR, July 22 and 23 in Muffathalle Munich
ReadIntroduction
By Andrew Boyd & Dave Oswald Mitchell
"The clowns are organizing. They are organizing. Over and out."
-Overheard on UK police radio during action
by Clandestine Insurgent Rebel Clown Army, July 2004
Pussy Riot : Art or Politics?
Call to join the cybernetic edition of CompArte "Against Capital and its Walls, All the Arts"
July, 2017
A public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.
Two years after 911 the global cup looks both half full and half empty. It's hard to be optimistic, yet there are plenty of reasons for it. With the Bush-Blair war machine running out of steam, the movement of movements shifts its attention to alternatives for the WTO, Security Council and similar post-democratic bodies. In the moral desert of the Iraq War the structuration of imaginary consent through the repetitive bombardment of the image began to show severe cracks in credibility. These discrepancies within the represented result in a heightened need for action. The Iraq war didn't fool any one and both sides are still reeling a little from the shock. While maintaining their anger, people moved on from protest to a collective search for that other, possible world. What might a global democracy look like? Would it be a system with representatives and 'rights,' or rather a dynamic set of events, without higher aims?
ReadThesis 0
"What do I think of WikiLeaks? I think it would be a good idea!"
(after Mahatma Gandhi's famous quip on "Western Civilization")
1. Desire.
I come from a social and cultural context which has its languagetaboos, and among them a strong one refers to the libido. Desire is,therefore, something rather personal, and connecting it to the publicsphere might personalize the approach in a naive sense I learned toavoid. But since the same topic has been voiced last year in thecalling papers of the Enschede Photo Biennial, we might be dealing herewith a common place, therefore with a language defensive reflex, andthis is something useful to talk about.
Presence in the mediated environment of digital networks is probably one of the most complex phenomena of the new types of social interaction that have emerged in these environments. In the current phase of radical deployment (or penetration) of the Internet, various attempts are being made to come to terms with the social dynamics of networked communication spaces. It seems that traditional media theory is not able to contextualise these social dynamics, as it remains stuck on a meta-level discourse of media and power structures (Virilio), hyperreality (Baudrillard), or on a retrograde analysis of media structures deeply rooted in the functionality and structural characteristics of broadcast media (McLuhan).
ReadMarch 2003
Democracy can be understood in two notably distinct ways. In the institutional view democracy is understood as the interplay of institutional actors that represent 'the people' and are held accountable through the plebiscite; public votes, polls and occasionally referenda. The second view on democracy is radically different in that it sees the extent to which people can freely assemble, discuss and share ideas about vital social issues, organise themselves around these issues, and can freely voice their opinions in public fora, as a measure for just how democratic a given society is.
There is a last enterprise that might be undertaken. It would be to seek
experience at its source, or rather, above that decisive turn where,
taking a bias in the direction of our utility, it becomes properly human
experience. (Bergson, 1991: 184).
The Negative Dialectics of the Net
In his essay, "Presenting the Unpresentable: The Sublime", Jean-François Lyotard observes that capitalism, technoscience and the pictorial avant-garde of the twentieth century share an 'affinity to infinity'. All three point towards a sensibility that is constitutive for the experience of the modern world.