Dark Markets is a two day strategic conference that looked into the state of the art of media politics, information technologies, and theories of democracy. A variety of international speakers inquired into strategies of oppositional movements and discussed the role of new media.
Read"10 Basic Facts You Should Know About OCLP for Fighting [for] True Democracy"
A small handbook which explains complex economic terms and theories in simple language, to help everyone understand what has caused the economic mess, why it's still continuing, and enable them to engage in the debate about what needs to be changed for the better in our economic system. It is NOT a manifesto. It has been created to stimulate people to engage in discussion, and so to make up their own minds as to what they think should be done to create a better and fairer world.
ReadBorders are there to be crossed. Their significance becomes obvious only when they are violated--and it says quite a lot about a society's political and social climate when one sees what kind of border-crossing a government tries to prevent. Everybody knows that it is increasingly easy for money, goods, and capital to cross the borders of nation-states and territories; that the spreading of information can no longer be restricted; that social, political, or economic conflicts cannot be reduced to national affairs anymore.
Over 2,000 Ogoni, including their leader, Ken Saro-Wiwa have died since they started their non-violent campaign against Shell. Many Ogoni are still imprisoned today. Their only crime was to campaign against the ecological destruction of their homeland by Shell and ask for a greater share of the oil wealth that had been drilled from under their land.
ReadThis essay provides a short and insightful overview of alternative television projects in the Italy of Berlusconi.
To the Arts, Citizens: it's a fantastic title. Hearing it, anyone who's been involved in political activism will probably think: "At last we're getting somewhere." The idea that art is part of citizenship, that there is a democratic exercise of the arts within the framework of public life, and that this appeal to the citizen-artist can be supported by a major cultural institution, is about as progressive as you could get today. Especially since this is a direct echo of the French republican tradition, where the phrase, Aux armes citoyens, is nothing less than a call to rise up and institute democracy against tyranny ? in other words, a call to revolution. The Portuguese know the meaning of this revolutionary call to arms from decisive historical events that are still in living memory. So one can imagine that the organizers of this exhibition did not take their title lightly.
ReadFriday, October 05, 2001 12:20 PM
subject: Activism After September 11
Dear Friends,
This essay was published today in The Nation. It's
an attempt to discuss what the atrocities of September 11 might mean to
those of us who are publicly critical of corporate power and the
current global economic model. There are no easy answers to this
question so the essay is more of a meditation on symbolism and tone
than a political roadmap.
Take care,
Naomi
Introducing the panel on Counter-strategies of Corporations against
Campaigns Featuring: What are the modern-times strategies of present
day companies? And: How can we respond to these?
This part of the introduction includes a short outline of the themes to
be discussed at the forum. Being used are examples from the work of the
panelists and cases they have been working on. Also included are
exerpts from recent articles on the corporate world's reaction to
social and environmental cam-paigns, illuminating the main themes from
different points of view. References are included below, if you would
like to receive four further texts on this subject, please let me know:
evel@xs4all.nl
Technology companies have a long history of placing their products inschools and other learning environments. The reasons vary. Placement isdone through in-kind donations, competitive grants, achievement awards,and funds earmarked for technology projects. Most of the companies seetheir products as ways to enhance education, and many will claim therevolutionary or transformative nature of their wares. All of them hopeit will be a prelude to increased market-share.
ReadVakuumTV was founded in February 1994 on the initiative of Laszlo Kistamas and currently includes Dora Csernatony, Ferenc Grof, Laszlo Kistamas, and Attila Till. Its members presented weekly broadcasts on Monday nights at the most popular cultural club in Budapest, Tilos az A. Between February 1994 and September 1997 Vakuum TV broadcast 52 shows, and after 3 years of rest, started broadcasting again in 2000. Each show blended short films, interactive engagements between the audience and the announcer, and live performances but each used a very different content to create a parallel televisual reality.
ReadConscious of the growing involvement of artists in political protest through their art and the utilisation of conventional and digital media technologies, RealTime's editors approached media theorist McKenzie Wark to comment on where he sees Tactical Media fitting in the bigger picture of power and media.
ReadWe can no longer put off re-thinking the economic structures that have been producing, financing, and funding culture up until now. Many of the old models have become anachronistic and detrimental to civil society. The aim of this document is to promote innovative strategies capable of defending and extending the sphere in which human creativity and knowledge can prosper freely and sustainably.
ReadWe, OccupyLA, agree that the legal state of affairs at many occupation
sites is unacceptable. Mass arrests are numbering in the thousands
across NYC, Boston, San Francisco, Chicago, Denver, San Diego, Long
Beach and many more cities.
Press Release, February 17, 2011:
Declaration drafted during 4 months by the Free/Libre Culture Forum.
Each year, the FCForum brings together key organisation and active
voices in the sphere of free/libre culture. It responds to the need for
an international arena in which to put together and coordinate a global
framework for action, and to the need to defend and expand the sphere
in which human creativity and knowledge can prosper freely and
sustainably.
