Search results for 'next+5+minutes'

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Viridian Note 00029: The Interfund 

From: Bruce Sterling <bruces {AT} well.com>
Date: Mon, 14 Dec 1998 22:59:27 -0600 (CST)
Sender: owner-nettime-l {AT} basis.Desk.nl

Key concepts:  art movements, Internet, reputation economics, arts grants, Europe, Interfund


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As power becomes traceable: raising the stakes on critique 

Among the many troubling and bizarre features of contemporary politics, the following apparent paradox can be found: Informationalisation has brought along enormous increases in the traceability of the doings and dealings of the powerful. But the disruptive power of the exposure of these activities to the public, today seems especially low. After information technology, the going about of those in power and their abuses, are increasingly documented, and the resulting records are increasingly susceptible to leakage to the public. Email is an obvious example. In the run-up to the last Iraq war, a message by an official of the National Security Agency (NSA), which requested ? aggressive surveillance ? of UN Security Council Members Angola, Cameroon, Chile, Bulgaria and Guinea, made its way to the newspapers.

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    Rehearsal of Memory 

    About his CD-ROM production called ROM

    The production of this interactive programme has been commissioned by Video Postive 1995 and the construction of the artwork is set to take place during January to April 1995.

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      Sex in the Age of Media 


      The most important issue concerning the representation of sexuality in the media is, whether human dignity is being honored or not. Respect has many forms and those forms have many layers, and really there is no one else but ourselves to be the judge of the way we are being treated. Yet when and where basic human rights are not granted, the feeling of being deeply rooted in one's dignity (if not entirely unimaginable) is but a dream. This world is certainly not the best of all worlds and there is always a battle to be fought and battles will have to be fought again and again. Some so mean and savage that they can only be fought by those prepared to go till the end.

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        Vakuum TV 

        VakuumTV was founded in February 1994 on the initiative of László Kistamás. Its members presented weekly broadcasts on Monday nights at the most popular cultural club in Budapest, Tilos az Á. Needless to say, the designation 'VakuumTV' was not meant to refer to any kind of conventional television channel which could be received on TV sets in commercial circulation. Rather, its founders envisioned a live show in which a large frame separating the stage from the audience imitates the experience of watching TV for the audience. Thus VakuumTV can be received only where this frame is set up.

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        Transcending Post-Communism? 


        ?In Central and (South-) Eastern Europe the cultural landscape has entered the Post-Soros Era, while still awaiting the arrival of the widely expected EU patronage for the arts and the civil sector ?? (from the original description of the ?Enduring Post Communism? panel)

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          A Rift in Empire? 

          The antiwar demonstrations of February 15, 2003 proved it: theself-organization of free singularities is possible on a planetaryscale. And that was an event, despite all that followed. In amanifesto-text written just after those demonstrations, I used thelanguage of Negri and Hardt to say that the multitudes could create arift in Empire. In a context where the Aristocracy (the greattransnational companies) had been weakened by a string of financialdisasters, where the Monarchy (the political and military command ofthe earth) had fallen apart in serious dissension, I wanted toencourage the democratic action of the Plebe, against the scorn of theAmerican, British, Spanish and Italian leaders. It was a moment thathad multiplied the world's political stages, overflowing thetraditional mechanisms of representation.

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            "The Desire to be Wired" 


            1. Desire.

            I come from a social and cultural context which has its languagetaboos, and among them a strong one refers to the libido. Desire is,therefore, something rather personal, and connecting it to the publicsphere might personalize the approach in a naive sense I learned toavoid. But since the same topic has been voiced last year in thecalling papers of the Enschede Photo Biennial, we might be dealing herewith a common place, therefore with a language defensive reflex, andthis is something useful to talk about.

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              Rise and Decline of the Syndicate: the End of an Imagined Community 

              To: nettime-l {AT} bbs.thing.net
              Subject: <nettime> Rise and Decline of the Syndicate
              Date: Tue, 13 Nov 2001 15:52:49 +0100

              The Syndicate mailing list imploded and went down in August 2001, destroying the life-line of the Syndicate network. The network had been in a shaky situation for a while, due - we believe - to the destabilisation of the problematic balance between personal contacts of list members, lurking and filtering-and-not-reading-let-alone-posting subscribers, and a growing number of self-promoters who used the list as a personal performance space and disregarded the social rules of the online community.


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              The Avant-Garde Never Gives Up 

              The avant-garde never gives up. And tactical media has produced (at least) three different theaters of operation to wage its struggle: media activism, pure tactical aesthetics, and net conceptualism. The first allows for "formal" net.art tactics (materialist, structural), the latter two allow for "real" net.art tactics (native presence, site-specificity).

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              Escaping Assad and Revolution in Rojava 

              An interview with a Syrian activist in exile, code-named Sami, published by Occupy.com draws attenton once more to the radical experiment in real-life bottom-up matriarchal democratic design unfolding  against all odds in the autonomous Kurdish region of Rojava in Northern Syria. We are republishing two short texts here on this subject matter to speculate about the question if 'Rojava' could offer a repeatable model for post-governmental political design?

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              Tactical Media in Brazil - Submidialogia conference report 

              The four-day conference on the campus of the Universidade Estadual de Campinas (Unicamp) brought together many key persons from the tactical media movement of Brazil and some of their counterparts in the Brasilian government.
              The movement is converging from roots in free radio, free software, hardware hacking, art and social movements. It is currently focussed around a large-scale project master-minded by Claudio Prado and supported by the Ministry of Culture: ?Pontos de Cultura? (Culture Spots) which is aiming to empower up to 600 cultural projects with free software-based multimedia production and publication facilities.

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              Product Placement in Learning Environments 

              Technology companies have a long history of placing their products inschools and other learning environments. The reasons vary. Placement isdone through in-kind donations, competitive grants, achievement awards,and funds earmarked for technology projects. Most of the companies seetheir products as ways to enhance education, and many will claim therevolutionary or transformative nature of their wares. All of them hopeit will be a prelude to increased market-share.

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                Speed and Information: Cyberspace Alarm! 

                The twin phenomena of immediacy and of instantaneity are presently oneof the most pressing problems confronting political and militarystrategists alike. Real time now prevails above both real space and thegeosphere. The primacy of real time, of immediacy, over and above spaceand surface is a ~fait accompli~ and has inaugural value (ushers a newepoch). Something nicely conjured up in a (French) advertisementpraising cellular phones with the words: "Planet Earth has never beenthis small". This is a very dramatic moment in our relation with theworld and for our vision of the world.

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