Search results for 'speed'

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Paul Virilio

Paul Virilio (b. 1932 in Paris) is a world-renowned philosopher, urbanist, and cultural theorist. His work focuses on urban spaces and the development of technology in relation to power and speed. He is known for his coining of the term 'dromology' to explain his theory of speed and technology. Paul Virilio is of mixed ancestry, being the son of an Italian father (who identified as a Communist) and a Breton mother. As a small child in France during the Second World War, Paul Virilio was profoundly impacted by the blitzkrieg and total war; however, these early experiences shaped his understanding of the movement and speed which structures modern society. In order to escape the heavy fighting in the city, he fled with his family to the port of Nantes in 1939.

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Speed and Information: Cyberspace Alarm! 

The twin phenomena of immediacy and of instantaneity are presently oneof the most pressing problems confronting political and militarystrategists alike. Real time now prevails above both real space and thegeosphere. The primacy of real time, of immediacy, over and above spaceand surface is a ~fait accompli~ and has inaugural value (ushers a newepoch). Something nicely conjured up in a (French) advertisementpraising cellular phones with the words: "Planet Earth has never beenthis small". This is a very dramatic moment in our relation with theworld and for our vision of the world.

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Unknown Quantity - Foreword 

"Contemporary civilization differs in one particularly distinctive feature from those which preceded it: speed. The change has come about within a generation," noted the historian Marc Bloch, writing in the nineteen-thirties. This situation brings in its wake a second feature: the accident. The progressive spread of catastrophic events do not just affect current reality, but produce anxiety and anguish for coming generations.

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EuroMayDay Call Spring 2010 

Precarisation is the norm, temp work, low salaries, unemployment. Barbed wire, uniforms and camps that protect fortress-europe, excluding and persecuting thousands of women, men and children. Police and armies are in the streets, with their cameras and helicopters. Control is everywhere, terrorist laws are used to legitimize repression. The media keeps the lid on the pot that is starting to boil over. At the same time it is doing its best to convince us to keep up consumption. The serpent is eating its own tail. Our brothers and sisters in the south are paying the bill; and we pay too. Animals becoming extinct show the way to the future generations. And at the same time, the banks are throwing our billions out the window...

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How Low Can You Go 

Projects that bend and stretch the possibilities of media technology. All levels are possible but we will definitely not fetishize high tech solution s. In fact N5M3 will counter the obsession with high technology. Instead of glitching the high-tech fantasies of many of the international art & tech events, N5M3 will make a vigorous effort to go low-tech.

Most media, and certainly common media, heavily depend on technology. "Media", actually is a term which is very hard to define; in many meanings of the word "media", technology is already implied. N5M3 will focus not only on the tactical potential of (new) media, it also wishes to reflect on the developments of media and media technology. The choice of media that we use, and the way we use these media is not completely self-evident or coincidental. Nor is it fully our own conscious decision. The construction of media technology instead is deeply political and political-economical.

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Die Informationsbombe 

Ausgestrahlt im Deutsch-Franzoesischen Kulturkanal ARTE November 1995.


In den fuenfziger Jahren hat Albert Einstein gesagt, dass wir es mitdrei Bomben zu tun haetten. Die erste, die Atombombe, sei bereitsgezuendet. Die zweite sei die Informatikbombe; die dritte, dieBevoelkerungsbombe, werde im 21. Jahrhundert explodieren. Gegenwaertigexplodiert die Informatikbombe. Neue Technologien, insbesondere dieMoeglichenkeiten zur Schaffung virtueller Welten, veraendern Kultur,Politik und Gesellschaft grundlegend. Zu diesem Thema diskutieren heuteabend im Gespraech der Stadtplaner und Philosoph Paul Virilio undFriedrich Kittler, Medienspezialist an der Humboldt Universitaet inBerlin.

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The Law of Web TV 

Internet policy is hard to enforce, but there is no harm in thinking it through. On the other hand, whatever order there is in the Net is generally the result of focussed self-organization: namely that the elements that constitute the medium, technology, market, infrastructure, policy and consumers, fall into place rather quickly and often better than expected.

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Indonesia: The Web as a Weapon 

CAPABLE OF cutting through time and space, the Internet offers a means of communication not previously dreamed of. It has created important new possibilities as it shrinks distances and provides an astounding volume and variety of information to those who have computer access. One result of these is the acceleration of the development of solidarity networks among peoples, regions, and countries. In Indonesia, it has even managed to help topple a strongman who, until his unscheduled resignation in May 1998, had been Asia's longest reigning postwar ruler. To Indonesia's powers that be, controlling the Internet has become close to being an obsession.

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INFOBAHN BLUES 

Since American Vice-President Al Gore made his famous speech in California a couple of years ago, it has become impossible to scan any news medium without finding at least one reference to the "Information Superhighway". The Information Superhighway metaphor - specially tailored for Mr. Gore's California audience - is so brilliantly simplistic it seems to have blown the mind of every media editor in the Western Hemisphere. With an Information Superhighway you just plug in your modem and roll your data out onto the ramp and into the dataflow where it zips along the freeway until it hits the appropriate off-ramp. Finding data is the same - it's all nice straight data-lanes with on and off ramps and well-banked curves.

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    Reclaim the Streets: The Film and Other Media Tactics 

    The Disorganisation

    Reclaim the Streets (RtS) cannot be understood as a campaign, although some of its methods are very similar. There are now RtS groups in thirty cities organising illegal street parties. Most of these groups only exist for the event, and many of the activists are involved in local campaigns during the rest of the year. There is no membership or official line although many would like to see a wider global strategy. As a movement, RtS is only four years old, and it could grow in unpredictable ways.

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    The Revenge of Print 

    In the wireless era, is the paper medium simply passé for the work of activists? Are zamizdat, fanzines and political magazines just good for historians? After the mid-nineties zine crisis due to a sudden rise of the cost of paper and the advent of the Internet, the actual role of magazines seems to be re-defined and still strategical for the circulation of ideas.

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      Vectorial Empires 

      01. These are precarious times. These are eventful times. Let us note some of the symptoms of this instability. There is September 11,and the prospect of a new form of American empire that uses September11 as its pretext. There is the global stock market slide, triggered by the collapse of American tech stocks, which altered the lives of chip-makers in Korea and Coltan miners in the Congo. These are instances of what I call weird global media events. They are events because they are singular. They are media events because they happen in a vectoral space of communication. They are global media events because they call a world into being. They are weird global media events because they defy explanation. They subsume every explanation as mere ripples and eddies in their wake.

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      Signs of the Times: the Popular Literature of Tahrir 

      Protest Signs, Graffiti, and Street Art - a special issue of Shahadat

      This issue takes as its focus the popular literature of the Egyptian Revolution. Drawing on protest signs, graffiti, and street art in Tahrir to read the culture of resistance particular to the Egyptian Revolution, the curators examine how protesters changed the political narrative through the use of images, memorials, and expressions of daily life.  Featuring examples from an extensive gallery of online images culled from the collections of several prominent Egyptian journalists and activists, the online piece is a visual tour of some of the creative production of Egypt's Revolution.  A collaborative curation project split between New York City and Cairo, this is ArteEast's first critical look at the cultural production related to recent political developments in the Middle East.
      - Co-curators, Rayya El Zein & Alex Ortiz.

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