Search results for 'media'

article

Putting the Demo Back in Democracy: March Against the Moguls. 

That guerrilla video is now the subject of historical reflection is probably a sign of its demise. There has been a recent flurry of archival and publishing activity centering on experiments made in the '70s. In 1997, the Chicago-based Video Data Bank released Surveying the First Decade, a compilation of work from the early days of video, and Oxford University Press published Deirdre Boyle's Subject to Change: Guerrilla Television Revisited, the definitive study of the video movements of the late 1960s and '70s. These reflections on the utopian impulse in early video provide an opportunity to think about the present state of media in this country, in particular those movements that have attempted to create electronic space for non-commercial views that run counter to the mainstream.

Read
article

The GHI of Tactical Media 

Tactical media are the field being worked by artists adopting a positive attitude towards contemporary digital technology, in a critical, innovative spirit. Media artists reveal a preoccupation with aesthetics as a concept, not with a particular style. This trend is part of the creation of a new language for the communications network era, a user language which is successful as art because it transmits an effective activism. Media activists are a hybrid of artist, scientist, theoretician and political activist that shuns labels and categorizations. Their creations are characterised by integration of user and machine in the work itself, so that interactivity has an important place within it. The concept of tactical media allows Art with a capital and grassroots political activism to be combined and, in this sense, we could include in it the tactical struggle that is part of anti-globalisation movements. Media activists point to the power of tactics as a means of breaking down the barriers between mainstream values and alternative ones, between professionals and amateurs and even between people who are creative and those that are not.

Read
article

Digital Solidarity by Felix Stalder 

Felix Stalder's extended essay, Digital Solidarity, responds to the wave of new forms of networked organisation emerging from and colliding with the global economic crisis of 2008. Across the globe, voluntary association, participatory decision-making and the sharing of resources, all widely adopted online, are being translated into new forms of social space.

Read
person

Inke Arns

Inke Arns, curator and artistic director of Hartware MedienKunstVerein (www.hmkv.de) in Dortmund, Germany, since 2005. She has worked internationally as an independent curator, writer and theorist specializing in media art, net cultures, and Eastern Europe since 1993. She lived in Paris (1982-86), finished school in West-Berlin in 1988, studied Russian literature, Eastern European studies, political science, and art history in Berlin and Amsterdam (1988-96) and in 2004 obtained her PhD from the Humboldt University in Berlin, with a thesis focusing on a paradigmatic shift in the way artists reflected the historical avant-garde and the notion of utopia in visual and media art projects of the 1980s and 1990s in (ex-)Yugoslavia and Russia.

Read
article

The XYZ of Net Activism 

It's time to create the pop stars of activism,
the idoru of communication guerrilla,
it's time to threaten and charm the
masses by the ghosts coming from the
 net, to play the myth against the myth,
to be more nihilist than infoteinment!
                                  - etoy -

Read
article

A Personal Map of the Resistance Movement in France 

For many reasons, the 80's, years of the Mitterand socialist government, were years in which grass roots movements got institutionalized and traditional activism was "out". The logic of the Republic (everybody is equal without distinction) allied with traditional individualism and clanic behaviour ("la guerre des chapelles") forbid the emergence of non dominant/non normalized subjectivities. This tradition is still alive today. The 68 generation didn't feel necessary to pass on their knowledge to younger generations. From their point of view, they created new ways to go about the world by themselves, so should the new generations. The notion of alternative and activism became stigmatized. It wasn't a very tactical in those years to position oneself in terms of an alternative. As a result, by the beginning of the 90, the most visible part of the intellectuals and the grass roots movements seams to be lobotomized.

Read
article

Minor Media Normality in the East 

1. Autogenerative Europe

In our imagination, eastern Europe was always black and white. Traveling to East Germany or Poland meant suddenly leaving colorful western Europe and entering a movie from the forties or fifties. Later we simply couldn't remember having seen any color, not the green of the trees, nor the red of the brick buildings. When we went to the movies to see a film by Wajda, Kieslowski or Tarkowsky, the filmmaker's experiments with color only reinforced our image of the east as gray. Europe clearly had an ideologically motivated neurosis when it came to the perception of color.

Read
person

Shahidul Alam

Shahidul Alam is a photographer, internet pioneer and activist from Dhaka, Bangladesh. He is also the founder and director of the Drik picture library and media-centre in Dhaka.

Read
person

Oleg Kireev

Oleg Kireev (born 1975) - art- and mediacritic, editor and curator, writer, critic and activist, founder of the Ghetto collective, Moscow. Participated in a number of media-political campaigns ("Against all parties", 1999) and actions ("Barricade at Bolshaya Nikitskaya", May 1998). Author of articles on art and politics in the Russian and international press ("Novaya gazeta", "Nezavasimaya gazeta", "Flash art", "Siksi", "Mute"

Read
article

Indymedia: It's time to move on 

Indymedia is the name given to a particular network with a rather uneven global reach, to which many hundreds of local independent media projects, mostly web-based, have been affiliated at one time or another. It is also the name for a particular approach to news media - one that attempts to avoid hierarchal production and hence promote grassroots reports on events.

Read
article

Distance versus Desire 

The desire to transcend distance and separation has accompanied the history of media technology for many centuries. Various attempts to realise the demand for a presence from a distance have produced beautiful imaginaries such as those of telepresence and ubiquity, the electronic cottage and the reinvigoration of  the oikos, and certainly not least among them the reduction of physical mobility in favour of an ecologically more sustainable connected life style.  As current systems of hypermobility are confronted with an unfolding energy crisis and collide with severe ecological limits - most prominently in the intense debate on global warming - citizens and organisations in advanced and emerging economies alike are forced to reconsider one of the most daring projects of the information age: that a radical reduction of physical mobility is possible through the use of advanced telepresence technologies.

Read
article

Video Warriors 

In 1996, Adams Wood, Jeff Taylor, and A. Mark Liiv were working as activists on a forest defense campaign in Idaho. With a Hi-8 camera, they documented violations of timber sales agreements and confrontations between angry loggers and non-violent protesters as a way to keep people safe, as a tool in legal defense, and as an alternative to mainstream corporate media, which was biased in favor of the timber industry. The activists managed to pull off a 41-day road blockade, and the future founders of Whispered Media were shooting it. They cut their first video and called it ROAD USE RESTRICTED. The succinct but intense twelve-minute video was a great success, becoming part of several activist-run road shows and inspiring many a tree-hugger to haul it out to Idaho, which, says Liiv, "is not on the way to anywhere."

Read
    event

    Dutch Protest Museum 

    ARTPLAY, Small Hall, Moscow, Russia
    Dates: October 23rd - November 6th, 2013

    In the second half of the 20th century, anarchist artists from PROVO, feminist movement Dolle Mina, Amsterdam squatters and media activists influenced Dutch state politics and changed public opinion with their sensational actions. What were they fighting for and what has become of activist art today? The exhibition tells the story of creative protest movements in the Netherlands from 1960s till 1990s, when those movements flourished, and also includes pieces by contemporary artists working with political themes today.

    Read