A public debate at Framer Framed, Tolhuistuin, Amsterdam, Sunday July 6, 2014 - 14.00 - 17.00 hrs.
The relationship between art and political conflict has been
significantly reshaped by the proliferation of digital media and the
internet as a means of instant dissemination of images, texts, and
audiovisual expressions. Artistic /activist actions intervene via these
digital means into an expanded symbolical space that is no longer the
sole sanctuary of artists and art audiences, but instead has become the
'neural fibre' of everyday life.
How much of this is fiction. focuses on politically inspired media art that uses deception in all its forms, and will be showing at HeK (House of Electronic Arts Basel) from 23 March until 21 May 2017.
ReadAn investigative series produced by Occupy.com that aims to identify and connect the worldwide institutions and individuals who comprise today's global power oligarchy.
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Archives - Life-Cycles - Care
TMF editors Eric Kluitenberg and David Garcia have been invited to participate in the workshop "Taking Care of Things!" in Lüneburg, Germany, January 15-18, organised by the Post-Media Lab / Centre for Digital Cultures - Leuphana University, and Habits of Living in cooperation with the Stadtarchiv Lüneburg.
Initiated in March 2011, Tahrir Documents is an ongoing effort to archive and translate activist papers from the 2011 Egyptian uprising and its aftermath. Materials are collected from demonstrations in Cairo's Tahrir Square and published in complete English translation alongside scans of the original documents. The project is not affiliated with any political organization, Egyptian or otherwise.
ReadExploring the radical shift in the boundary between fiction and reality in a world increasingly governed by ‘post-truth’ politics
Exhibition @ FACT (Foundation for Art and Creative Technology), Liverpool, 2 March 2017 - 21 May 2017
Public Opening: Thursday 2 March / 6 - 8pm / All galleries
Global Uprisings is an independent news site and video series dedicated to showing responses to the economic crisis and authoritarianism. Since 2011, Brandon Jourdan and Marianne Maeckelbergh have been travelling, researching, and making documentary films.
Their short films detail social movements in Bosnia and Herzegovina, Egypt, Greece, Portugal, Spain, Turkey, the UK, and the US. Their films cover strikes and demonstrations in the UK, the large-scale housing occupations and street mobilizations in Spain, the various general strikes, protests, and factory occupations in Greece, the revolution in Egypt, the Gezi Park uprising in Turkey, the 2014 social explosion in Bosnia and Herzegovina, the revolt against austerity in Portugal, and the occupy movement in the United States.
A public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Under the working title 'Tactical Media Connections' the editors of the Tactical Media Files, David Garcia and Eric Kluitenberg have begun an extensive public research project that seeks to trace and develop the connections between the phenomenon of Tactical Media as it was identified in the early 1990s, not least through the renowned series of Next 5 Minutes festivals and conferences on Tactical Media (www.n5m.org - organised four times between 1993 and 2003), and current critical practices operating at the intersection of art, media, activism, technological experimentation and political contestation.
Out now and available for download:
INC Network Notebooks 05 - Legacies of Tactical Media
Tactical Media employ the 'tactics of the weak' to operate on the terrain of strategic power by means of 'any media necessary'. Once the rather exclusive practice of politically engaged artists and activists, the tactical appropriations of media tools and distribution infrastructures by the disenfranchised and the disgruntled have moved from the margins to centre stage.
A public research trajectory tracing the legacies of Tactical Media and its connections to the present.
Tactical Media Connections is an extended trajectory of collaborative research tracing the legacies of Tactical Media and mapping the relationships between its precursors and its progeny. The program is realised through a series of meetings and exhibitions, culminating in the publication of a Tactical Media Anthology with contributions and dialogues ranging across generations and territories.
Translating the abstraction—and banalities—of the Anthropocene into readable cartography has resulted in many past attempts that often ended up reproducing those same qualities. But, as Brian Holmes asserts in this essay, we seem to have found ourselves in a moment where collaboration, engagement, and new forms of knowledge exchange are breaking that deadlock. Tracing his own involvement with artistic practices that both engage with and attempt to represent a “political ecology,” Holmes explains how the evolving, collaborative cartographic practice that brought the "Mississippi. An Anthropocene River map" into being simultaneously reveals and interrogates the power structures of Anthropocence society.
ReadTactical Media Connections public program, Amsterdam January 20 - 22, 2017.
As part of the Tactical Media Connections public research trajectory tracing the legacies of Tactical Media and its connections to the present, a series of public events take place in Amsterdam between January 20 and 22, 2017. The public program includes an exhibition at Framer Framed in the Tolhuistuin cultural centre, opening on Friday January 20; a Meme Wars Lab workshop on Friday January 20; a public debate at Eye Filmmuseum on Saturday January 21, and a one day conference (‘The Society of Post-Control’) again at the Tolhuistuin on Sunday January 22.
Please find below a brief program overview, followed by a detailed description of the different parts of the public program.
Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.
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