Help B92 Campaign 

International support campaign for independent media in Yugoslavia, including the famous Radio B92 media center, in operation between March and July 1999.

• radio,
• tactical media,
• independent media,
• yugoslavia

Calin Dan

Artist Born 1955, Arad, Romania Based in Amsterdam and Bucharest MA in Art History & Theory. Initial career as art journalist, free lance curator and cultural manager (with the Soros Foundation, Romania). From 1990 involved in various cross media projects independently and within the art duo subREAL. Developer of multi-media projects with V2 Lab for the Unstable Media, Rotterdam. Creative Director for rich media platforms - Lost Boys Interactive, Amsterdam. Contributions to mainstream and alternative publications on internet related topics. Consultant for the Dutch Fund for Visual Arts, Design and Architecture. Various teaching positions. Lately pursues an independent research on the interplay between citizens and their habitat - the Emotional Architecture.

• art

Julian Oliver

Artist | Critical Engineer

• art,
• tactical gizmology,
• critical engineering

Richard Barbrook

Dr. Richard Barbrook was educated at Cambridge, Essex and Kent universities. During the early-1980s, he was involved in pirate and community radio broadcasting. He helped to set up Spectrum Radio, a multi-lingual station operating in London, and published extensively on radio issues.

Michael Seemann

Michael Seemann studied Applied Cultural Studies in Lüneburg. Since 2005 he is active on the internet with various projects. He founded twitkrit.de and Twitterlesung.de ('reading Twitter'), organized various events and runs the popular podcast wir.muessenreden.de. In 2010 he began the blog CTRL-verlust, about the loss of control over data on the internet. In 2014 he published Das neue Spiel after a successful crowdfunding campaign. Now he blogs at mspr0.de and writes for various media like Rolling Stone, TIME online, SPEX, Spiegel Online, c't and the DU magazine. He gives lectures on whistleblowing, privacy, copyright, internet culture and the crisis of institutions in times of Kontrollverlust.

• network cultures,
• infopolitics,
• info-activism,
• surveillance

Dave Oswald Mitchell

Dave Oswald Mitchell is a writer, editor and researcher camped out at the intersection of the economic and ecological crises.

• activism,
• info-activism

Andrew Boyd

Andrew Boyd  is an author, humorist and veteran of creative campaigns for social change.

• activism,
• info-activism

 Bureau d'Etudes

The Paris-based artists Léonore Bonaccini and Xavier Fourt form the artist-duo Bureau d´études.

• politics,
• cartography,
• infopolitics,
• info-activism,
• biopolitics

Volker Grassmuck

Media sociologist and author. Currently he is a visiting reasearcher at the Research Group on Public Policy for Access to Information (GPOPAI) at the School for Arts, Sciences and Humanities (EACH) of the University of São Paulo. He was project lead of the conference series Wizards-of-OS.org and of the copyright information portal iRights.info, co-founded mikro-berlin.org and privatkopie.net and has published among others: ?Freie Software zwischen Privat- und Gemeineigentum,? Bundeszentrale für politische Bildung, Bonn 2002.

• free software,
• Brazil

Andy Cameron

Co-author with Richard Barbrook of the infamous Californian Ideology essay (1995).

• design,
• interactive media

Interfund report 

Subject: [Interfund] - Create Your Own Solutions
Date: 03.12.98, 21:54:24

Interfund meeting  {AT}  Xchange Unlimited, Riga November 29, 1998.

During the Xchange Unlimited Baltic New Media Culture Festival in Riga a meeting was held to discuss the creation of the Interfund. The participants were Diana McCarty, Rasa Smite, Manu Luksch, Pit Schultz, Eric Kluitenberg, and others.

Broadcasting: Guerrilla Media 

An exhibition exploring activist strategies undertaken by media collectives, organized with EAI and ICA

• community media,
• video activism,
• tactical television

Tactical Media, the Second Decade 

The tactical media concept originates in post-1989 Europe when political change coincided with a wild phase in thinking about media technologies. It was the decade when both artists and activists started to discover digital technologies on a massive scale. Prizes dropped and expectations rose to incredible heights.

• tactical media,
• media theory