Oliver Ressler

Artist and flimmaker
 Born in Knittelfeld, Austria, in 1970, lives and works in Vienna.
Artist Statement
In my artistic work, I analyze and criticize power relations in our 
current society, but I seek to go beyond a simple analysis and 
criticism. Several of my works focus on forms of resistance found in the
 so-called counter-globalization movement and in the emerging social 
movements that fight the response (or non-response) of states and 
corporations to climate change. My projects deal with major issues and 
include valuable information, but transcend a simplistic delivery of 
content. Who speaks is of big importance to my work; speakers 
are often grassroots activists or workers usually not listened to by 
anybody. These people share a passionate commitment to overcome the 
current capitalist system.
Resistance can only succeed when people struggle for a common goal. 
If people resist the economic and political system, ideas must be 
developed on the specific forms of an alternative and more democratic 
society. Mobilization goes hand-in-hand with projecting a utopia. When 
conceiving new models for alternative formations of society and economy,
 a central role should be played by principles such as self-government, 
self-management and direct decision-making. In contradiction to what 
corporate media try to make us believe about Venezuela, the country has 
well developed forms of popular participation in direct decision-making.
 Thus, in recent years, my work has focused on the Bolivarian Process in Venezuela.
I do my work within the field of art, but at the same time, I need to
 go beyond and not to limit my work only to the art world. Therefore, my
 films are available for presentations by activists. The art scene was 
not at all connected to most screenings of my three films on the 
counter-globalization movement, or my three films on the political 
processes in Venezuela. Therefore, my work blurs the boundaries between 
art and activism. I also produce posters, billboards, billboard-objects,
 and magazines that intervene directly in public urban spaces and 
address political issues through different methods. These works attempt 
to support progressive social processes and to contribute toward a 
change in society.
Social change can only be achieved in cooperation with other people; 
this is also reflected in my own work, which is often done in 
collaboration with others. Over the years, I have worked with the 
artists Zanny Begg (Sydney), Ines Doujak (Vienna), Martin Krenn (Vienna), Gregory Sholette (New York), David Thorne (Los Angeles) and the political scientist Dario Azzellini (Caracas/Berlin).
Source:
www.ressler.at/biography